In contemporary performance, “action” seems to include acts, emergent action and the potential for action—even sometimes non-action. Performers include the human and nonhuman, the living and the nonliving. Through all this runs a complexity of technics—technologies and techniques—and these increasingly involve computational processes. How do we…[Read more]

Exploration, from 20 years ago, of the concept of the virtual in Deleuze, De Landa, Massumi, Grosz, Bergson, Zizek and others. This is the main concern though it is tie into VR and related technologies (as things were around 2004). I wrote this a very long time ago and never quite published it (I don’t think I tried). So it’s very much a draft.…[Read more]

Presented in the spirit of Open Educational Resources. Full Course Outline for The World as Medium and/vs The Third Media Revolution. Level 3 course designed across many programs (Journalism and Comms, BA, Design, PR, Screen and Sound, Law, etc). So it’s a somewhat generalist course. It begins with a summary of standard approaches (from standard…[Read more]

How did so much of contemporary technics become so disappointing, so deadening? How is technics being thought, and worked with, to enliven? What different assemblages and principles are involved? This chapter begins in sympathy with Michel Serres’ “aggrieved shame” and then moves to Wendy Hui Kyong Chun’s discussion of an “undeadness” at the heart…[Read more]

Tracing the collaboration between Dylan and Scorsese from the 1960s on to the Netflix original ‘The Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese’ (2019), this article argues that the mutual respect of the two artists rests on a shared contestation of borders between fact and fiction. In the spirit of romanticism, both Dylan and…[Read more]

Despite a lack of a traditional cinema culture, the United Arab Emirates (UAE), has recently witnessed an increase in film production. This rise can be attributed to a number of factors, not least of which, is the opening of movie theaters, the establishment of international film festivals and the arrival of film companies. These ventures have…[Read more]

Despite a lack of a traditional cinema culture, the United Arab Emirates (UAE), has recently witnessed an increase in film production. This rise can be attributed to a number of factors, not least of which, is the opening of movie theaters, the establishment of international film festivals and the arrival of film companies. These ventures have…[Read more]

Article about the composer Pauline Viardot

Article about the composer Pauline Viardot

Article about the Spanish composer, teacher and musicologist Felipe Pedrell, founder of the Modern Musicology in Spain

Article about the Spanish composer, teacher and musicologist Felipe Pedrell, founder of the Modern Musicology in Spain

This book explores how young Cuban filmmakers have expanded the range of sexual subjectivities on screen. It analyzes cine joven (films made by young directors) from the late 1980s to the early 2020s, film reviews, articles, and materials from the Cinematheque of Cuba’s archive to illustrate the confluence of sexuality, cinema, and discourses of…[Read more]

This chapter argues that cultural appropriation can be an exploitative act but need not be; it all depends on what users do with Shakespeare. Due to the unequal status of the parties engaged in appropriative exchange, some appropriations deploy Shakespeare to protect conventional power structures. Appropriations are rarely negotiated on a level…[Read more]

Novel has created as many forms as the novels have been written so for. Starting from realism it has went through a lot of transformations and adopted or invented generic techniques to narrate almost everything human. In Urdu, novel usually concerned more about the social life and social change it depicted. By maintaining a liquidating equilibrium…[Read more]

The nautical motif of the ex-voto (votive offering) is a lyric genre that reflects poetically the possible experience of a shipwreck survivor. Paradoxically, many of the poets who evoke the perils of sea travel never left Spain or, at most, sailed only the waters of the Mediterranean. Their writing of the sea remained consistently codified in…[Read more]

In dem Seminar wird Sprachwandel aus verschiedenen Perspektiven beleuchtet.

Collaborative learning as a pedagogical method effectively reflects the communal character of the performing arts. By creating knowledge about Shakespearean performance collaboratively, students and educators lay claim to the ethics and ownership of that knowledge, an act that is particularly urgent and meaningful in the age of COVID-19 when we…[Read more]

Professor Davis’s early article on appropriations of the Indies by Spanish poets who remained in Spain invites us to contemplate a body of poetry that plays the idea of American treasures against the value of true, spiritual riches.