Lee Cannon-Brown
,@cannonbrown
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Gavin Lee deposited Postcolonial Bifurcation: On John Sharpley’s Emptiness in the group
Society for Music Theory (SMT) on Humanities Commons 6 years agoMusic Analysis 38.3 (2019): 316-357 (published by the UK Society for Music Analysis)
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Gavin Lee deposited Postcolonial Bifurcation: On John Sharpley’s Emptiness in the group
Global Musical Modernisms on Humanities Commons 6 years agoMusic Analysis 38.3 (2019): 316-357 (published by the UK Society for Music Analysis)
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Ellen Bakulina replied to the topic Phrase terminology in Russian textbooks on form in the discussion
Society for Music Theory—Russian Music Theory Interest Group on Humanities Commons 6 years agoHi Yosef, indeed this is the first discussion, thanks for posting!
I recently explored the Mazel/Zuckerman textbook _Analiz muzykal’nykh proizvedeniy_ (Analysis of musical works), Moscow 1967, so I’ll give you some things from there. One good place to start is the section titled “Period,” which begins on p. 550 of the edition I have. For details,…[Read more]
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Gavin Lee edited the doc GUIDE to BLOG POSTS in the group
Global Musical Modernisms on Humanities Commons 6 years ago -
Gavin Lee created the doc GUIDE to BLOG POSTS in the group
Global Musical Modernisms on Humanities Commons 6 years ago -
Gavin Lee edited the doc INDEX of Blog Posts by Composer’s Name in the group
Global Musical Modernisms on Humanities Commons 6 years ago -
Gavin Lee created the doc Index of blog posts by composer’s name in the group
Global Musical Modernisms on Humanities Commons 6 years ago -
Gavin Lee edited the doc FAQ in the group
Global Musical Modernisms on Humanities Commons 6 years ago -
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Dimitris Papageorgiou deposited Repurposing ‘com-provisation’ (script/pre-print of conference paper) in the group
Society for Music Theory (SMT) on Humanities Commons 6 years agoAs Anne Sauvagnargues suggests, in Gilles Deleuze thought “every[-thing] is defined as an assemblage of movements and affective vibrations.” Interestingly, Sauvagnargues’ proposition aligns neatly with Tim Ingold’s idea of correspondence, where things perdure, “carry on together, and answer to one another,” and where the additive ‘and…and.…[Read more]
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Yosef Goldenberg started the topic Phrase terminology in Russian textbooks on form in the discussion
Society for Music Theory—Russian Music Theory Interest Group on Humanities Commons 6 years agoHello everyone. Is this the first discussion on the new site?
I teach forms and analysis for beginners. The teacher of a parallel group uses Russian terminology and theory, and I see that we are not at all matching, e.g. what he teaches as “phrase” is more-or-less equivalent to Caplin’s “basic idea”; and for him “period” need not have a structure…[Read more]
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Ellen Bakulina started the topic Welcome / Добро пожаловать in the discussion
Society for Music Theory—Russian Music Theory Interest Group on Humanities Commons 6 years agoDear SMT-Rus members,
Welcome to the SMT Russian Music Theory Interest Group! This is our group’s official web page starting January 2020, and I am Ellen Bakulina, chair of the group for the 2020-2022 term. All information pertaining to the group’s activity will be available here. Please note that the RMTIG Google group will no longer be used for…[Read more]
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John Covach deposited “The Schönberg Analytical Legacy: Rudolph Reti and Thematic Transformation,” Journal of the Arnold Schönberg Center 16 (2019): 99-111. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 1 month agoThis paper considers Rudolf Reti’s The Thematic Process in Music in the context of Arnold Schoenberg theoretical writing.
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Gavin Lee created the doc Test in the group
Global Musical Modernisms on Humanities Commons 6 years, 1 month ago -
Gavin S. K. Lee created the group
Global Musical Modernisms on Humanities Commons 6 years, 1 month ago -
John Covach deposited Review essay: “Dahlhaus, Schoenberg, and the New Music,” In Theory Only 12 (1991): 19 42. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoReview of a collection of essays by Carl Dahlhaus, translated by Derrick Puffett and Alfred Clayton and entitled Schoenberg and the New Music.
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John Covach deposited Review of Edward Lippman, A History of Western Musical Aesthetics and John Rahn, ed., Perspectives on Musical Aesthetics, Music Theory Spectrum 17/2 (1995): 275-82. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoReview of the Lippman and Rahn books, both devoted to music aeathetics.
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John Covach deposited Review of Allen Forte, The American Popular Ballad of the Golden Era, 1924-1950, College Music Symposium 36 (1996): 168-72. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoReview of Forte’s book devoted to the analysis of Tin Pan Alley popular music.
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