Wikis have become enormously attractive to Internet users because they are open-access web pages or networks of web pages that can be modified by any interested editors, making them perpetual works-in-progress that evolve and change at the behest of their contributors. Wikipedia, the limitless fountain of collected, and sometimes inaccurate,…[Read more]

Designed as a short introduction to academic literary studies of affect, Reading Affect in Literary Studies is a one-credit graduate seminar, offered in Spring 2014, that was framed by the question of how we might rethink our practice as scholars of literature to take our scholarship to publics beyond the academy. Readings included work by Rita…[Read more]

Designed as a short introduction to academic literary studies of affect, Reading Affect in Literary Studies is a one-credit graduate seminar, offered in Spring 2014, that was framed by the question of how we might rethink our practice as scholars of literature to take our scholarship to publics beyond the academy. Readings included work by Rita…[Read more]

Like other forms of treachery, translation can be either concealed or exposed. Though most literary translators work in the dark and some embrace invisibility as an ideal, all translations can be situated along the continuum of illusionist-anti-illusionist or domesticating-foreignizing. A variety of paratexts lay bare the devices of translation.…[Read more]

This article reads the smuggling of Aztec artifacts described in Lucha Corpi’s novel Black Widow’s Wardrobe in the context of new materialist philosophies of becoming.

The essay reads Ralph Waldo Emerson’s argument for a “nation of friends,” in “Politics,” as Emerson’s response to his lament, also in “Politics,” that the “power of love, as the basis of the State, has never been tried.” By a careful reading of that essay, which includes locating “Politics” within the debate in Thomas Hobbes’s Leviathan be…[Read more]

In this essay, I argue for the benefits of Suzanne Gossett’s reading of Pericles over the Oxford’s 1986 reconstructed Pericles, looking specifically at Act 3, Scenes 1 and 2. Gossett argues that Cerimon’s “rough and woeful music” is not a scribal error in the quarto, a doubling of Cerimon’s “rough” in 3.2.78-79, but perhaps intentional on…[Read more]

Blind’s autonomous cosmopolitanism is in four distinct layers. The first layer is her unusual everyday family background in the transition from Jewish tradition to the life of European revolutionaries in the 1840s and exile in Britain. The second layer is Blind’s mental and moral development under Friederike’s care and educational guidance accor…[Read more]

This paper traces the origins of Chicana-centered figures and tropes found in Ana Castillo’s So Far from God to early 20th century cuentos recorded in the New Mexico Federal Writer’s Project.

In his seminar, Specters of Marx, Jacques Derrida discusses how one of the essential qualities of the specter is his ability to appear incessantly. The inability to know when the specter may appear, however, not only enforces its haunting quality but also conveys a despairing sense of what Derrida refers to as empty Messianism from which emits…[Read more]

The state of academic freedom today, the particular vulnerability of certain areas of study, and the special relevance of scholarship in the humanities to defenses of academic freedom.