Brooke Covington
,@becovington
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José Angel GARCÍA LANDA deposited The Story Behind Any Story: Evolution, Historicity, and Narrative Mapping in the group
Narrative theory and Narratology on Humanities Commons 4 years, 10 months ago“The narratives of the world are numberless”; yet, all stories may be seen as chapters of a single story, the story of universal evolution as uncovered by contemporary science, with processes of human emergence and cultural development as a prominent backdrop to the understanding of any narrative process. Evolutionary approaches to literary and…[Read more]
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José Angel GARCÍA LANDA deposited Dimensiones del discurso (Tenor, Mode, Domain) in the group
Narrative theory and Narratology on Humanities Commons 4 years, 12 months agoUn esquema utilizado en mis clases de Comentario de Textos Literarios Ingleses para explicar las diversas dimensiones o parámetros de análisis funcional del discurso: la relación entre interlocutores o ‘tenor’, el canal comunicativo, medio o ‘modo’, y la función interactivo-comunicativa o ‘dominio’. ___…[Read more]
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José Angel GARCÍA LANDA deposited El espectador real (Siendo leídos) in the group
Narrative theory and Narratology on Humanities Commons 5 years agofrom
A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://bit.ly/abibliog
Spanish abstract: En su ‘Teoría de los sentimientos morales’ habla Adam Smith de cómo en la comunicación pública el espectador virtual que emana de nuestro discurso puede no coincidir con los receptores reales de dicho discurso. Y ve Smith en esa no coi…[Read more] - Load More
I am struck by the event of dissolution (in Spencer’s articulation). I wonder how one might think of narrative dissipating into narrativity. Not so much all stories being chapters of a single story as all stories as potential building blocks for other stories. The challenge for me is actually observing a narrative degenerate. The glue is quick…[Read more]
Yes, I agree, François, one story does lead into another one…. And sometimes, what is the central story for us, with its point and everything, becomes just a building block for someone else’s story. Makes me think of what Rochester says in a poem, “Dead, we become the lumber of the world”.
Very tickled to discover that Rochester’s translation of Seneca continues thus:
Dead, we become the lumber of the world,
And to that mass of matter shall be swept
Where things destroy’d with things unborn are kept.
Yes, quite impressive! I also recommend the Johnny Depp film on Rochester, ‘The Libertine’.