The major change in the way library stores and maintains knowledge came with the advent of computers and new technologies. Further, origin of Internet and the development of World Wide Web (WWW) have opened up new vista for communication of scholarly information and helping Libraries to create and maintain information through Libraries’ W…[Read more]

As we begin to see the discussion of open publishing, open textbooks, and open educational resources break open on campus, it’s important that those of us who want to participate in open access are up to date on all of the resources, venues, and opportunities for publishing or otherwise disseminating our work. This workshop will re-familiarize p…[Read more]

As we begin to see the discussion of open publishing, open textbooks, and open educational resources break open on campus, it’s important that those of us who want to participate in open access are up to date on all of the resources, venues, and opportunities for publishing or otherwise disseminating our work. This workshop will re-familiarize p…[Read more]

Explores ‘information history’, or the study of information and its practices, as a way to arrange investigations of past and present. An invited contribution for the volume, “Information and Power in History: Towards a Global Approach,” edited by Ida Nijenhuis, Marijke van Faassen, Joris Gijsenbergh, Wim de Jong, and Ronald Sluijter (London:…[Read more]

This class asks what sex looked and felt like before the instantiation of modern identity categories such as homosexuality or heterosexuality—before, that is, our desires became an index to our souls. To this end, we’ll examine texts by nineteenth-century American writers that represent the experiences and expressions of what we now call sex…[Read more]

This essay begins with my attempt to close-read a text by a recently departed colleague, Jeffrey B. Ferguson, but turns into an exploration of writing across registers, in this case the delivery of a very different version of the same paper by Ferguson, one that is far more intimate, insightful, and moving.

This essay begins with my attempt to close-read a text by a recently departed colleague, Jeffrey B. Ferguson, but turns into an exploration of writing across registers, in this case the delivery of a very different version of the same paper by Ferguson, one that is far more intimate, insightful, and moving.

Two-thirds of the way through Faulkner, Mississippi, his extended meditation on the prose oeuvre of the American writer William Faulkner, Édouard Glissant remarks on Faulkner’s famous ‘amused refusal to “correct the contradictions”’ introduced into his texts through his constant revisiting of characters across novels not necessarily set in proper…[Read more]

Two-thirds of the way through Faulkner, Mississippi, his extended meditation on the prose oeuvre of the American writer William Faulkner, Édouard Glissant remarks on Faulkner’s famous ‘amused refusal to “correct the contradictions”’ introduced into his texts through his constant revisiting of characters across novels not necessarily set in proper…[Read more]

This session compares major topics from scholarly communication and trends in Hip-Hop, with the objective of providing lessons and examples for effective teaching. By discussing Hip-Hop artists as impact-minded authors of copyrighted works navigating a marketplace newly-disrupted by Internet technology, it may be possible for students to bring…[Read more]

Article about the KU Leuven Fund for Fair OA, which provides financial support for publishing in non-profit OA.

Much scholarship on The Picture of Dorian Gray has focused on its possible textual sources and its place in literary traditions. This article demonstrates that by contextualizing the novel in the history of art and the tradition of British portraiture, we are able to answer significant yet overlooked questions such as why Wilde chose “picture” rat…[Read more]

The recent surge of interest in Afrofuturism has resulted in some groundbreaking work looking at the ways technology and race intersect in film, fashion, music and literature, as is evidenced by the important collection of essays “Afrofuturism 2.0” (2016), edited by Reynaldo Anderson and Charles E. Jones. However there has not yet been an aca…[Read more]

The rationale behind this research was the quest to explore the policies, practices, techniques and strategies for audiovisual and digital media in developing countries experiencing tropical climates, given the fact that countries in developing countries are lagging behind in technology due to the cost attached to the implementation of…[Read more]

“In capitalism, institutional libraries, publishers and book traders all have ways to suppress the publishing of, the access to or the distribution of texts and books — rigidities inviting for creative subversion.”

This chapter written in the form of a dialogue presents an informal conversation between Eva Weinmayr and her inner voice about a…[Read more]

A manifesto for a radically open publishing commons; an expansion of remarks originally presented on a panel devoted to independent open-access academic publishing at the 2nd Biennial Meeting of the BABEL Working Group (Boston, Massachusetts, 20-22 Sep. 2012).

An Open Letter & petition, with signatures, from punctum books to The New Press and Verso Books (UK), relative to their recent compilations (in print and e-book form) of Aaron Swartz’s selective collected writings, “The Boy Who Could Change the World,” in which the undersigned ask Verso and The New Press to reverse and repair this unfortunate…[Read more]

This essay explores the challenge to the chivalric myth of the aviator in Willa Cather’s One of Ours and William Faulkner’s Soldier’s Pay. Revived during the First World War, this romantic myth cloaked the aviator in idealism and hid the actual body of the flyer in rhetoric. In this war of increasing mechanization, the air war was the last basti…[Read more]