The scientific studies of the Italian physician and naturalist Antonio Vallisneri
(1661–1730) were concerned with the cultural and religious implications of the debate on
fossils in the early decades of the eighteenth century. In De’ Corpi Marini he summarized the
main diluvial theories but declined to support them. He explained the pre…[Read more]

This paper deals with the identification of the microscope used by the Italian physician and naturalist Antonio Vallisneri (1661-1730) during his research activity. The investigation was structured in three phases: a) a first text analysis on published and manuscript sources, looking for information about the microscope(s) used by Vallisneri; b)…[Read more]

Anton Pannekoek (1873-1960) was both an innovative astronomer and an influential Marxist. In this article we will investigate both his Milky Way research and Marxist philosophy, with special focus on his ideal scholarly persona and the epistemic virtues he advocated in his research. This focus allows us to place Pannekoek in the larger development…[Read more]

Anton Pannekoek (1873–60) was both an influential Marxist and an innovative astronomer. This paper will analyze the various innovative methods that he developed to represent the visual aspect of the Milky Way and the statistical distribution of stars in the galaxy through a framework of epistemic virtues. Doing so will not only emphasize the u…[Read more]

A short note describing the difficulties that surround the definition of “art.”

Computational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities…[Read more]

These are catalogue entries for the following works: Francisco de Zurbaran, Veronica Veil, from the Sarah Blaffer Campbell Collection Ferdinand Bol, Portrait of Sir John Hebdon, from the Sarah Blaffer Campbell Collection

This talk offers a collection of vignettes that position the relation between life and death as a central but unsolvable question for theorization in art and politics. Indeed, what to think of death in times when, yet again, the end of the world as we know it seems to be near?

This talk offers a collection of vignettes that position the relation between life and death as a central but unsolvable question for theorization in art and politics. Indeed, what to think of death in times when, yet again, the end of the world as we know it seems to be near?

Bibliographische Hinweise zur deutschsprachigen Fachliteratur des Mittelalters.

As one of the most important political and religious figures of the mid sixteenth century, Cardinal Reginald Pole (1500–58) has been the subject of valuable historical studies. Although the English prelate was also a humanist, part of a vast intellectual and artistic network he established during his travels to Italy, Flanders, Spain and E…[Read more]

Bibliographische Hinweise zur deutschsprachigen Fachliteratur des Mittelalters.

As one of the most important political and religious figures of the mid sixteenth century, Cardinal Reginald Pole (1500–58) has been the subject of valuable historical studies. Although the English prelate was also a humanist, part of a vast intellectual and artistic network he established during his travels to Italy, Flanders, Spain and E…[Read more]

Bibliographische Hinweise zur deutschsprachigen Fachliteratur des Mittelalters.

As one of the most important political and religious figures of the mid sixteenth century, Cardinal Reginald Pole (1500–58) has been the subject of valuable historical studies. Although the English prelate was also a humanist, part of a vast intellectual and artistic network he established during his travels to Italy, Flanders, Spain and E…[Read more]

Contemplates the exclusion of illustrators from art theory; critiques Harold Rosenberg’s position in light of his own work in the culture industries; matches illustrator Robert Weaver’s arguments with Rosenberg’s in a posthumous debate.

Contemplates the exclusion of illustrators from art theory; critiques Harold Rosenberg’s position in light of his own work in the culture industries; matches illustrator Robert Weaver’s arguments with Rosenberg’s in a posthumous debate.

Contemplates the exclusion of illustrators from art theory; critiques Harold Rosenberg’s position in light of his own work in the culture industries; matches illustrator Robert Weaver’s arguments with Rosenberg’s in a posthumous debate.

Review of Peter Eisenman, Palladio Virtuel

Syllabus for a seminar course on Public Art, Space, and Architecture.