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Brittany Myburgh deposited Whose Neighbourhood? Immigrant Inhabitation in the Ward in the group
Intaglio Journal on Humanities Commons 3 years, 2 months agoThe Ward, The Noble Ward, Saint John’s Ward, Old Chinatown, and most recently, the Bay Street Corridor all describe a particular area of Toronto bordered by College Street, Yonge Street, Queen Street, and University Avenue. Historically this area was the landing point for immigrants to Canada and over time became what was considered by the local g…[Read more]
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Intaglio Journal deposited Whose Neighbourhood? Immigrant Inhabitation in the Ward on Humanities Commons 3 years, 2 months ago
The Ward, The Noble Ward, Saint John’s Ward, Old Chinatown, and most recently, the Bay Street Corridor all describe a particular area of Toronto bordered by College Street, Yonge Street, Queen Street, and University Avenue. Historically this area was the landing point for immigrants to Canada and over time became what was considered by the local g…[Read more]
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Brittany Myburgh deposited Wounds and Willful Objects: Art, Abject Sorrow and Adorno’s Totality in the group
Intaglio Journal on Humanities Commons 3 years, 3 months agoAdorno’s conception of “serious art” posits that art rejects mimesis, has autonomy from the world as well as from itself but can, however, simultaneously be about the world. Autonomy, from my vantage, has always signaled will, volition, positive and negative freedom. Positive freedom being freedom from internal restraints—the art being autonom…[Read more]
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Brittany Myburgh's profile was updated on Humanities Commons 3 years, 3 months ago
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Brittany Myburgh changed their profile picture on Humanities Commons 3 years, 3 months ago
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Brittany Myburgh changed their profile picture on Humanities Commons 3 years, 3 months ago
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Brittany Myburgh changed their profile picture on Humanities Commons 3 years, 3 months ago
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Intaglio Editor deposited Wounds and Willful Objects: Art, Abject Sorrow and Adorno’s Totality on Humanities Commons 3 years, 3 months ago
Adorno’s conception of “serious art” posits that art rejects mimesis, has autonomy from the world as well as from itself but can, however, simultaneously be about the world. Autonomy, from my vantage, has always signaled will, volition, positive and negative freedom. Positive freedom being freedom from internal restraints—the art being autonom…[Read more]
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Brittany Myburgh's profile was updated on Humanities Commons 3 years, 3 months ago