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Edmundo Murray deposited The Diplomacy of Art: Irish, Spanish and Latin American Artwork in a Historic Building of Geneva in the group
History of Art on Humanities Commons 5 years, 3 months agoThis article focuses on the works of art offered by Irish, Spanish, Brazilian and other governments and institutions to embellish the Centre William Rappard since 1926 to date. The Centre William Rappard is the first building in Geneva designed to house an international organization. It was built for the International Labour Office, and…[Read more]
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Christiane Wagner deposited Art Style, Art & Culture International Magazine, no. 1 in the group
History of Art on Humanities Commons 5 years, 3 months agoArt Style | Art & Culture International Magazine is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of…[Read more]
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Alicia Mihalic deposited Review of Barbara Burman and Ariane Fennetaux, The Pocket: A Hidden History of Women’s Lives, 1660-1900 in the group
History of Art on Humanities Commons 5 years, 3 months agoBarbara Burman and Ariane Fennetaux, The Pocket: A Hidden History of Women’s Lives, 1660-1900, Yale University Press, London, England, 2020, Appendix: Pockets in the Old Bailey, Notes, Archives, Bibliography, Index, Picture Credits, 161 Colour Illustrations, 264 pages, Softback, £19.99.
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Yan Brailowsky deposited « La tête qui bondit » ou la décollation de Marie Stuart in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 3 months agoMary Stuart’s Bouncing Head
Execution scenes reveal the links between the spectacular and the punitive (Michel Foucault), but they are difficult to stage, even more so when the topic is the decapitation of Mary Stuart, whose execution divided Catholics and Protestants, forcing playwrights to adopt several mediation strategies. Taking plays by J…[Read more] -
RONALD VINCE deposited Jean de la Taille, Saul in his Madness (Saül le furieux) in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 3 months agoJean de la Taille’s “Saül le furieux” (1562) has been described as “the most dramatic play produced by the French Renaissance,” and the author’s preface to the play in the printed edition of 1572, “De l’Art de la Tragedie,” as “certainly the best theoretical essay on the theatre written in France before the classical period.” These estimates by…[Read more]
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Ben Newbound deposited A ring from Pylos in the group
History of Art on Humanities Commons 5 years, 4 months agoA three-page paper on the artistry of a bronze age ring whose discovery was reported in 2019.
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Florian Windhager deposited Reassembling Elephants: A Multi-Spatiotemporal Visualization Method for History and Humanities Data in the group
Digital Art History on Humanities Commons 5 years, 6 months agoWhen engaging in the visual analysis and communication of cultural collections and other types of complex historical data, scholarly or public audiences rarely get to see their multidimensional richness. Commonly, visualization tools require analysts to selectively ‘cut’ into the complexity of the data to highlight and project particular asp…[Read more]
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Jason Rosenholtz-Witt started the topic CFP – Renaissance Bergamo at RSA 2021 in the discussion
Renaissance/ Early Modern Studies on Humanities Commons 5 years, 6 months agoRenaissance Bergamo: At the Edge of the Venetian Terraferma
Present day Bergamo is bifurcated into an upper and lower portion of the city by the Venetian walls, built in 1561-1623 to discourage Milanese northward expansion, as well as to limit contraband trade. Bergamo was one of the most important of the strong points fortified by the Venetian…[Read more] -
Robin Rolfhamre deposited Embellishing lute music: Using the Renaissance Italian passaggi practice as a model and pedagogical tool for an increased improvisation vocabulary in the French Baroque style in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 7 months agoEarly seventeenth century lute improvisation — a phrase that by its mere utterance may cause debates full of uncertainties, fears and fantasies. What is proper improvisa-tion? How did they do it 360 years ago? In this article I seek to revive a systematic prac-tice of teaching ornamentation and improvisation from the Renaissance scholars — i.e…[Read more]
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Robin Rolfhamre deposited Informed Play: Approaching a Concept and Biology of Tone Production on Early Modern Lute Instruments in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 7 months agoInformed Play presents a conceptual understanding of tone production based on extensive historical research on primary sources, modern literature and handbook reviews, physical and psychological perspectives as well as on technology. As the first volume in English to discuss and contextualise the topic of tone production on Early Modern lute…[Read more]
