Evaluation can be seen as an opportunity for transvaluation, or what Nietzsche called the revaluation of values. However, evaluation is often treated instead as the enforcement of standards – standardization rather than transformation. When evaluation as transvaluation and evaluation as standardization are both used to evaluate the same s…[Read more]

With its focus on the achievement of painterly effects in photography , the international Pictorialist movement sought to employ various techniques and aesthetic approaches in order to capture images of landscapes and delicate feminine beauty within perfectly composed atmospheric settings. Facing the turn of the twentieth century, a time when the…[Read more]

Description of the German geomantic and astologic multiple text manuscript Oxford, Bodleian Library, MS Broxbourne 84.3 from 1469.

Marco Heiles, geomancia hais ich. Die geomantisch-astrologische Sammelhandschrift Oxford, Bodleian Library, MS Broxbourne 84.3, in: Mittelalter. Interdisziplinäre Forschung und Rezeptionsgeschichte 1 (2018),…[Read more]

Edition and commentary of an German chiromantic text from about 1464 in the manuscript Linz, Landesbibliothek, Hs. 139, fol. 1r-5r.

Marco Heiles, Eine bisher unbeachtete deutsche Chiromantie in der Landesbibliothek Linz, in: Zeitschrift für deutsches Altertum und deutsche Literatur 145 (2016), S. 70-81.

The development of the use of computers and software in art from the Fifties to the present is explained. As general aspects of the history of computer art an interface model and three dominant modes to use computational processes (generative, modular, hypertextual) are presented. The “History of Computer Art” features examples of early…[Read more]

The core of the Conceptual artists (Mel Bochner, Sol LeWitt; the Siegelaub group with Robert Barry, Douglas Huebler, Joseph Kosuth, Lawrence Weiner; English and American members of Art & Language) is situated in the art context of the late sixties and the first half of the seventies. The self-positioning of the Conceptual artists within the art…[Read more]

The outline of the development of Performance Art features happenings in New York and Vienna in the sixties as well as body art and performances with closed circuits in the seventies (among others). Action Art, Environmental Theater and Intermedia are the terms defining the main characteristics of the works discussed. The research method is mainly…[Read more]

C. Lloyd Morgan is mostly known for Morgan’s canon (1894), still a popular and frequently quoted principle in comparative psychology and ethology. There has been a fair amount of debate on the canon’s interpretation, function, and value regarding the research on animal minds, usually referring to it as an isolated principle. In this paper we…[Read more]

Transcription of a tract on the plague from a German manuscript from ca 1463, Hamburg, Staats- und Universitätsbibliothek, Cod. germ. 1, fol. 51ra-rb.

During most of Antiquity, the Greek-speaking kingdoms in Cyprus used syllabic writing systems for the Cypriot dialect. Paphos, which was one of the most powerful kingdoms in the island, used a special variant of the Cypriot syllabary. Although the circumstances seemed to favour the adoption of the Greek alphabet as a writing system, the Paphians…[Read more]

Die Tierphilosophie ist eines der lebendigsten Felder der Gegenwartsphilosophie. Im Mittelpunkt stehen bislang die Frage nach dem Geist der Tiere, das Problem des Tier-Mensch-Unterschiedes und die Themenfelder der Tierethik. Die auf drei Bände angelegte »Philosophie der Tierforschung« wirft einen neuen Blick auf dieses Gebiet und ergänzt es dur…[Read more]

From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]

The following text presents an online project, which has been developed since April 2007 with a duration of five years on the initiative of the Kunstgeschichtliches Institut in Frankfurt and the Kunsthistorisches Institut in Florence, together with the partner institutions Städel Museum and Historisches Museum in Frankfurt and jointly financed by…[Read more]

Drei digitale Kunstprojekte aus den Jahren 2015 und 2016 werden in diesem Text vorgestellt und verglichen, Game Over Facebook, WrongGrid und Curating Money. Ihnen ist gemeinsam, dass sie in Konfrontation zu ihrem jeweiligen technischen und ästhetischem Kontext stehen, beispielsweise zu den digitalen Plattformen, auf denen sie gespeichert sind,…[Read more]

Am 11.10.2014 erschien im Feuilleton der Frankfurter Allgemeinen Zeitung ein Artikel von Gina Thomas über die derzeitige Intensivierung der wissenschaftlichen Arbeit zum Kunstmarkt. Der Titel lautete: Wie der Kunsthandel die Wissenschaft erobert. Auf diese Bestimmung eines Verhältnisses und die gebrachten Beispiele soll hier reagiert werden.

This article shows the high degree of correlation between the ways in which the right and the left hemispheres process and organize information and Whitehead’s understanding of the two pure and direct modes of perception, causal efficacy and presentational immediacy. The neuroscience is drawn from the recent work of Iain McGilchrist and Robert…[Read more]

In Along an African Border, anthropologist Sónia Silva examines how the Angolan refugees living in Zambia during the Angolan civil war used their divination baskets to cope with daily life in a new land. To many people, these baskets are capable of thinking, hearing, judging, and responding. They communicate by means of small articles drawn in…[Read more]

Sónia Silva is an Associate Professor of anthropology at Skidmore College. Drawing on ethnographic fieldwork in Zambia, as well as museum work in Europe and the USA, Silva’s research deals with materiality, material religion, the notion of the fetish, ritual and religion, divination, witchcraft, violence, and museums. Silva is the author of Alon…[Read more]

Throughout historic developments, the publicly ascertained and published price of an artwork repeatedly served as a reference point for art theoretical discussion. Particular importance was attached to the auction sale price, since this financial evaluation of art was of such a public nature. While there is a long history of these ideas about the…[Read more]