For the 16th birthday of the hereditary prince Carl August of Saxe-Weimar-Eisenach on 3 September 1773, his teacher Christoph Martin Wieland had the play “The Choice of Hercules”, a “dramatic cantata”, performed at the Weimar court theatre. Did Wieland thus connect to a tradition of the Hercules myth connected with the dynasty or the place…[Read more]

This essay traces the transformations of aristocratic representation using the example of the Russian Tsar’s daughter Maria Pavlovna (1786–1859), who was married to the Weimar court in 1804. Maria Pavlovna endeavoured to put her informal ruling techniques, charitable undertakings as well as her patronage and memorial ambitions in Weimar’s ‘…[Read more]

This essay traces the transformations of aristocratic representation using the example of the Russian Tsar’s daughter Maria Pavlovna (1786–1859), who was married to the Weimar court in 1804. Maria Pavlovna endeavoured to put her informal ruling techniques, charitable undertakings as well as her patronage and memorial ambitions in Weimar’s ‘…[Read more]

“The Rape of the Lock” by Alexander Pope published in 1712 is a mock-heroic narrative which satirically
glorifies trivial incident of cutting of locks of protagonist Belinda. This poem was written in the
Augustan Era (1660-1784) which is marked by the period of scientific reason and rationality, whose
effect can be seen on the writers of those…[Read more]

Zimmermann, Ruben, and Zacharias Shoukry, “Creatio Continua in the Fourth Gospel: Motifs of Creation in John 5–6.” Pages 87–116 in Signs and Discourses in John 5 and 6. WUNT 463. Edited by Jörg Frey and Craig R. Koester. Tübingen: Mohr Siebeck, 2021.

पत्रकार और शिक्षाविद् प्रमोद रंजन ने जून, 2017 में हिमाचल प्रदेश के दुर्गम इलाकों की यात्रा की थी। इस यात्रा में उन्हें किन्नौर जिले के सुदूर गांव कानम के एक गोम्पा में सुमार नाम की जोमो मिलीं। जोमो यानी बौद्ध भिक्षुणी। मध्य हिमालय की अपूर्व शांति से भरी उस घाटी में सहज वात्सल्य से भरीं 56 वर्षीय सुमार के साथ कुछ घंटे बिताना उनके लिए एक अनूठा अ…[Read more]

This book brings together thirteen contributors from diverse backgrounds – mean and women born in Cameroon, England, Scotland, South Africa, Zambia. What they all have in common is years of service within their respective communities, working individually and within projects and programmes, with both young people and adults to build social c…[Read more]

New research shows that cultural and heritage tourism is worth around $6.4 million per year to the Camden Local Government Area.
Destination NSW (2019) defines cultural and heritage tourism as ‘a tool of economic development that achieves economic growth through attracting visitors from outside a host community, who are motivated wholly or in p…[Read more]

The story of European settlement in the Cowpastures is intimately connected to the story of the convicts and their masters. This story has not been told, and there is little understanding of the role of the convicts in the Cowpastures district before 1840. Who were they? What did they do? Did they stay in the district?

More detailed Discussions on J. van Waarden: Leafing through Pliny with Sidonius. Sidon. Ep. 1.1, Plin. Ep. 1.1, 1.2, and 1.5, and Satire, Mnemosyne 75/6, 2022, 1021–1043 (62–64) and G. Wöhrle: Fragmente im
Überfluss. Zur Problematik eines philologischen Begriffs, Hermes 150/4, 2022, 385-404 (64–67).

This article examines the Greek goddess Hygieia by looking at her identity, cult status in the ancient world and subsequent scholarly reception. Should she be viewed as a goddess or a personification? By studying Hygieia primarily as a concept of health within ancient medicine, as well as a personification and a goddess, it will be argued that…[Read more]

In this paper, I argue that Hygieia has to be viewed as a full goddess in Greek religion and medicine, with a special focus on her position within the Asklepios cult. I will examine her identity, to which scholars attribute several labels like goddess, abstraction and personification. I further argue that Hygieia’s role in performing incubation r…[Read more]

The present paper aims to investigate the role of anthropology in the development of Ritual Studies as an inter-disciplinary platform, with a focus on ritual dynamics by using a historiographic description, focusing on thetransition of Greco-Roman to Christian culture. This study attempts to shed light not only on the contributionof anthropology…[Read more]

Public art in all its forms is present across the Macarthur Region. The Camden, Campbelltown and Wollondilly Local Government Areas on Sydney’s southwest metropolitan fringe cover the Macarthur region.
Some of the Macarthur region’s public art is hidden in plain sight, and we pass it every day without a thought. This post examines the types of…[Read more]

Keep your eyes open in central Campbelltown for inspiring public art installations that brighten up dull spaces around the town.
The Campbelltown Arts Centre, in conjunction with Campbelltown City Council and the NSW Government, have a program to re-invigorate the city centre using public art.

A beginner reader might think that my title is senseless: aren’t sense and nonsense supposed to be opposed? Why seeking continuity there? The Stoics and after them this line that goes from Leibniz to Deleuze via Nietzsche, have revealed an intrinsic relationship of continuity between these two entities that common sense sees as contradictory.…[Read more]

The humble fibro cottage in Camden in the 1950s and 1960s is integral to the town’s 20th-century history. The fibro house was representative of the baby-boomer era when drive-ins, Holdens, Chiko rolls, black & white TV, rock & roll and vinyl LPs were the norm. Fibro is evocative of long hot summer holidays by the beach with adolescent love, boogie…[Read more]

Thomas Kyd’s The Spanish Tragedy creates a subtle apologia for the “middling sort” by challenging the socially constructed predicates of aristocratic privilege. A scrivener’s son, Kyd undertsood oeconomia, or household management, as both the means for material advancement among the “middling sort” and a potential threat to aristocratic insular…[Read more]

The name of Joaquina Mayol Bazo (Málaga, 1830 – 1915) is linked to her former husband, the photographer Eugenio Lorichon, son of the legendary pioneer of photography in Spain: Enrique Lorichon. Joaquina worked as an independent photographer in Malaga from 1860 to 1865, above all, under the name of Viuda de Lorichon. / El nombre de Joaquina Ma…[Read more]