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Camilla Hoel deposited Secret Plots: The False Endings of Dickens’s Novels in the group
Victorian Studies on Humanities Commons 5 years, 11 months agoOliver Twist does not find wealth and family and live happily ever after. Amy Dorrit and Arthur Clennam never escape the workhouse. And Eugene Wrayburn does not revive to marry Lizzie Hexam and start a new and productive life. This article takes as its starting point the idea that a story can have ‘false’ endings and uses it as a way of app…[Read more]
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Shannan Palma deposited Entitled to a happy ending: Fairy-tale logic from “Beauty and the Beast” to the incel movement in the group
Digital Humanists on Humanities Commons 5 years, 12 months agoThe author proposes fairy-tale logic as a mode of magical thinking typified by the belief that certain functions, fulfilled correctly and in the right order, lead to predictable outcomes. Mapping similarities in implicit reasoning within “Beauty and the Beast,” the reality television program Beauty and the Geek (2005-08), and the misogynistic nar…[Read more]
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Antonio Cordoba deposited La ciencia ficción de Carlos Gardini en el cambio de milenio in the group
Speculative and Science Fiction on Humanities Commons 5 years, 12 months agoTras el análisis de las tres novelas que Carlos Gardini publica en este siglo, se observa que la característica formal más notable es una trama concebida para conducir a un instante de revelación plena sobre el mundo, re-conocido ahora en un momento de luminosa anagnórisis. Esta anagnórisis consiste en la comprensión por parte de un protag…[Read more]
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Antonio Cordoba deposited Mexico con X de Galaxia. La ciencia ficción de Mexico DF. Hugo Hiriart y ‘La destrucción de todas las cosas’ in the group
Speculative and Science Fiction on Humanities Commons 5 years, 12 months agoEn el caso de cierta CF escrita en México, hay una doble invasión: espacial y temporal. Ocurre así, por ejemplo, en La destrucción de todas las cosas (1992), de Hugo Hiriart, y en “La catástrofe” (1984), recogido en La sangre de Medusa de José Emilio Pacheco.211 En estos textos, se emplea un género que se percibe como ajeno para abordar la disloca…[Read more]
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Antonio Cordoba deposited La ciencia ficción de Angélica Gorodischer. ‘Trafalgar’ (1979) y ‘Kalpa Imperial’ (1983-1984) in the group
Speculative and Science Fiction on Humanities Commons 5 years, 12 months agoNo sólo la calidad une Trafalgar y Kalpa Imperial, o el hecho de que cierren un primer periodo de la obra de Gorodischer. En ambos libros la fi gura central es un narrador que relata aventuras y acontecimientos en lo que es, explícita o implícitamente, otro planeta, muchos en Trafalgar, uno solo en Kalpa Imperial. Estos planetas y estos ac…[Read more]
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Antonio Cordoba deposited Hacia un modelo de la ciencia ficción. La práctica de la ciencia ficción en América Latina in the group
Speculative and Science Fiction on Humanities Commons 5 years, 12 months agoEn el capítulo 1 se ofrece un modelo del funcionamiento del género de la ciencia ficción construido desde una cierta mirada del latinoamericanista. El capítulo 2 examina la práctica de la ciencia ficción en América Latina.
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Antonio Cordoba deposited Extranjero en tierra extraña. El género de la ciencia ficción en América Latina [Introducción] in the group
Speculative and Science Fiction on Humanities Commons 5 years, 12 months agoLa ciencia ficción latinoamericana es, ante todo, ficción latinoamericana. Participa íntegramente de las corrientes culturales y artísticas que nutren la literatura de América Latina, al tiempo que constituye un específi co punto de articulación de éstas. Englobable en la literatura de lo insólito, la ciencia ficción (CF a partir de ahora) es…[Read more]
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Antonio Cordoba deposited “‘Let Me Enter the Heaven of Her Consciousness.’ Cosmopolitan Ghosts in Adolfo Bioy Casares’ The Invention of Morel.” in the group
Speculative and Science Fiction on Humanities Commons 5 years, 12 months agoMy purpose in this article is to analyze Bioy’s novel in terms of two concepts from two well-known studies on specters and haunting, and to connect this spectral dimension of the novel to current discussions of the concept of cosmopolitanism. The first idea I will use is Derrida’s njunction that one needs “to learn to live with ghosts” (Specte…[Read more]
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Kalle Westerling started the topic Opportunity: Digital Humanities Research Institute, June 15–24, 2020 in the discussion
Digital Humanists on Humanities Commons 5 years, 12 months agoDo you want to become a DHRI Community Leader?
Apply now and join us from June 15-24, 2020.
