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Devin Chaloux deposited Tonality and Tonal Structures in the Music of Tomás Luis de Victoria: A Case Study for Analyzing Tonal Phenomenology in Renaissance Polyphony in the group
Renaissance / Early Modern Studies on Humanities Commons 3 years, 4 months agoThis dissertation develops a methodology for understanding tonality and tonal structures in Renaissance polyphony by exploring the ways that the modern-day analyst and listener experience tonal phenomena in this music through a historically-informed lens. Regarded as one of the most important composers of the late-sixteenth century, Tomás Luis de…[Read more]
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Swati Arora deposited Fugitive aesthetics: performing refusal in four acts in the group
Performance Studies on Humanities Commons 3 years, 4 months agoThis chapter discusses the aesthetic of refusal as it is articulated in contemporary performances in India and South Africa while debates around the #MeToo movement continue to agitate and exhaust womxn around the globe. In the aftermath of the Indian Supreme Court acquitting the Chief Justice of India of all sexual harassment charges in May 2019,…[Read more]
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Valeria Graziano deposited The right to be lazy and to enjoy it too. On the art of refusing work and the labour of refusing art. in the group
Performance Studies on Humanities Commons 3 years, 5 months agoOn the art of refusing work and the labour of refusing art.
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Stefano Verri deposited QUELLO CHE DOVEVA ACCADERE in the group
Performance Studies on Humanities Commons 3 years, 5 months agoTesto della mostra personale (a più voci), dell’artista Giovanni Gaggia, tenutasi a partire dal 27 dicembre 2020 presso il Museo Statale Tattile Omero di Ancona in cui è stato osteso uno splendido arazzo poi chiuso in tubo di metallo. La mostra e la conseguente performance hanno dato vita ad un archivio permanente ed in continua evoluzione che r…[Read more]
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Merrill Hatlen started the topic New publication on Shakespeare’s lost years in the discussion
Shakespeare on Humanities Commons 3 years, 6 months agoTHE BARD DIDN’T JUST WRITE DRAMA, HE LIVED IT
The Bard and the Barman sheds new light on William Shakespeare’s “lost years, based on the dubious account of a barman who served as the Bard’s confidant in London. Shakespeare’s formative years in France are recounted, including his friendship with the future king of France, Henri IV, who inspired
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Martins Uze E. Tugbokorowei deposited The Theatre and Sustainable Human Development: Fumes of Fuel and Boundless Love as Paradigms in the group
Performance Studies on Humanities Commons 3 years, 6 months agoThe performing Arts encompass a wide range of disciplines which are invariably synonymous with creativity, thus, creativity is the hallmark of performance. For the sake of clarity, Performing Arts comprise Theatre Arts, Music, Dance and Choreography and the electronic media of Radio, Television and film commonly referred
to as the audio-visual…[Read more] -
Martins Uze E. Tugbokorowei deposited New Aesthetic Dimensions in African Drama and Theatre: A Festschrift in Honour of Prof Sam Ukala in the group
Performance Studies on Humanities Commons 3 years, 6 months agoNew Aesthetics in African Drama and Theatre … is a unique work. It is a valedictory gift to a man who has paid his academic dues, and also a justification of these dues that he has paid. The contributions in the book come from both seasoned eggheads and academic neophytes. The book interrogates the oeuvre of Sam Ukala’s works. it also updates…[Read more]
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Adelina Modesti deposited CFP- AIWAC 2022 Women’s Legacies in Nature Studies, Health and Liberal Arts in the group
Renaissance / Early Modern Studies on Humanities Commons 3 years, 7 months agoCFP – AIWAC 2nd edition Rome 2022
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Eduardo Paredes Ocampo deposited A Bicephalic Melancholiac: Acting a Royal Pathology in Spanish Golden Age Drama in the group
Renaissance / Early Modern Studies on Humanities Commons 3 years, 8 months agoThis study presents a reconstruction of the performance of the melancholic character in Golden Age theater. It argues that critics have overlooked the way this character type was acted on the original stage. Using Lope’s El Príncipe melancólico [The Melancholic Prince] as a case-study to speculate on the actor’s paralinguistic gestures and movem…[Read more]
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Eduardo Paredes Ocampo deposited The Tangible/Intangible Dialectic in La dama duende: A Critical Appreciation of the CNTC’s 2017 Production in the group
Renaissance / Early Modern Studies on Humanities Commons 3 years, 8 months agoThe CNTC’s 2017 production of La dama duende presented the transition between the two main characters’ rooms in the third jornada using two illuminated windows at the rear wall of the stage. The comparison between this rendition and other modern productions reveals two problems in adaptation: the fidelity with the original and the und…[Read more]
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Raf Van Rooy deposited Baldo Martorelli as Latin annotator of BNF, grec 2509 in the group
Renaissance / Early Modern Studies on Humanities Commons 3 years, 8 months agoThis paleographic comparison serves to support my argument in the following publication:
Van Rooy, Raf. Accepted. “Ippolita Maria Sforza, student and patroness of Greek in Milan (ca. 1465).” Renaissance Quarterly.
