This essay discusses the cinematic representation of Revolution in Sergei Eisenstein’s film Oktiabr’ / October, a film which had a decisive impact on the revolutionary development of film history and theory. I will explore how Revolution can be re-enacted and shown in the medium of cinema, and how this medium is capable of not only staging his…[Read more]

Harun Farocki’s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the…[Read more]

This paper addresses a curious pattern of interlocking relationships. This pattern unfolds in a fixed form of ever-changing content, or what is often described as a ‘standing wave’. I will attribute this pattern to the interactive nervous system that synchronizes the periodic effects of four, neurological functions. These functions connect a par…[Read more]

As Prof. Dale Townsend has observed, the concept of the Gothic has had an association with fairies from its inception; even before Walpole’s 1764 Castle of Otranto (considered the first Gothic novel), eighteenth-century poetics talked of ‘the fairy kind of writing’ which, for Addison, ‘raise a pleasing kind of Horrour in the Mind of the Reader’…[Read more]

Writing a factual or fictional dream is a difficult task as its ›otherness‹ will challenge all of our accustomed modes of narration. So the existence of established cultural and textual patterns is a welcome help. This collection of essays describes these patterns, their historical and individual modifications and their relation to the dre…[Read more]

Com base na análise das formas cinematográficas de reconstituição da história em Serras da desordem, Corumbiara e Taego Ãwa, identifico a importância da figura dos espectadores indígenas para a compreensão das imagens que os filmes criam e mobilizam. Argumento que o contracampo efetivo, virtual ou espectral dos espectadores indígenas constitui…[Read more]

An important part of age-old human attempts to cope with the otherness of the dream is the so-called ›dream-discourse‹, which tries to explain the origin of dreams, their bizarre appearance, their functions, and the methods for detecting the information which they may contain. This collection of essays will reconstruct dream-discourses from man…[Read more]

From Michel de Montaigne’s essay “Of Friendship” to Jacques Derrida’s rearticulation of the former in The Politics of Friendship, scholars both early modern and modern have sought ways to address the fluid co-mixture of bodies from which the discourse of friendship can and does emerge. More recently still, new materialist thinkers of ontolog…[Read more]

A reading of Shakespeare and Deleuze on the subject of Anthropocene air. Keywords: endurance, climate change, fossil capitalism, carbon ghosts, Hamlet.

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Can we imagine a Blue Humanities that takes the non-relation as a starting point for ecological thought? I believe we can. Following Shakespeare and Deleuze, this essay engages in a thought experiment that, if it is not too absurd, might, like the ship of fools of medieval times, unmoor the Blue Humanities from its current safe harbor by putting…[Read more]

This essay examines how the rhetoric of animalization in Shakespeare’s Othello compels us to think early modern categories of race in connection with early modern discourses of “human” versus “animal.” Beginning with Shakespeare’s representation of Iago, I suggest that it is the potential for sameness conditioned by Iago’s counterfactua…[Read more]

The essays in this volume trace the development of dream cultures through time both in synchronic and diachronic case studies. The scope of the contributions ranges geographically from New Zealand and China, over India, Mesopotamia, and Africa, to diverse European countries, and historically from Antiquity to the present. The volume covers various…[Read more]

Este artigo discute os principais filmes de curta metragem dirigidos por Leo Pyrata, que exploram a figura do “macaco com a câmera na mão”, mencionada em Cuauhtémoc (2012), para insinuar o devir-animal como prática criativa. Em diálogo com linhagens do cinema experimental e da videoarte, Pyrata elabora modos de montagem anarquívica e reivindic…[Read more]

Se o estudo do que Clarisse denomina filmes de contato depende de uma compreensão histórica do que está em jogo em cada uma das obras abordadas, sua análise de Os últimos isolados (Adrian Cowell, 1967-1999), Corumbiara (Vincent Carelli, 1986-2009) e Os Arara (Andrea Tonacci, 1980-) busca pensar a relação entre culturas como experiência aberta…[Read more]

Lawrence K. Wang, Mu-Hao Sung Wang, Nazih K. Shammas, Valerie Renak and Yung-Tse Hung (2020). Cationic surfactant analysis with good laboratory practice. In: “Environmental Science, Technology, Engineering, Arts, and Mathematics (STEM)”, Lawrence K. Wang, Mu-Hao Sung Wang and Nazih K. Shammas (editors). Volume 2020, Number 4, April 2020; 42…[Read more]

LK Wang, MHS Wang, NK Shammas, and MS Holtorff (2020). Independent physicochemical wastewater treatment system consisting of primary flotation clarification, secondary flotation clarification and tertiary treatment. In: “Environmental Science, Technology, Engineering, and Mathematics (STEM)” , Lawrence K. Wang, Mu-Hao Sung Wang, and Nazih K S…[Read more]

Yuriy I. Pankivskyi (2000). COMBINED PHYSICAL-CHEMICAL AND BIOLOGICAL TREATMENT OF MUNICIPAL WASTEWATER UNDER COLD WEATHER CONDITIONS, ME Thesis, Lenox Institute of Water Technology, USA; May 2000, 67 p. In: “Environmental Science, Technology, Engineering, and Mathematics (STEM)” , Lawrence K Wang., Mu-Hao Sung Wang, and Nazih K. Shammas (ed…[Read more]