Brigitte Braun
,@brigittebraun
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Dora Apel's profile was updated on Humanities Commons 6 years, 2 months ago
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Adelheid Heftberger deposited Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities in the group
Soviet and Russian history and culture on Humanities Commons 6 years, 3 months agoThis book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]
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Adelheid Heftberger deposited Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities in the group
Film Studies on Humanities Commons 6 years, 3 months agoThis book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]
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Adelheid Heftberger deposited Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities in the group
Digital Humanists on Humanities Commons 6 years, 3 months agoThis book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]
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Adelheid Heftberger deposited Kollision der Kader: Dziga Vertovs Filme, die Visualisierung ihrer Strukturen und die Digital Humanities on Humanities Commons 6 years, 3 months ago
This book highlights the quantitative methods of data mining and information visualization and explores their use in relation to the films and writings of the Russian director, Dziga Vertov. The theoretical basis of the work harkens back to the time when a group of Russian artists and scholars, known as the “formalists,” developed new concepts of…[Read more]
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Kendra Leonard deposited Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism in the group
Film Studies on Humanities Commons 6 years, 3 months agoIn this book, I explore the connections between music for early movies (1895-1927) involving the supernatural in the context of the culture of the time in regard to supernatural beliefs and entertainments, particularly spiritualism.
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Kendra Leonard deposited Music for the Kingdom of Shadows: Cinema Accompaniment in the Age of Spiritualism on Humanities Commons 6 years, 3 months ago
In this book, I explore the connections between music for early movies (1895-1927) involving the supernatural in the context of the culture of the time in regard to supernatural beliefs and entertainments, particularly spiritualism.
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Carl Gelderloos's profile was updated on Humanities Commons 6 years, 3 months ago
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Suite of three poems
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Kendra Leonard deposited Women at the Pedals: Female Cinema Musicians during the Great War in the group
Film Studies on Humanities Commons 6 years, 4 months agoWomen filled a number of roles in the American cinema music industry, particularly during
the Great War. In addition to serving as cultural barometers for cinematic music
and accompaniment, women were at the heart of innovations in cinema sound
and composition. -
Kendra Leonard deposited Women at the Pedals: Female Cinema Musicians during the Great War on Humanities Commons 6 years, 4 months ago
Women filled a number of roles in the American cinema music industry, particularly during
the Great War. In addition to serving as cultural barometers for cinematic music
and accompaniment, women were at the heart of innovations in cinema sound
and composition. -
Kendra Leonard deposited Moon-Crossed: a play in play with All’s Well That Ends Well in the group
LLC Shakespeare on MLA Commons 6 years, 5 months agoMoon-Crossed reimagines the central plot of Shakespeare’s All’s Well That Ends Well as a means to examining the female monstrous in early modern drama, literature, and though. Why doesn’t Bertram like Helena? Because she’s a werewolf. But as he learns, she’s of a very noble line of werewolves. She saves the King of France, he learns a bit more…[Read more]
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Kendra Leonard deposited Moon-Crossed: a play in play with All’s Well That Ends Well in the group
Global Shakespeares on MLA Commons 6 years, 5 months agoMoon-Crossed reimagines the central plot of Shakespeare’s All’s Well That Ends Well as a means to examining the female monstrous in early modern drama, literature, and though. Why doesn’t Bertram like Helena? Because she’s a werewolf. But as he learns, she’s of a very noble line of werewolves. She saves the King of France, he learns a bit more…[Read more]
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