n this chapter, Atack argues that Xenophon’s depiction of the performance of kingship by Cyrus (Cyropaedia), Agesilaus (Hellenica, Agesilaus), and other kings contains an evaluative model that explores alternative techniques a ruler can use to persuade others to be ruled. By deploying frameworks of performativity and spectacle derived from J…[Read more]

n this chapter, Atack argues that Xenophon’s depiction of the performance of kingship by Cyrus (Cyropaedia), Agesilaus (Hellenica, Agesilaus), and other kings contains an evaluative model that explores alternative techniques a ruler can use to persuade others to be ruled. By deploying frameworks of performativity and spectacle derived from J…[Read more]

This volume presents a case for how and why people in archaic and classical Greece worshipped Underworld gods.

These gods are often portrayed as malevolent and transgressive, giving an impression that ancient worshippers derived little or no benefit from developing ongoing relationships with them. In this book, the first book-length study that…[Read more]

This volume presents a case for how and why people in archaic and classical Greece worshipped Underworld gods.

These gods are often portrayed as malevolent and transgressive, giving an impression that ancient worshippers derived little or no benefit from developing ongoing relationships with them. In this book, the first book-length study that…[Read more]

This article examines the young girls aged between seven and eleven year old who are elected to serve in the cult of Athena Polias, patron deity of Athens, in the classical period (roughly 5 th century, BC). I look at the creation of the dress given to Athena at the yearly Panathenaia festival, the creation of which is the main activity of their…[Read more]

This article examines the young girls aged between seven and eleven year old who are elected to serve in the cult of Athena Polias, patron deity of Athens, in the classical period (roughly 5 th century, BC). I look at the creation of the dress given to Athena at the yearly Panathenaia festival, the creation of which is the main activity of their…[Read more]

This article forms part of a symposium on Paul Cartledge’s ‘Democracy: a life’ (2016). It argues in support of new approaches to Athenian democracy focused on the experience of those who were not active participants in the political institutions of the democracy but excluded because of their status (women, metics, slaves). It further argues that…[Read more]

This article forms part of a symposium on Paul Cartledge’s ‘Democracy: a life’ (2016). It argues in support of new approaches to Athenian democracy focused on the experience of those who were not active participants in the political institutions of the democracy but excluded because of their status (women, metics, slaves). It further argues that…[Read more]

Reading and performing Aristophanes’ Lysistrata through the work of Judith Butler on performativity and precarity. This paper explores both Aristophanes’ play and the experience of performing and studying it.