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Valeria Graziano deposited Verso una teoria delle pratiche prefigurative in the group
Performance Studies on Humanities Commons 3 years, 9 months agoVerso una teoria delle pratiche prefigurative – traduzione dall’inglese.
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Valeria Graziano deposited When Care Needs Piracy: The Case for Disobedience in Struggles Against Imperial Property Regimes in the group
Performance Studies on Humanities Commons 3 years, 9 months agoWhy to care means to disobey private property
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Ann E Mullaney deposited GB Folengo Samples: Psalm 51, March 21 2022 in the group
Renaissance / Early Modern Studies on Humanities Commons 3 years, 10 months agoGB Folengo Commentry on Psalm 51, translated into English with brief annotations
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Armin Selbitschka deposited Sacrifice vs. Sustenance: Food as a Burial Good in Late Pre-Imperial and Early Imperial Chinese Tombs and Its Relation [to] Funerary Rites in the group
Performance Studies on Humanities Commons 3 years, 10 months agoOne of the medical manuscripts recovered from Tomb No. 3 at Mawangdui (dated 186 B.C.E.) states that, “When a person is born there are two things that need not to be learned: the first is to breathe and the second is to eat.” Of course it is true that all healthy newborn human beings possess the reflexes to breathe and eat. Yet, the imp…[Read more]
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Swati Arora deposited Walk in India and South Africa: notes towards a decolonial and transnational feminist politics in the group
Performance Studies on Humanities Commons 3 years, 10 months agoThe essay discusses Maya Rao’s Walk and The Mothertongue Project’s Walk: South Africa to explore the languages of transnational and embodied feminist politics that these performances conjure. The two performances are instances of artistic responses to sexualized violence in India and South Africa as they engage with the politics of walking in the…[Read more]
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Swati Arora deposited Walking at Midnight: Women and Danger on Delhi’s Streets in the group
Performance Studies on Humanities Commons 3 years, 10 months agoI discuss the walking practice of Delhi-based artist Mallika Taneja in the context of its engagement with, and intervention in, the contemporary conversations on sexualised violence, gender, space and mobility in India. Taneja’s work is part of a variety of feminist activism to take place in India since the horrific gang rape of Jyoti Singh in D…[Read more]
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Jonas Richter deposited Höllfahren: Ein Überblick in the group
Renaissance / Early Modern Studies on Humanities Commons 3 years, 10 months agooverview on the history of the card game “Höllfahren” or “in die Höll”
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Thomas Dabbs posted an update in the group
Renaissance / Early Modern Studies on Humanities Commons 4 years agoThis is a talk with David Sterling Brown, currently an ACLS/Mellon Scholars and Society Fellow with The Racial Imaginary Institute. This conversation includes a look at recent initiatives that explore whiteness and modern racial conflict through the performance and study of Shakespeare: https://youtu.be/UJnSVBz9ujg.
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Luís Henriques deposited Two mid-sixteenth-century Cecilian parody masses in the group
Renaissance / Early Modern Studies on Humanities Commons 4 years, 1 month agoMusical celebrations of the feast of St Cecilia were common in Europe since the fifteenth century and throughout the sixteenth century. Of the many composers who wrote music for this festivity we find four mid-sixteenth-century compositions by French composers. Two motets Cantantibus orgnis and Cecilia virgo gloriosa – by Pierre Certon which…[Read more]
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