Brigitte Braun
,@brigittebraun
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Kendra Leonard deposited Women’s Compiled Scores in Early Film Music in the group
Women in Film History International on Humanities Commons 2 years, 8 months agoIn this essay I address an area of cinematic musical development where the importance of women’s contributions has gone un(der) noticed: the compiled score, a film score created for early film primarily from pre-existing pieces, in both its written and recorded varieties. I examine written and recorded compiled scores created by Hazel Burnett, A…[Read more]
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Kendra Leonard deposited Women’s Compiled Scores in Early Film Music in the group
MS Screen Arts and Culture on MLA Commons 2 years, 8 months agoIn this essay I address an area of cinematic musical development where the importance of women’s contributions has gone un(der) noticed: the compiled score, a film score created for early film primarily from pre-existing pieces, in both its written and recorded varieties. I examine written and recorded compiled scores created by Hazel Burnett, A…[Read more]
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Kendra Leonard deposited Women’s Compiled Scores in Early Film Music on Humanities Commons 2 years, 8 months ago
In this essay I address an area of cinematic musical development where the importance of women’s contributions has gone un(der) noticed: the compiled score, a film score created for early film primarily from pre-existing pieces, in both its written and recorded varieties. I examine written and recorded compiled scores created by Hazel Burnett, A…[Read more]
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Carl Gelderloos's profile was updated on MLA Commons 2 years, 8 months ago
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Carl Gelderloos's profile was updated on MLA Commons 2 years, 8 months ago
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Kendra Leonard deposited Reparations in Music Scholarship in the group
Julia Perry Working Group on Humanities Commons 2 years, 8 months agoIn this essay, I grapple with the ethics and practices of working on Black composers as a White scholar, and consider how to try to create an anti-racist practice of music scholarship.
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Kendra Leonard deposited Reparations in Music Scholarship on Humanities Commons 2 years, 8 months ago
In this essay, I grapple with the ethics and practices of working on Black composers as a White scholar, and consider how to try to create an anti-racist practice of music scholarship.
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Carl Gelderloos posted an update in the group
MS Visual Culture on MLA Commons 2 years, 8 months agoVery excited that my essay on Paul Scheerbart’s Lesabéndio is now live on Modernism/modernity Print Plus! https://modernismmodernity.org/articles/gelderloos-nowhere-obstacle
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Carl Gelderloos posted an update in the group
LLC 19th- and Early-20th-Century German on MLA Commons 2 years, 8 months agoVery excited that my essay on Paul Scheerbart’s Lesabéndio is now live on Modernism/modernity Print Plus! https://modernismmodernity.org/articles/gelderloos-nowhere-obstacle
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Carl Gelderloos posted an update on MLA Commons 2 years, 8 months ago
Very excited that my essay on Paul Scheerbart’s Lesabéndio is now live on Modernism/modernity Print Plus! https://modernismmodernity.org/articles/gelderloos-nowhere-obstacle
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Carl Gelderloos posted an update in the group
GS Speculative Fiction on MLA Commons 2 years, 8 months agoVery excited that my essay on Paul Scheerbart’s Lesabéndio is now live on Modernism/modernity Print Plus! https://modernismmodernity.org/articles/gelderloos-nowhere-obstacle
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Carl Gelderloos posted an update in the group
Modernist Studies Association on MLA Commons 2 years, 8 months agoVery excited that my essay on Paul Scheerbart’s Lesabéndio is now live on Modernism/modernity Print Plus! https://modernismmodernity.org/articles/gelderloos-nowhere-obstacle
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Carl Gelderloos's profile was updated on MLA Commons 2 years, 8 months ago
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Carl Gelderloos deposited Review of Humberto Beck, The Moment of Rupture: Historical Consciousness in Interwar German Thought (University of Pennsylvania Press, 2019) on MLA Commons 2 years, 9 months ago
A review of Humberto Beck, The Moment of Rupture: Historical Consciousness in Interwar German Thought (University of Pennsylvania Press, 2019), which appeared in German Quarterly 93.3 (2020). This is the accepted version; please refer to the published version if citing.
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