Art Style | Art & Culture International Magazine is an open access, biannual, and peer-reviewed online magazine that aims to bundle cultural diversity. All values of cultures are shown in their varieties of art. Beyond the importance of the medium, form, and context in which art takes its characteristics, we also consider the significance of…[Read more]

Barbara Burman and Ariane Fennetaux, The Pocket: A Hidden History of Women’s Lives, 1660-1900, Yale University Press, London, England, 2020, Appendix: Pockets in the Old Bailey, Notes, Archives, Bibliography, Index, Picture Credits, 161 Colour Illustrations, 264 pages, Softback, £19.99.

A three-page paper on the artistry of a bronze age ring whose discovery was reported in 2019.

Karen Barad’s Meeting the Universe Halfway relies on mutually incompatible grounding gestures, one of which describes the relationality of an always already material-discursive reality, while the other seeks to ground this relation one-sidedly in matter. These two materialisms derive from the gesture she borrows from the New Materialist (and o…[Read more]

Review of the 6th edition of the Linear B tablets from Knossos in transcription.
This is the accepted manuscript; the published version is available at https://doi.org/10.1017/eaa.2020.32.

The chapter argues that disciplinary memory claims in US American communication research have become smaller, more parochial, and less potent, as their underlying referent—the discipline—has splintered in the wake of the digital in the mid-1990s. For decades after its institutionalization in the 1950s, US communication research had relied on gra…[Read more]

NASA’s Viking probes were launched in 1975. Six years earlier an International Planetary Patrol Network of telescopes was set up to observe Martian surface conditions. Sites were chosen to provide continuous observing, and were located in Hawaii, eastern Australia, India, South Africa, Chile, and central USA. Negotiations for a facility to be s…[Read more]

This chapter examines the ways in which the Linear B ‘extra’ signs – syllabograms which can in certain circumstances replace the ‘core’ signs of the Linear B syllabary – are often used as evidence for the process by which this writing system was created from its parent writing system, Linear A, and thus, by extension, for reconstructing aspects of…[Read more]

The essay positions John Heartfield (1891-1968) as the kind of artist — or better, image-maker or imager — that Vilém Flusser described in his book, Into the Universe of Technical Images. The photomontages, for which Heartfield is best known, overturn the media priorities of the newspaper in which they appear. More like theatre or film, they…[Read more]

Focussing the Nasa’s Opportunity Rover, the essay claims the field of creativity as definitively human, supported by Vilém Flusser’s understanding the the “apparatus”.

This article analyzes the famous tenth-century Greek alchemical codex Marcianus graecus 299, and in particular its first quire, considering the structure and significance of the manuscript as a whole.

The first building in Geneva designed to house an international organization, the Centre William Rappard has played host to the International Labour Office since it first opened its doors in 1926, and later to the General Agreement of Tariffs and Trade secretariat and to the World Trade Organization. “Centre William Rappard: Home of the World…[Read more]

Harun Farocki’s last film, Sauerbruch Hutton Architects (2013), is studied by comparing it to other works by the director and analyzing its scenes. The article elaborates what is the position of this office regarding architecture as a producer of images, and then verifies what is its underlying spatiality. As a result, one can see how the…[Read more]

Writing a factual or fictional dream is a difficult task as its ›otherness‹ will challenge all of our accustomed modes of narration. So the existence of established cultural and textual patterns is a welcome help. This collection of essays describes these patterns, their historical and individual modifications and their relation to the dre…[Read more]

This essay argues that the changes that occurred in the form, function, material and internal decorative schemes of the Great House before 1660 was less of a transformation and more of a slow evolution. The popularity of plasterwork in the Great House from the Tudors to the Restoration, demonstrates its importance in the evolution of such…[Read more]

This dissertation ‘Inns and Innkeeping in North Hertfordshire: 1660-1815’ addresses the lack of a localised study on this building type and supplements the wider body of work that has been undertaken, on inn form, function and innkeeping lifestyles in other regions of England during the long eighteenth century.