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Patrick Eisenlohr deposited Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World in the group
Music and Sound on Humanities Commons 7 years, 7 months agoSounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site…[Read more]
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Kyle Frackman deposited Shame and Love: East German Homosexuality Goes to the Movies in the group
German Literature and Culture on Humanities Commons 7 years, 8 months agoThis essay examines the circumstances of the production and appearance of East Germany’s first film about homosexuality (the short documentary “Die andere Liebe” or “The Other Love”), while considering the role it plays in our understanding of the development of German lesbian and gay history. More specifically, this essay provides a reading of…[Read more]
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Rebecca Ruth Gould deposited “Laws, Exceptions, Norms: Kierkegaard, Schmitt, and Benjamin on the Exception,” Telos: A Quarterly Journal of Politics, Philosophy, Critical Theory, Culture, and the Arts 162 (2013): 77–96. in the group
Frankfurt School Critical Theory on Humanities Commons 7 years, 8 months agoThe concept of the exception has heavily shaped modern political theory. In modernity, Kierkegaard was one of the first philosophers to propound the exception as a facilitator of metaphysical transcendence. Merging Kierkegaard’s metaphysical exception with early modern political theorist Jean Bodin’s theory of sovereignty, Carl Schmitt int…[Read more]
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Stephen Meyer started the topic Journal of Music History Pedagogy Issue 8.2 in the discussion
Music on Humanities Commons 7 years, 9 months agoWe have just published Issue 8.2 of the Journal of Music History Pedagogy, with articles by Kyle Fyr, Cristina Fava, Reba Wissner, Lei Ouyang Bryant, Nancy November, Andrew Granade, Katherine Leo, Laurie Semmes, Aaron Ziegel, Esther Morgan-Ellis, Laurie McManus, and Catherine Mayes. Here is the…[Read more]
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Amit Gvaryahu deposited Review – Reverent Irreverence in the group
Textual Scholarship on Humanities Commons 7 years, 9 months agoBoth in terms of its content and its methodology, Pious Irreverence is a pioneering work. Weiss artfully employs all the tools of textual analysis developed over the last four decades of rabbinic scholarship and brings them to bear on TY, a largely neglected corpus. Tanhuma-Yelammedenu has never been studied as a work of theology, nor from a…[Read more]
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Russell Millard deposited Musical Structure, Narrative, and Gender in Ravel’s Daphnis et Chloé in the group
Music and Sound on Humanities Commons 7 years, 9 months agoThis thesis seeks to contribute towards the emerging discourse in Ravel studies concerning gender, as well as adding to the ongoing work in musical narratology, especially as regards ballet, to which very little narratological attention has been given. Employing a combination of narratological and Schenkerian analysis, this thesis argues that…[Read more]
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Rebecca Ruth Gould deposited “Antiquarianism as Genealogy: Arnaldo Momigliano’s Method,” History & Theory 53(2): 212-233. in the group
Textual Scholarship on Humanities Commons 7 years, 9 months agoThis essay uses Arnaldo Momigliano’s genealogy of antiquarianism and historiography to propose a new method for engaging the past. The Italian historian Arnaldo Momigliano (1908-1987) traced antiquarianism from its advent in ancient Greece and later growth in Rome to its early modern efflorescence, its usurpation by history, and its transformation…[Read more]
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Greta Franzini deposited Attributing Authorship in the Noisy Digitized Correspondence of Jacob and Wilhelm Grimm in the group
Textual Scholarship on Humanities Commons 7 years, 9 months agoThis article presents the results of a multidisciplinary project aimed at better understanding the impact of different digitization strategies in computational text analysis. More specifically, it describes an effort to automatically discern the authorship of Jacob and Wilhelm Grimm in a body of uncorrected correspondence processed by HTR…[Read more]
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Kyle Frackman deposited Vor Ort: The Functions and Early Roots of German Regional Crime Fiction in the group
German Literature and Culture on Humanities Commons 7 years, 10 months ago“This essay argues that German regional crime fiction is both a modern development and simultaneously a recollection of crime fiction’s journalistic and literary beginnings. …[R]egional crime fiction has connections to eighteenth- and nineteenth-century Fallgeschichten (case stories) that fascinated a developing reading public and satisfied…[Read more]
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Michael Miller deposited Abraham Abulafia’s Mystical Theology of the Divine Name and its Philosophical Revision in Walter Benjamin in the group
Frankfurt School Critical Theory on Humanities Commons 7 years, 10 months agoThe thirteenth century kabbalist Abraham Abulafia held Hebrew to be the divine language, designed by God as an ontological aspect of reality. Through meditating on and deconstructing names into their letters, one could then engage in the process of reunifying reality into the primordial Name of God, the Tetragrammaton. This paper offers an…[Read more]
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Laurie Ringer deposited Cigar Box Fiddle 3: Assembled in the group
Music and Sound on Humanities Commons 7 years, 10 months agoAssembled cigar box fiddle. Fiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”
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Laurie Ringer deposited Cigar Box Fiddle 2: Disassembled in the group
Music and Sound on Humanities Commons 7 years, 10 months agoThe label is under the soundboard. Fiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”
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Laurie Ringer deposited Cigar Box Fiddle 1: Disassembled in the group
Music and Sound on Humanities Commons 7 years, 10 months agoFiddlin’ John Hutchison learned to play on a fiddle made from an Old Virginia Cheroots Tobacco box. In a taped interview he calls it a “cigar box.”
