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Sean Lorre started the topic CFP: Journal of Jazz Studies in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 3 years, 8 months agoGreetings!
Have a paper, speculative essay, media review or creative work in need of an outlet? Looking for a fast and efficient editorial process? The Journal of Jazz Studies is actively seeking submissions for issues to be published in 2022 (and beyond) and would love to work with you!
The Institute of Jazz Studies seeks manuscript s…[Read more]
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Matthew Ferrandino started the topic SMT PMIG 2022 Session in the discussion
Society for Music Theory – Popular Music Interest Group on Humanities Commons 3 years, 8 months agoHi Everyone!
We are currently accepting informal proposals and ideas for the topic and format of our Fall meeting. We will be back in person for SMT in November, which is being held jointly with AMS and SEM. In the past, formats that included some element of interactivity with attendees beyond the typical Q&A have been particularly successful, so…[Read more]
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Channan Willner posted an update in the group
Society for Music Theory (SMT) on Humanities Commons 3 years, 9 months agoI have just published a new article on my website, entitled, “Borrowing for Contrast, I: Schütz, Bach, and Mozart,” at http://www.channanwillner.com/online.htm. The first of a two-part set, the article investigates how composers use borrowings from different sources (or different borrowings from the same source) to generate contrast, and what the…[Read more]
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William Ayers started the topic Post-1945 Music Analysis Interest Group Publication Award Call for Nominations in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 3 years, 9 months agoDear scholars of post-1945 music,
Please consider submitting your published articles or book chapters for consideration for the SMT Post-1945 Music Analysis Interest Group Publication Award.
Any peer-reviewed article or book chapter published between January 2019 and December 2021 on analysis of post-1945 music within modernist, experimental,…[Read more]
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Frans Wiering posted an update in the group
Society for Music Theory (SMT) on Humanities Commons 3 years, 9 months agoDear colleagues,
In What Do Musicologists Do All Day (WDMDAD) we are investigating the use of technology in the work of music researchers in the widest sense.
Researchers frequently make use of the possibilities that mobile phones, social media, digital libraries, search engines and computer software offer. But these technologies do not always…[Read more]
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Angela Pratesi uploaded the file: Fanny Mendelssohn Hensel, Easter Sonata to
Music Instruction & Pedagogy Repository on Humanities Commons 3 years, 10 months agoAuthor: Tracie Ginsberg
CC BY-SA
Language: English -
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Angela Pratesi uploaded the file: Joseph Bologne, Chevalier de Saint-Georges, String Quartet Op. 1, No. 3 in G Minor to
Music Instruction & Pedagogy Repository on Humanities Commons 3 years, 10 months agoAuthor: Sydney Prince
CC BY-SA
Language: English -
William Ayers replied to the topic Greetings and Solicitations! in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 3 years, 10 months agoHello again! Just a quick reminder to let us know if you are interested in taking part in the construction of our interest group meeting for our conference in New Orleans or serving on the 2022 Publication Award committee. If you would like to be involved in either of these endeavors, please send an email to william.ayers@ucf.edu telling us a…[Read more]
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Laura Emmery started the topic Publication announcement: post-1945 /avant-garde music in Yugoslavia in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 3 years, 10 months agoHello everyone,
I am super happy to announce the publication of Contemporary Music Review vol. 40, issue 5–6, on the topic of Serbian Musical Avant-gardes: https://www.tandfonline.com/toc/gcmr20/40/5-6?nav=tocList
This publication covers the period of post-WW2 communist Serbia/Yugoslavia under the imposed doctrine of Socialist Realism through t…[Read more]
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Laura Emmery replied to the topic Publication announcement: Playing (with) Babbitt in the 21st Century in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 3 years, 10 months agoCongrats, Josh et al.–fantastic work!
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William Ayers started the topic Greetings and Solicitations! in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 3 years, 10 months agoHello members of the Post-1945 Music Analysis Interest Group!
As your new co-chairs, we wanted to send a quick message to tell you about our current projects, and we also wanted to see if you would like to be involved in these activities. We are working on two things that might be of interest to you.
We are putting together the call for…[Read more]
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Joshua Banks Mailman started the topic Publication announcement: Playing (with) Babbitt in the 21st Century in the discussion
SMT Post-1945 Music Analysis Interest Group on Humanities Commons 3 years, 10 months agoThe whole enchilada is out of the oven now: We guest co-editors, Joshua Banks Mailman, Andrew Mead, and Zachary Bernstein, are pleased to announce a publication that celebrates a shining example of artistic creative agency, in the past and present:
Playing (with) Babbitt in the 21st Century
a double issue of Contemporary Music Review, 40 (2…[Read more] -
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David Neumeyer deposited Register and Cadence Gesture (2): Gershwin’s “Embraceable You” in the group
Society for Music Theory (SMT) on Humanities Commons 3 years, 11 months agoThis is a companion piece to an essay on Jerome Kern’s “All the Things You Are,” where an alternative ending with a rising melodic gesture is written into the published sheet music. The survey of Gershwin’s “Embraceable You” here was inspired by a similar figure in an early recorded performance by Sarah Vaughan.
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David Neumeyer deposited Register and Cadence Gesture (1): Jerome Kern’s “All the Things You Are” in the group
Society for Music Theory (SMT) on Humanities Commons 3 years, 11 months agoSome cadences in European and European-influenced tonal music show a contradiction in direction between registral stasis and linear movement, the example being alternative endings written into a song by Jerome Kern. The topic is explored through analysis of 51 recorded performances.
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