In Books 1-3 of the Odes, Horace makes clear a hierarchy of divinity through the structures of lyric address and distinguishes the gods and goddesses of his poetic preference from the preeminent deities of Augustan state cult. Specifically, he equivocates masterfully as he approaches Apollo and Jupiter while elevating Mercury, a minor figure in…[Read more]

This article introduces a new perspective, the history of vision, into the study of rabbinic literature. Specifically it examines how rabbinic visual regimes dealt with those objects and images that it designated as idols. It argues that rabbis took seeing seriously and that they developed a set of strategies to shape the viewing of problematic…[Read more]

Studies of Egyptian Late Period statuary often assume that the extant corpus is a representative sample of the artistic output of the Twenty-Sixth to Thirty-First Dynasties (c. 664–332 BCE). This assumption ignores the various human processes that affect the survival of statues after their initial dedication. In particular, the Roman practice of c…[Read more]

Exploration of the ways boy-slaves’ bodies were objectified in first century CE Roman art and literature.

Blog post, published with the blog “History and Philosophy of the Language Sciences”. Here shared in form of a paper draft. Please cite as:

List, Johann-Mattis. 2018. Towards a history of concept list compilation in historical linguistics. History and Philosophy of the Language Sciences. http://hiphilangsci.net/2018/10/31/concept-list-compilation/

The Database of Cross-Linguistic Colexifications (CLICS), has established a computer-assisted framework for the interactive representation of cross-linguistic colexification patterns. In its current form, it has proven to be a useful tool for various kinds of investigation into cross-linguistic semantic associations, ranging from studies on…[Read more]

Current efforts in computational historical linguistics are predominantly concerned
with phylogenetic inference. Methods for ancestral state reconstruction have only
been applied sporadically. In contrast to phylogenetic algorithms, automatic reconstruction methods presuppose phylogenetic information in order to explain what has
evolved when…[Read more]

With increasing amounts of digitally available data from all over the world, manual annotation of cognates in multi-lingual word lists becomes more and more time-consuming in historical linguistics. Using available software packages to pre-process the data prior to manual analysis can drastically speed-up the process of cognate detection.…[Read more]

“Curial Communiqué: Memory, Propaganda, and the Roman Senate House,” in Aspects of Ancient Institutions and Geography: Studies in Honor of Richard J.A. Talbert, Impact of Empire Series, edited by Lee L. Brice and Daniëlle Slootjes (Leiden: Brill, 2014), 84-102.

As the 2017-18 academic job cycle came to an end I found myself, for the first time in five years, in the enviable position of not having to resume my search for employment again in the fall, thanks to a two-year position at a very eminent institution. This good fortune has prompted me to compile my reflections on the classical archaeology job…[Read more]

This is an Accepted Manuscript, for an article forthcoming in Antiquity (2019), and remains subject to pre-publication type-editing and proofing. Please cite as James M. Harland, ‘Memories of Migration? So-called “Anglo-Saxon” Burial Costume of the 5th Century AD,’ Antiquity 93 (2019). A link to the final publication at Cambridge University Press…[Read more]

This chapter examines the impact of a putative oral Homer upon the work of recent performance-makers. The influence of oral-poetic theories is (as yet) an under-explored area of study, neglected by scholars whose literary expertise leads them to focus on dramatic texts and production histories, with each revisionary text or production regarded as…[Read more]

This chapter examines the impact of a putative oral Homer upon the work of recent performance-makers. The influence of oral-poetic theories is (as yet) an under-explored area of study, neglected by scholars whose literary expertise leads them to focus on dramatic texts and production histories, with each revisionary text or production regarded as…[Read more]

This paper argues that the Augustan period witnessed a dramatic reconception of Roman religion—a reconception that played a vital role in the emperor’s efforts to create a unified sense of identity that included both Romans and Italians. Instead of a religion of place tied to specific historical developments, both Virgil in the Aeneid and A…[Read more]

This study juxtaposes the concerns of Catholicos Timothy I (r. 780–823), leader of the Church of the East, with those of al-Jāḥiẓ (about 776–868/9), a popular Muslim writer, regarding the dangers for each community when Christians appear as plaintiffs or defendants in Islamic courts. Timothy’s Canons attempt to obviate some of the reasons…[Read more]

“It’s time to…declare our opposition to this private theft of public culture,” wrote computer programmer and internet activist Aaron Swartz in his “Guerilla Open Access Manifesto” (2008). Swartz was criticizing the privatization of scholarship already in the public domain, and seeking ways to make this work accessible to everyone. This essay exami…[Read more]

The Arabic narrative sources record a host of tales related to the founding of Baghdad and to its founder, the caliph al-Manṣūr. In one account, reported in several versions by al-Ṭabarī and al-Ḫaṭīb al-Bagdādī, a Byzantine ambassador arrives at al-Manṣūr’s court and criticizes the caliph’s new capital. The present paper suggests that the tale m…[Read more]

An examination of Mourning and Tears in the works of John Chrysostom, with comparison to his classical and hellenistic predecessors (Aristotle, Seneca, Plutarch).

A translation and study of seven hymns (madrashe) on vigil of Ephrem the Syrian preserved in Classical Armenian.

A paper of 17 pages as described in its title and opening lines. “Hoa Hakananai’a” is an Easter Island statue, now in the British Museum. For “Linear and cult art”, see The Problem with Linear B (https://hcommons-staging.org/deposits/item/hc:20833/