What is “research data” for music researchers and performers? How can music librarians develop their knowledge and skills to better meet the research data needs of their constituents, and contribute to the data-intensive turn in academia? This panel will explore the research data movement in libraries and its relevance to music librarians. Pan…[Read more]

Daphne Marlatt’s “Healing” as a poem about re-cooperating from the infliction of a triggering, caustic word upon one’s mental composition, using efficacy, experience in knowing composure and competency, as a rebutting counter.

Many digital humanists in centers or libraries—interdisciplinary positions that cater to multiple departments—are expected to demonstrate the products of their digital labor to high-ranking administrators and stakeholders on a consistent basis. As such, they often are on tight and over-extended timelines to produce high-quality digital sch…[Read more]

Argues that the way in which Marlow is presented, ensures that Joseph Conrad’s “Heart of Darkness” is vulnerable as a text that ostensibly helps justify the maintenance of separate spheres between men and women; argues that Marlow’s successful agency is more about his being craftily evasive, a man who doesn’t impose but dodges.

This chapter details a credit-based orientation & information literacy course taught with local archival and special collections materials.

Im vorliegenden Dokument wird ein Teil der Ergebnisse der Unterarbeitsgruppe „Open Access-Awareness/Nicht-kommerzielle Open Access-Infrastrukturen und Services“ des Teilprojekts 4 „Förderung von Open Access-Publikationen und alternativen Open Access-Publikationsmodellen“ des Hochschulraumstrukturmittelprojekts Austrian Transition to Open Access (…[Read more]

Exploration of how “Silas Marner” is George Eliot’s means to distinguish herself from those who are truly guilty of abandoning parental mores… ancestors, parents, themselves. An argument is made that the reason for the text is as provision for the author to temporarily relieve herself of guilt.

Exploration of how Elizabeth Gaskell uses her textual creation, “Cranford,” to insert a male “bomb” into specifically delineated memories of her pre-adult life, thereby effecting displaced matricide.

Analysis of how Jo creates her own femininity, apart from her mother’s, through effectively earning the trust and interest of increasingly impressive paternal imagos.

Exploration of how Aphra Behn uses her textual creation “Oronnoko” to engage in a guiltless sexual affair that bypasses all societal and inner-psychic censors.

Full collection of essays written during my undergraduate and graduate studies in literature.

Full collection of essays written during my undergraduate and graduate studies in literature.

As educators, we recognize that it can be challenging to translate the research methods we learned in graduate school to our contemporary students, who are accustomed to the constantly shifting information buffet provided by sites such as Wikipedia, YouTube, SoundCloud, and the International Music Score Library Project (IMSLP). Students can…[Read more]

Since mid-2005, archivist–activists at the Historical Archive of the National Police of Guatemala have been digitizing a century’s worth of previously suppressed police
records so as to protect, mobilize and provide access to them – 23 million pages to date. We find that digitization amplified the staff’s repurposing of the archive to serve v…[Read more]

Graduate-level syllabus for a seminar in the Department of English. Neither “history of the book” nor “media studies,” this course sits somewhere in-between combining the ethos of a makerspace with the hands-on resources of a letterpress and book arts studio.

When it comes to Japanese literary heritage, why and how are we able to access it? The shape of what is preserved and available is driven by and in turn dictates the shape of our canon(s). Yet we often do not think of the labor and social networks behind the reprinting and digitizing that allows us to access literature in the first place, whether…[Read more]

This essay looks to the near history of copyright, commercially licensed resources, and fair use that shapes digital scholarship on nineteenth-century periodicals today. Using the digitization of British Library newspapers as a case study, I demonstrate how arguments about access to public domain materials do not fully account for the complex…[Read more]

Data that is automatically generated by users in an academic library as they engage with various library resources is often held in disparate systems. This prevents library staff from knowing how an individual uses these resources in combination and therefore opportunities to provide more targeted support or information may be missed. This case…[Read more]

Teaching Book History through Card Games: Codex Conquest and Mark
Amy Hildreth Chen, English and American Literature Librarian, University of Iowa
Students learn more when they play—while the value of play often is emphasized only for those early in their education, play has a role in higher education as well. To teach book history across t…[Read more]