You are invited to apply for the second Digital Humanities Research Institute (DHRI), which will take place at The Graduate Center, City University of New York. This ten-day institute will introduce participants to core digital humanities skills, and…[Read more]
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Ted Underwood deposited Machine Learning and Human Perspective in the group
Digital Humanists on Humanities Commons 6 years agoNumbers appear to have limited value for literary study, since our discipline is usually more concerned to explore differences of interpretation than to describe the objective features of literary works. But it may be time to re-examine the assumption that numbers are only useful for objective description. Machine learning algorithms are actually…[Read more]
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Evina Steinova deposited Call for Papers | Networks of Manuscripts, Networks of Texts (Oct 22-23 2020, Amsterdam) in the group
Digital Humanists on Humanities Commons 6 years agoThis conference aims to bring together researchers applying network analysis to pre-modern manuscripts and manuscript texts. Key topics include:
• Theoretical reflections on the challenges and advantages of applying network analysis, including social network analysis, to pre-modern written cultures;
• Application of network analysis to cor…[Read more] -
Nathan Gibson deposited Thinking in ⅃TЯ: Reorienting the Directional Assumptions of Global Digital Scholarship in the group
Digital Humanists on Humanities Commons 6 years agoAlmost nothing can be taken for granted when it comes to the direction of a text—not over the course of the previous five millennia and not in today’s digital world. Texts may mix languages. Languages may mix or change writing systems. Writing systems themselves may use idiosyncratic directional practices, and writers may be rule breakers. Thu…[Read more]
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Samuel Adu-Gyamfi deposited Public Health in Colonial and Post-Colonial Ghana: Lesson-Drawing for the Twenty-First Century in the group
Digital Humanists on Humanities Commons 6 years agoPublic health in twenty-first century Ghana is mired with several issues ranging from the inadequacy of
public health facilities, improper settlement planning, insanitary conditions, and the inadequacy of laws
and their implementation. This situation compared to the colonial era is a direct contradiction.
Development in the pre-colonial era to…[Read more] -
Alicia Colson FRGS deposited Do not make snap decisions about what you are seeing: how digital analysis of the images from the Canadian Shield highlights the difficulties in classifying shapes in the group
Digital Humanists on Humanities Commons 6 years agoThe act of classification has the widest implications for scholarship. Whatever the format, it involves the totality of our being. The use of our eyes indicates that decisions about whatever it is that we observe have already been made. Yet the interaction between the mechanical act of seeing and the mind or memory has rarely been registered. An…[Read more]
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Kathleen Fitzpatrick deposited Digital Wallace: Networked Pedagogies and Distributed Reading in the group
Digital Humanists on Humanities Commons 6 years agoThis is the peer-reviewed submission version of the essay, which focuses on the role that digital communication platforms can play in teaching and engaging with Wallace’s work.
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Bill Hughes deposited In the Company of Wolves: Wolves, Werewolves, and Wild Children, ed. Sam George & Bill Hughes – Book Launch and Film Screening, 29 February 2020, Odyssey Cinema, St Albans, UK in the group
Speculative and Science Fiction on Humanities Commons 6 years agoYou are cordially invited to a special event to celebrate ten years of the Open Graves, Open Minds project and to launch our new book In the Company of Wolves: Werewolves, Wolves and Wild Children.
In the Company of Wolves presents further research from the Open Graves, Open Minds Project. It connects together innovative research from a variety…[Read more] -
Bill Hughes deposited In the Company of Wolves: Wolves, Werewolves, and Wild Children, ed. Sam George & Bill Hughes – Book Launch and Film Screening, 29 February 2020, Odyssey Cinema, St Albans, UK in the group
Horror on Humanities Commons 6 years agoYou are cordially invited to a special event to celebrate ten years of the Open Graves, Open Minds project and to launch our new book In the Company of Wolves: Werewolves, Wolves and Wild Children.
In the Company of Wolves presents further research from the Open Graves, Open Minds Project. It connects together innovative research from a variety…[Read more] -
Valeria Graziano deposited Recreation at stake in the group
Performance Studies on Humanities Commons 6 years agoExtending Audre Lorde’s intuition around the polysemy of the term recreation, I put forward this concept as an organizational principle. Via the framework of recreation, I want to think about some of the main political stakes of the forms used by collectivities able to act politically in the present. I transpose the double binding that Lorde a…[Read more]
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Valeria Graziano deposited Recreation at stake in the group
Festivals, Rituals, Public Spectacles, and Popular Culture on Humanities Commons 6 years agoExtending Audre Lorde’s intuition around the polysemy of the term recreation, I put forward this concept as an organizational principle. Via the framework of recreation, I want to think about some of the main political stakes of the forms used by collectivities able to act politically in the present. I transpose the double binding that Lorde a…[Read more]
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Carlos Pittella deposited A Trajetividade do Pessoa Digital: Contributos para uma História do Espólio Pessoano in the group
Digital Humanists on Humanities Commons 6 years agoA period of six months (Dec. 2017 to Jun. 2018) saw the launch of three digital platforms dedicated to the works of Fernando Pessoa, raising the number of such projects to seven published in a decade. Considering this virtual proliferation as a milestone for Pessoan studies, this article aims to reconstruct, at least as a sketch, the history of…[Read more]
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