BB 67 -65 – Cornelius Freundt – genannt Bonamicus – 1535-1595 – ed. et arr. Bruno Antonio Buike – Wie schön singt uns der Engel Schar – strings a 4 – choir – colla parte – audio

BB 67 – Cornelius Freundt – genannt Bonamicus – 1535-1595 – ed. et arr. Bruno Antonio Buike – Wie schön singt uns der Engel Schar – strings a 4 colla parte – sheetmusic

BB 65-66-67 – Cornelius Freundt – genannt Bonamicus – 1535-1595 – ed. et arr. Bruno Antonio Buike – Wie schön singt uns der Engel Schar – choir, strings, organ/Vc -( Pseudo-Continuum ) – colla parte – audio

BB 66 – Cornelius Freundt – genannt Bonamicus – 1535-1595 – ed. et arr. Bruno Antonio Buike – Wie schön singt uns der Engel Schar – organ/Vc – ( Pseudo-Continuum ) – audio

BB 66 – Cornelius Freundt – genannt Bonamicus – 1535-1595 – ed. et arr. Bruno Antonio Buike – Wie schön singt uns der Engel Schar – organ/Vc – ( Pseudo-Continuum ) – sheetmusic

BB 65 – Cornelius Freundt – genannt Bonamicus – 1535-1595 – ed. et arr. Bruno Antonio Buike – Wie schön singt uns der Engel Schar – choir a 4 – – organ/Vc as Pseudo-Continuum – audio

BB 65 – Cornelius Freundt – genannt Bonamicus – 1535-1595 – ed. et arr. Bruno Antonio Buike
Wie schön singt uns der Engel Schar – choir a 4 – organ/Vc as Pseudo-Continuum – sheetmusic

BB 63 – Johann Eccard: Vom Himmel hoch, da komm ich her – From High Heaven – a 5 voces – parallel to German Gotteslob GL 138, incipit “Es kam ein Engel” – elaborated for 4 verses: the angel, the child, Christology, doxology – colla parte versions  – woods, 2 verses – audio

BB 63 – Johann Eccard: Vom Himmel hoch, da komm ich her – From High Heaven – a 5 voces – parallel to German Gotteslob GL 138, incipit “Es kam ein Engel” – elaborated for 4 verses: the angel, the child, Christology, doxology – colla parte versions  – woods, 2 verses – sheetmusic

BB 62 – Johann Eccard: Vom Himmel hoch, da komm ich her – From High Heaven – a 5 voces – parallel to German Gotteslob GL 138, incipit “Es kam ein Engel” – elaborated for 4 verses: the angel, the child, Christology, doxology – colla parte versions – brass, 2 verses – audio

BB 62 – Johann Eccard: Vom Himmel hoch, da komm ich her – From High Heaven – a 5 voces – parallel to German Gotteslob GL 138, incipit “Es kam ein Engel” – elaborated for 4 verses: the angel, the child, Christology, doxology – colla parte versions – brass, 2 verses – sheetmusic

BB 61 – Johann Eccard: Vom Himmel hoch, da komm ich her – From High Heaven – a 5 voces – parallel to German Gotteslob GL 138, incipit “Es kam ein Engel” – elaborated for 4 verses: the angel, the child, Christology, doxology – colla parte versions  – strings, 2 verses – audio

BB 61 – Johann Eccard: Vom Himmel hoch, da komm ich her – From High Heaven – a 5 voces – parallel to German Gotteslob GL 138, incipit “Es kam ein Engel” – elaborated for 4 verses: the angel, the child, Christology, doxology – colla parte versions  – strings, 2 verses – sheetmusic

BB 64 (with BB 59) – Joh. Eccard / Buike – from High Heaven High I came down – full orchestra, organ, choir – audio

BB 64 and BB 59 – Johann Eccard: Vom Himmel hoch, da komm ich her – From High Heaven – a 5 voces – parallel to German Gotteslob GL 138, incipit “Es kam ein Engel” – elaborated for 4 verses: the angel, the child, Christology, doxology – colla parte versions – orchestra, organ,choir, 4 verses – please note: the orignal template is a one-page-settin…[Read more]

BB 64 – Johann Eccard: Vom Himmel hoch, da komm ich her – From High Heaven – a 5 voces – parallel to German Gotteslob GL 138, incipit “Es kam ein Engel” – elaborated for 4 verses: the angel, the child, Christology, doxology – colla parte versions – orchestra,organ, NO choir – 4 verses – please note: the orignal template is a one-page-settin…[Read more]

BB 64 + BB 59 – Johann Eccard: Vom Himmel hoch, da komm ich her – From High Heaven – a 5 voces – parallel to German Gotteslob GL 138, incipit “Es kam ein Engel” – elaborated for 4 verses: the angel, the child, Christology, doxology – colla parte versions – orchestra, organ choir , 4 verses – please note: the orignal template is a one-page-settin…[Read more]

BB 64 – Johannes Eccardt – 1553-1611 – ed. et arr. Bruno Antonio Buike – Vom Himmel hoch da komm’ ich her – From High Heaven – German Gotteslob GL 138, incipit: Es kam
ein Engel hell und klar – – orchestra with organ but no choir – sheetmusic

BB 137 – Come Zigany / Komm Zigan – Canzona e Csardas – set to Gipsy violin from Imre Kalman,
Countess Mariza, 1 st mov. No.7 – 137.1 piano (Harmonium, reed), deep violin
137.2 deep violin – audio – compare with BB 137 reed/Harmonium audio, which was derived from my studies on INDIAN rests in Hungarian Gipsy msuic and is rather convincing