Kristian Petersen
,@babakristian
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Ilyse Morgenstein Fuerst's profile was updated on Humanities Commons 2 years ago
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Sérgio Dias Branco's profile was updated on Humanities Commons 2 years, 1 month ago
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Sérgio Dias Branco deposited Genuine Poetics: Expressive Authenticity in Film in the group
Philosophy on Humanities Commons 2 years, 2 months agoThis chapter seeks to reflect on the concepts of entertainment, engagement, and poetics applied to cinematic art and it inscribes this set of reflections within the scope of aesthetic authenticity in cinema. The discussion is structured around the question of the autonomy of art, understood as a kind of characterization or requirement, a topic…[Read more]
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Sérgio Dias Branco deposited Genuine Poetics: Expressive Authenticity in Film in the group
Film Studies on Humanities Commons 2 years, 2 months agoThis chapter seeks to reflect on the concepts of entertainment, engagement, and poetics applied to cinematic art and it inscribes this set of reflections within the scope of aesthetic authenticity in cinema. The discussion is structured around the question of the autonomy of art, understood as a kind of characterization or requirement, a topic…[Read more]
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Sérgio Dias Branco deposited Genuine Poetics: Expressive Authenticity in Film in the group
Film-Philosophy on Humanities Commons 2 years, 2 months agoThis chapter seeks to reflect on the concepts of entertainment, engagement, and poetics applied to cinematic art and it inscribes this set of reflections within the scope of aesthetic authenticity in cinema. The discussion is structured around the question of the autonomy of art, understood as a kind of characterization or requirement, a topic…[Read more]
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Sérgio Dias Branco deposited Genuine Poetics: Expressive Authenticity in Film in the group
Cultural Studies on Humanities Commons 2 years, 2 months agoThis chapter seeks to reflect on the concepts of entertainment, engagement, and poetics applied to cinematic art and it inscribes this set of reflections within the scope of aesthetic authenticity in cinema. The discussion is structured around the question of the autonomy of art, understood as a kind of characterization or requirement, a topic…[Read more]
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Sérgio Dias Branco deposited Genuine Poetics: Expressive Authenticity in Film on Humanities Commons 2 years, 2 months ago
This chapter seeks to reflect on the concepts of entertainment, engagement, and poetics applied to cinematic art and it inscribes this set of reflections within the scope of aesthetic authenticity in cinema. The discussion is structured around the question of the autonomy of art, understood as a kind of characterization or requirement, a topic…[Read more]
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Sérgio Dias Branco deposited Building Cars and Destroying Men: Working Class Representation as Christian Allegory in “Blue Collar” (1978) in the group
Religious Studies on Humanities Commons 2 years, 7 months ago“The company builds cars and destroys men” was the promotional tagline of one of the posters for “Blue Collar” (1978). Shot in Detroit and Kalamazoo, Michigan, the film stars Richard Pryor, Harvey Keitel, and Yaphet Kotto playing three Detroit auto workers in financial despair who break into and rob the offices of their own union. “Blue Collar”…[Read more]
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Sérgio Dias Branco deposited Building Cars and Destroying Men: Working Class Representation as Christian Allegory in “Blue Collar” (1978) in the group
Film Studies on Humanities Commons 2 years, 7 months ago“The company builds cars and destroys men” was the promotional tagline of one of the posters for “Blue Collar” (1978). Shot in Detroit and Kalamazoo, Michigan, the film stars Richard Pryor, Harvey Keitel, and Yaphet Kotto playing three Detroit auto workers in financial despair who break into and rob the offices of their own union. “Blue Collar”…[Read more]
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Sérgio Dias Branco deposited Building Cars and Destroying Men: Working Class Representation as Christian Allegory in “Blue Collar” (1978) in the group
Cultural Studies on Humanities Commons 2 years, 7 months ago“The company builds cars and destroys men” was the promotional tagline of one of the posters for “Blue Collar” (1978). Shot in Detroit and Kalamazoo, Michigan, the film stars Richard Pryor, Harvey Keitel, and Yaphet Kotto playing three Detroit auto workers in financial despair who break into and rob the offices of their own union. “Blue Collar”…[Read more]
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Sérgio Dias Branco deposited Building Cars and Destroying Men: Working Class Representation as Christian Allegory in “Blue Collar” (1978) on Humanities Commons 2 years, 7 months ago
“The company builds cars and destroys men” was the promotional tagline of one of the posters for “Blue Collar” (1978). Shot in Detroit and Kalamazoo, Michigan, the film stars Richard Pryor, Harvey Keitel, and Yaphet Kotto playing three Detroit auto workers in financial despair who break into and rob the offices of their own union. “Blue Collar”…[Read more]
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Sérgio Dias Branco changed their profile picture on Humanities Commons 3 years, 3 months ago
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Juli Gittinger's profile was updated on Humanities Commons 3 years, 5 months ago
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Juli Gittinger deposited HIjabi Cosplay: Performancees of Culture, Religion, and Fandom on Humanities Commons 3 years, 8 months ago
The practice of “cosplay among fan cultures–that is, dressing up like fictional pop culture character–has increased in visibility with the rising popularity of “geek” cutulre. A particularly interesting intersection of this phenomonenon is the act of cosplaing among Muslim fans, who incorporate visble markers such as the hijab into their…[Read more]
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Amanda Hannoosh Steinberg's profile was updated on Humanities Commons 3 years, 8 months ago
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Juli Gittinger's profile was updated on Humanities Commons 3 years, 9 months ago
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Sérgio Dias Branco deposited Religion and Film: Representation, Experience, Meaning in the group
Theology on Humanities Commons 3 years, 9 months agoThis is a book review of Stefanie Knauss, “Religion and Film: Representation, Experience, Meaning” (Brill, 2020).
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Sérgio Dias Branco deposited Religion and Film: Representation, Experience, Meaning in the group
Religious Studies on Humanities Commons 3 years, 9 months agoThis is a book review of Stefanie Knauss, “Religion and Film: Representation, Experience, Meaning” (Brill, 2020).
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Sérgio Dias Branco deposited Religion and Film: Representation, Experience, Meaning in the group
Film Studies on Humanities Commons 3 years, 9 months agoThis is a book review of Stefanie Knauss, “Religion and Film: Representation, Experience, Meaning” (Brill, 2020).
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Sérgio Dias Branco deposited Religion and Film: Representation, Experience, Meaning on Humanities Commons 3 years, 9 months ago
This is a book review of Stefanie Knauss, “Religion and Film: Representation, Experience, Meaning” (Brill, 2020).
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