CFP  – attached Word document

Submissions will be accepted until April 30th, and people will be notified of their acceptance/rejection within one week of submitting. Those interested can visit https://mpcaaca.org/ for more information or contact Bryan Bove at bbove@bgsu.edu with any questions.

Well, it is expected that Spotify will launch new types of mixes from time to time. They through their algorithms at the music and see what happens. As a scholar, with MusicID you can see the stream counts. You can work out whether they’re selecting the right music, in your opinion. Read more at Music Ally…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Dear colleagues,
I should like to alert you to the publication of a new two-part study on my website, entitled “Mozart’s Delayed Dominants” at

http://www.channanwillner.<wbr />com/online.htm. Part I demonstrates that in Mozart’s (and in other late 18th-century) sonata form, the arrival of the structural dominant is often delayed almost to the e…[Read more]

Hi Everyone,

We had a bit of an issue with the new database defaulting to an Excel file rather than a Google Sheet. I’ve converted the database and you should be able to freely edit and add new examples! I will delete the old thread to avoid confusion, but include Christine’s original message…[Read more]

Dear colleagues and members of the AADIG,

Below is a message from Richard Beaudoin which is likely to be of great concern to our Interest Group. Please note the invitation to contribute to the Google Document and to circulate it as appropriate.

The Paddock Music Library at Dartmouth College has just been closed — permanently — without con…[Read more]

Hi!

I’m currently applying Megan Lavengood’s concept of the “novelty layer” in pop texture (see her 2020 MTO article) to King Crimson’s 1973 album Larks’ Tongues in Aspic.

Is anyone else out there doing work along these lines with selections from progressive rock? art rock? experimental pop? etc.?

Many thanks,

Brian

Please share this with your PMIG friends who might not follow our Humanities Commons site!

We’re deciding on a topic/format for next fall’s SMT meeting, and we don’t yet know whether it will be in person or virtual. Please click on this link and let us know your preferences! (And please, only vote once.)

I will close the survey at 5:00 pm (EST)…[Read more]

Hi everyone! Your attendance and participation at our virtual session at SMT in November was much appreciated – I was overwhelmed with how smoothly everything went, with the superb presenters, and with the rich discussion.

So…IT’S TIME TO START BRAINSTORMING FOR NEXT YEAR!

Send me your ideas for a discussion/analysis panel! You can respond to…[Read more]