यह एक संस्मरणात्मक ललित निबंध है। इसमें बिहार के कथाकार व राजनेता जाबिर हुसेन, रामधारी सिंह दिवाकर और प्रमोद रंजन के बीच साहित्यिक रचना की स्वायत्तता को लेकर हुए विमर्श का प्रसंग है। लेखक का तर्क है किसी साहित्यिक रचना में उसकी पृष्ठभूमि के उल्लेख से उसकी स्वायत्तता भंग होती है और वह रचना के पूर्ण आस्वाद में बाधक होती है।

Research about the influence of the musicological outpput of relevant Researcher Constantin Floros

Introductory overview of musical theory and thought in Spain in the 17th and first half of the 18th century.
Panorama introductorio sobre la teoría y el pensamiento musicales de España en el siglo XVII y primera mitad del XVIII.

Analysis of the participation of the Orquesta Sinfónica de Madrid in the commemorative events of the first centenary of Beethoven’s death (1927)

Before arriving in Spain, Francisco Corselli had developed an important career as opera composer and sacred music when he arrived in Spain in 1733 from Parma thanks to his previous relations with Isabella de Farnese, the future queen of Spain, and with the ducal house of Parma. At the Madrid court, he began his career as ‘maestro de música’ for…[Read more]

Discourse called post-humanism believes that humanism is a phony notion and an excuse for ruling over the other animals — and that it would eventually invite the destruction of the human race. They draw attention to the scientific fact that man is also an ordinary animal and just like other animals and birds is a small part of the huge e…[Read more]