As one of the most important political and religious figures of the mid sixteenth century, Cardinal Reginald Pole (1500–58) has been the subject of valuable historical studies. Although the English prelate was also a humanist, part of a vast intellectual and artistic network he established during his travels to Italy, Flanders, Spain and E…[Read more]

As one of the most important political and religious figures of the mid sixteenth century, Cardinal Reginald Pole (1500–58) has been the subject of valuable historical studies. Although the English prelate was also a humanist, part of a vast intellectual and artistic network he established during his travels to Italy, Flanders, Spain and E…[Read more]

Contemplates the exclusion of illustrators from art theory; critiques Harold Rosenberg’s position in light of his own work in the culture industries; matches illustrator Robert Weaver’s arguments with Rosenberg’s in a posthumous debate.

Contemplates the exclusion of illustrators from art theory; critiques Harold Rosenberg’s position in light of his own work in the culture industries; matches illustrator Robert Weaver’s arguments with Rosenberg’s in a posthumous debate.

Contemplates the exclusion of illustrators from art theory; critiques Harold Rosenberg’s position in light of his own work in the culture industries; matches illustrator Robert Weaver’s arguments with Rosenberg’s in a posthumous debate.

This paper analyzes the continued propensity of men to cite other men, and more importantly, to NOT cite the work of women, in Communication Studies. After documenting the continued and troubling persistence of the erasure of women’s scholarship, the paper argues for intervening at the points at which the field reproduces itself.

This paper analyzes the continued propensity of men to cite other men, and more importantly, to NOT cite the work of women, in Communication Studies. After documenting the continued and troubling persistence of the erasure of women’s scholarship, the paper argues for intervening at the points at which the field reproduces itself.

This paper discusses the emergence of a women’s diasporic cinema that challenges the representation of Indian women as guardians of Indian values. Through the examination of three films directed by women filmmakers (Mira Nair, Deepa Mehta and Nisha Pahuja), this analysis proposes to delve into the reconfiguration of Indian identity in a context o…[Read more]

A review of “Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask,” catalogue for the eponymous 2017 exhibition at the National Portrait Gallery, London.

List of Texts for A Select Concordance of Some 400 Middle English Texts: A Study of Wycliffite Discourse with Particular Discussion of the Issues of Contemporary Poverty, Pious Practice, Substantive Law, and Anticlerical Style’ (unpub. Ph.D. thesis, University of Hull, 2007).

A part of the special issue of DHQ on feminisms and digital humanities, this paper takes as its starting place Greg Crane’s exhortation that there is a “need to shift from lone editorials and monumental editions to editors … who coordinate contributions from many sources and oversee living editions.” In response to Crane, the exploration of t…[Read more]

Review of Peter Eisenman, Palladio Virtuel

Syllabus for a seminar course on Public Art, Space, and Architecture.

Syllabus for a seminar course on Public Art, Space, and Architecture.

In the twenty-first century, the majority of people are living in cities—at least this is the credo communicated frequently. This statement has been strengthened by the “urban renaissance” that dawned at the beginning of the twenty-first century and by a globally evident increase in capital investment in urban-development projects. Such plann…[Read more]

Appeals to a cosmic ecological democracy are common in environmentally engaged scholarship, and especially in ecological theology. This essay takes up the thought of Sylvia Wynter, Delores Williams, and Saidiya Hartman to argue for a different horizon for ecological politics.

Due to shifts in the contexts of the production and presentation of the music video, more and more people start to talk about a possible end of this genre. At the same time disciplines such as visual-, film- and media-studies, art- and music-history begin to realize that despite the fact that the music video obviously has come of age, they still…[Read more]

Abstract Im Rahmen der Organisation eines internationalen interdisziplinären Kolloquiums zum Thema der Datenvisualisierung in den Geisteswissenschaften im Dezember 2015 durch das Deutsche Forum für Kunstgeschichte Paris in Kooperation mit dem Kunstgeschichtlichen Institut der Goethe-Universität Frankfurt/Main, wurde ein Kurzprojekt du…[Read more]

Short story

Review of American Road Narratives: Reimagining Mobility in Literature and Film by Ann Brigham (University of Virginia Press, 2015)