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Patrick Eisenlohr deposited Suggestions of Movement: Voice and Sonic Atmospheres in Mauritian Muslim Devotional Practices in the group
Music and Sound on Humanities Commons 7 years, 10 months agoIn this article I make a case for an analytic of atmospheres as a way to understand the seemingly ineffable yet powerful effects of vocal sound on listeners in an Islamic setting. Focusing on the recitation of devotional poetry in honor of the Prophet Muhammad among Mauritian Muslims, I seek to bring together neo-phenomenological approaches to…[Read more]
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Richard Elliott deposited A Dream Deferred: Nina Simone and the Work of Mourning in the group
Music and Sound on Humanities Commons 7 years, 11 months agoThis talk presents work from Richard Elliott’s recent book about the late singer, songwriter, pianist and civil rights activist Nina Simone. It focuses on Simone’s reaction to what she saw as the failure of the civil rights movement and how that reaction was played out in her work from the end of the 1960s onwards, blending into a personal but…[Read more]
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Richard Elliott deposited “All You See Is Glory”: The Burden of Stardom and the Tragedy of Nina Simone in the group
Music and Sound on Humanities Commons 7 years, 11 months agoAlthough most often remembered as an icon of the civil rights era, Nina Simone enjoyed (and occasionally endured) a long career during which the bulk of the songs she performed dealt with the politics, pains and precariousness of the self. Her work—always suffused with longing, sensuality and the passion of being—took on, in her later career, wha…[Read more]
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Richard Elliott deposited “Time and Distance Are No Object” in the group
Music and Sound on Humanities Commons 7 years, 11 months agoWhether temporally or spatially focussed, nostalgia results from a division between what is longed for and the moment of longing. This article examines this “nostalgia gap” alongside the analogous gap found in representation. The relationship is highlighted via an analysis of “holiday records”, a genre of recordings that became prevalent in the…[Read more]
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Richard Elliott deposited A Blank Space Where You Write Your Name: Taylor Swift’s Early Late Voice in the group
Music and Sound on Humanities Commons 7 years, 11 months agoTaylor Swift’s songs invite listeners to connect art and life in the tradition, if not always the style, of the ‘confessional’ singer-songwriter. From an early age, Swift has written and sung about ‘big topics’ like time and experience with a remarkable sense of self awareness. Her songs hymn youthful experience to great effect through reference…[Read more]
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Ascensión Mazuela-Anguita deposited The soundscape of the ceremonies for the beatification of St Teresa of Ávila in the Crown of Aragon, 1614 in the group
Music and Sound on Humanities Commons 7 years, 11 months agoThe beatification of Saint Teresa of Ávila in October 1614 gave rise to widespread celebrations in many of the cities and towns of the Iberian Peninsula. Printed relaciones describing these celebrations, despite their limitations —in terms of political agenda, propaganda, rivalry and literary style— can nevertheless provide information about musi…[Read more]
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Evina Steinova deposited Munich, Bayerische Staatsbibliothek, Clm 6298: a new witness of the biblical commentaries from the Canterbury School in the group
Textual Scholarship on Humanities Commons 7 years, 11 months agoManuscript Munich, Bayerische Staatsbibliothek, Clm 6298 contains an as yet unexamined fragment of the second batch of the gospel glosses (EvII) from the biblical commentaries of the Canterbury School inserted as an addition in 3r of the manuscript. In this article, I describe this fragment, and I attempt to contextualize its insertion into the…[Read more]
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