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Alexander J McNair deposited Pasillo del Cid Campeador: un curioso pliego suelto del siglo XIX in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 7 months agoEn su edición del Romancero del Cid de 1871, un compendio de todos los romances del Cid disponibles en versiones impresas de los siglos XVI y XVII, Carolina Michaëlis incluyó un apéndice para demostrar la vitalidad de la tradición cidiana en pleno siglo XIX. Michaëlis escribe: “Para muestra del género de romances populares que aun hoy dia en A…[Read more]
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Cristelle Baskins started the topic CFP — IAS sponsored session at RSA Dublin 2021 in the discussion
Renaissance/ Early Modern Studies on Humanities Commons 5 years, 7 months agoPainted Faces: Documenting the Tradition and Reach of the Renaissance Frescoed Façade in Rome and Beyond In early sixteenth-century Rome, as the architectural language of grand domestic spaces was being further refined, elaborate façade fresco decorations came into incredible popularity. These cycles, some of which were designed to root the st…[Read more]
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Cristelle Baskins started the topic CFP — IAS sponsored session at RSA Dublin 2021 in the discussion
Art History on Humanities Commons 5 years, 7 months agoPainted Faces: Documenting the Tradition and Reach of the Renaissance Frescoed Façade in Rome and Beyond In early sixteenth-century Rome, as the architectural language of grand domestic spaces was being further refined, elaborate façade fresco decorations came into incredible popularity. These cycles, some of which were designed to root the st…[Read more]
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Carlotta Paltrinieri started the topic Online Lecture in the discussion
Renaissance/ Early Modern Studies on Humanities Commons 5 years, 7 months agoOn July 11th, at 6pm, I will be giving a lecture on the Florentine academies (Disegno, Fiorentina, Crusca) as part of the online lectures series: “THE MEDICI AND THEIR ARCHIVES: ARTISTIC PATRONAGE AND DIPLOMACY”. If you are interested in the series you can register here: https://www.medici.org/map-online-lectures-series/
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Birk Weiberg deposited Modeling Performing Arts: On the Representations of Agency in the group
Digital Art History on Humanities Commons 5 years, 7 months agoThe documentation of performing arts by means of databases is a challenging task for several reasons. Primarily, this has to do with the absence of a central, sizeable object that can be described and quantified. Any information collected in a database for performing arts thus seems to be of second order, paraphrasing what cannot be reproduced.…[Read more]
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Pedro P. Palazzo deposited Architecture as Portrait: Exoticism and the Royal Character of the Louvre, 1380–1681 in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 7 months agoThe architectural evolution of the Louvre between the 15th and 17th centuries is characterized by systematic attempts to distinguish the building within the broader context of French styles. In the 15th and early 16th centuries, this is achieved by producing grander and more elaborate versions of the contemporary French architectural solutions.…[Read more]
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Ann E Mullaney deposited Pietro Bembo and the Erotic Lexicon in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 7 months agoThe works of Pietro Bembo (1470-1547) intrigue readers approaching them from various angles… Here, my aim is modest: to highlight passages in Bembo’s literary texts which exploit the erotic lexicon so popular in his day.
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Alexander J McNair deposited Variantes y versos perdidos: El Cid Campeador de A. Enríquez Gómez entre el manuscrito (1660) y las comedias sueltas in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 7 months agoEl Cid Campeador, obra teatral de Antonio Enríquez Gómez (1660-1663), se publicó reiteradamente a lo largo del siglo XVIII y los primeros años del XIX. La obra, casi desconocida hoy en día, gozó de una popularidad enorme entre 1700 y 1830, tanto en el teatro como en la imprenta, debido en parte a su tema histórico y el estilo barroco, tan de gus…[Read more]
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Alexander J McNair deposited A Critical Edition of Antonio Enríquez Gómez’s El Cid Campeador (1660): Project Narrative for Grant Proposal in the group
Renaissance / Early Modern Studies on Humanities Commons 5 years, 7 months agoThis paper is the project narrative for a grant proposal submitted in February 2019, that resulted in funding from two different sources to cover travel expenses in support of archival work in Spain (summer 2019). I share this project narrative to encourage others who are considering similar proposals, or who may be thinking about the scholarly…[Read more]
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Edmundo Murray deposited Centre William Rappard: Home of the World Trade Organization, Geneva in the group
History of Art on Humanities Commons 5 years, 7 months agoThe first building in Geneva designed to house an international organization, the Centre William Rappard has played host to the International Labour Office since it first opened its doors in 1926, and later to the General Agreement of Tariffs and Trade secretariat and to the World Trade Organization. “Centre William Rappard: Home of the World…[Read more]
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