Laura and I are delighted to announce that Robert Hasegawa has agreed to lead a workshop for our group at our meeting this November. The description is below, and we look forward to some preliminary conversations happening in this space before then!

Best wishes,

Tara

Post-1945 Music Analysis Interest Group

Workshop at SMT 2021: Diversity and…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear scholars in post-1945 music,

Please consider submitting your published articles or book chapters for consideration for the SMT Post-1945 Music Analysis Interest Group Publication Award. Details below:

The Post-1945 Music Analysis Interest Group is a discursive space for scholars of music after 1945, with an emphasis on the modernist,…[Read more]

I’m hoping to be able to find a list of all all-trichord (or at least ten-trichord, omitting {036} and {048}) row-classes. I believe that Daniel Starr’s 1980 dissertation contained it in an appendix, but as an “independent scholar,” I have access only to journals through JPASS/JSTOR. Might anyone in the group have such a list to share?

Thank you, all, for your comments regarding the IG’s bylaws and for your participation in our survey.
Here are the main takeaways:

• Bylaws were ratified on December 15, 2020 (by 11 votes, which is 15% of the current membership).  If necessary, we can adjust/amend the wording at the next year’s business  meeting. You can find the document on o…

[Read more]