A short article reflecting on the relationship of Schubert’s songs to the culture of modernity, with reference to the author’s 1985 article “The Schubert Lied.” Includes an account of the song “Wanderers Nachtled.”

Gózense, otrosí, los otros perlados, duques, marqueses, condes, cavalleros y scuderos, y todos los otros fieles cristianos que en esta santa enpresa han aconpañado a sus altezas, y ayudado con personas, armas y hazienda, pues plugo a Dios de dar tan glorioso fin y tan deseado.

Este fragmento de texto de lo que se ha venido en llamar sermón de…[Read more]

Semesterprogramm des Hauptseminars “Ausgrenzungstexte”

Hugo Lundhaug and Lance Jenott offer a sustained argument for the monastic provenance of the Nag Hammadi Codices. They examine the arguments for and against a monastic Sitz im Leben and defend the view that the Codices were produced and read by Christian monks, most likely Pachomians, in the fourth- and fifth-century monasteries of Upper Egypt.…[Read more]

The essays I am posting on Humanities Commons are also on Librarything and Goodreads. These aren’t reviews. They are thoughts about the state of literary fiction, intended principally for writers and critics involved in seeing where literature might be able to go. Each one uses a book as an example of some current problem in writing.

Two Pietàs in different media, the first by French painter William-Adolphe Bouguereau (1825–1905) and the second by Swedish composer Lisa Streich (1985-), permit an examination of the Pietà trope itself by laying open a range of its symbolic aspects. Bouguereau’s Pietà (1876) is discussed in terms of the grief and joy that are both presen…[Read more]

In April 2010, the Guildhall School of Music recognized German composer Helmut Lachenmann’s expertise in extended instrumental techniques, inviting him to give the keynote speech at a research day dedicated to contemporary performance practice; in May, he had a Fellowship of the Royal College of Music conferred upon him for his achievements as a…[Read more]

Just prior to 9/11 the film Code Unknown: An Incomplete Tale of Different Journeys (2000) was released: a series of successive tableaux depicting the random and generally ‘aggressive’ encounters among strangers, neighbours, family members, lovers etc. displays a network of challenging interdependence amongst Parisians. The film was variously cri…[Read more]

A review of the exhibition catalogue for the show of the same name at the Solomon R. Guggenheim Museum, February-September 2017. This is a review for the Museum Bookstore. The url with images is here: http://www.guggenheimstore.org/books/visionaries-creating-a-modern-museum-exhbition-catalogue

La prestigiosa colección de textos medievales y renacentistas del Centro de Estudios de Arizona se engalana en esta ocasión con una de las obras más exitosas de la literatura medieval hispánica: la Crónica de Flores y Blancaflor (BETA, Texid 4157), cuya versión castellana, situada en plena época de la dominación islámica de España, es un verdadero…[Read more]

Impreso en 1511, el ‘Cancionero general’ de Hernando del Castillo representa
la más extensa e importante recopilación de poesía de cancionero en lengua
castellana. En ella hay más de mil obras pertenecientes a más de 150 poetas,
muchos de los cuales han permanecido en el más profundo anonimato. La tesis
pretende concretar el número total…[Read more]

La presencia de hombres de letras italianos en la Península Ibérica durante el reinado de los Reyes Católicos (1474-1516) constituye uno de los factores principales para el despegue del Humanismo hispano (Gómez Moreno, 1994). De entre tantos nombres ilustres, quizá sean Pedro Mártir de Anglería y Lucio Marineo Sículo los más conocidos, en especial…[Read more]

En la historiografía medieval más reciente se han realizado diversos trabajos para recuperar la figura de Alfonso el Inocente (1453-1468), hermano de Enrique IV y de Isabel la Católica, que fue elevado al trono castellano por parte de la nobleza el 6 de junio de 1465 después del acto comúnmente conocido como farsa de Ávila. Al estar su deven…[Read more]

A group editorial from the Editorial Board of the Journal of Librarianship and Scholarly Communication.

Recent opera repertoire has seen a wide variety of styles in opera composition. Marco Polo represents a rather unique corner of this wide variety. Tan Dun explores a capacious array of influences in this work. Starting from his own roots, Chinese traditional music, he explores European art tradition to some extent. Tan Dun also touches the styles…[Read more]

Death doom metal or death/doom emerges as a distinct style in early 1990s mostly focused in northern England. This style or, tentatively, sub-genre of doom may be argued to be a leisure space for participants in this culture. Dark leisure theory attempts to describe non-mainstream leisure activity, and even though it started in criminological and…[Read more]

In the post-modern era, the domination of repetition in aesthetics allows for deeper meaning to be conveyed with limited musical material. The repetition, within Sigmund Freud’s interpretation in Beyond the Pleasure Principle (1920), becomes a ‘repetition-compulsion’ that resonates beyond the aural recurrences. Obsession inherent in depre…[Read more]

Doom (metal) has been seen as the ‘slower’ -in more than one sense- sibling in metal music in general. The slowness can be argued to be true for some cases within doom and this slowness, prominently in musical terms but alongside other angles, can be the defining factor of a portion of doom music. For example, while funeral doom may be argued to…[Read more]

Doom metal music and culture have been under the influence of 1970s hippie ideologies from the beginning with the music of Black Sabbath. Tony Iommi in an interview from 2011 suggests that Black Sabbath has been using the label ‘doom’ since its early days. While during early stages of doom music, this influence or interaction took both tra…[Read more]

Melancholy, death, and the darker thought spectrum should not be considered separate from black metal at any point through its history. In contrast however, depressive suicidal black metal (DSBM) took these themes further in terms of their crudity, and more importantly it fixated on the ideas of death and suicide. The birth pangs of this style are…[Read more]