Peter Shoeffer’s book-list is usually dated to the year 1470. The author challenges this dating, however, supplying a detailed analysis of the content of the list and suggested when it was printed and under what circumstances.

file is too large for this repository so I list the links below:
Link to lecture: https://www.youtube.com/watch?v=9xtDwVTndx4&t=43s
Audio: https://soundcloud.com/unibirmingham/multilingualism-as-a-stimulus-to-islamic-literary-theory

In her lecture, Gould discusses how cross-cultural encounters have generated new literary theories and new…[Read more]

chapter in The Routledge Handbook of Translation & Activism

THE ZUBER PATRIARCHY
Spring: Jean Zuber, fl.1790-1835; Summer: Jean Zuber-Karth, fl. 1836-1853; Autumn: Ivan (Jean) Zuber, fl. 1854-1907

This is the first of a multi-part series telling how the Zuber family made wallpaper over a 117-year period (1790-1907). It is closely based on the thesis “From the Workshop to the Wall” by Dr. Bernard Jac…[Read more]

The “long s” was used in almost all British printing until 1800. Then, almost overnight, the character was dropped by most printers. This article examines the lead up to this watershed, the printers and publishers who eschewed the long s before 1800, what happened in the printing industry at this time, and in the following years in which a few…[Read more]

The hermit-poet of modern Persian literature, Bijan Elahi (1945-2010) was a modernist poet, a prolific translator of Eliot, Rimbaud, Michaux, Hölderlin, and the founder of Other Poetry, the leading avant-garde movement within Persian modernism. Elahi passed the last three decades of his life in seclusion in his house in Tehran. He stopped…[Read more]

Over the course of the last year the Hill Museum and Manuscript Library (HMML) and the Roshan Institute for Persian Studies at the University of Maryland, College Park (Roshan Institute-UMD) have begun collaborating with the Raja of Mahmudabad family on the preservation of their important manuscript collection. The project will help protect the…[Read more]

The “first” type of Gutenberg: a note on recent research (2004). This article has been somewhat superseded by the work of Christoph Reske, published in Gutenberg-Jahrbuch (2015).

This article engages with cosmopolitan conceptions of culture that flourished in the nineteenth century Caucasus with a view to clarifying the relevance of these legacies today. I focus in particular on the polymath writer ʿAbbās Qulī Āghā Bākīkhānūf (1794–1847). As I explore Bākīkhānūf’s historical writing, I consider how the Persianate liter…[Read more]

The “first” type of Gutenberg: a note on recent research (2004). This article has been somewhat superseded by the work of Christoph Reske, published in Gutenberg-Jahrbuch (2015).

A description and history of two rare table-top presses at the Oxford University Museum of Natural History, used there to print specimen labels between around 1850 and 1970.

In the wake of modernism studies’ global turn, this article considers the role of translation in fostering Iranian modernism. Focusing on the poetic translations of Bijan Elahi (1945-2010), one of Iran’s most significant poet-translators, we demonstrate how untranslatability becomes a point of departure for his experimental poetics. Elahi used pre…[Read more]

Bijan Elahi, “Five Scenes from Icarus,” The Kenyon Review issue XLI (2019): 75-77.

Three Poems by Bijan Elahi in the 25th-anniversary edition of Two Lines:

“My Scent that Doesn’t Pass” [بوی من که نمیآید]
“Dupin Detects” [Dupin Detects]
“Song of the Moon Hanging over the Fields of Damascus”
[معلقه‌ی ماه روی دشت‌های دمشق ]

This chapter explores the legacy of the Iranian reformer and intellectual Abd al-Rahim Talibuf (1834-1911), as viewed from Daghestan, where he passed the last decades of his life. Talibuf’s eight books shaped the trajectory of subsequent Iranian intellectual history, and inspired the revolutionary constitutional movement. Talibuf’s example e…[Read more]