Anthony Rasmussen
,@awrasmussen
11
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3
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Richard Elliott deposited “Time and Distance Are No Object” on Humanities Commons 7 years, 11 months ago
Whether temporally or spatially focussed, nostalgia results from a division between what is longed for and the moment of longing. This article examines this “nostalgia gap” alongside the analogous gap found in representation. The relationship is highlighted via an analysis of “holiday records”, a genre of recordings that became prevalent in the…[Read more]
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Alejandro L. Madrid's profile was updated on Humanities Commons 7 years, 11 months ago
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Richard Elliott deposited Where I Come From: Place, Race, Memory and Experience in Rap and Country Music – A Comparative Study on Humanities Commons 7 years, 11 months ago
This work examines certain lyrical elements in rap and country music and the ways they are voiced. As different as these genres are from each other they share certain important characteristics. The main themes I focus on are place, race, memory and experience. I also look at how these themes are used in the creation of authenticity and how…[Read more]
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Erika Supria Honisch's profile was updated on Humanities Commons 8 years ago
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Alejandro L. Madrid's profile was updated on Humanities Commons 8 years ago
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Alejandro L. Madrid's profile was updated on Humanities Commons 8 years ago
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Marysol Quevedo's profile was updated on Humanities Commons 8 years ago
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Richard Elliott's profile was updated on Humanities Commons 8 years ago
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Richard Elliott deposited The Late Voice (Introduction) in the group
Philosophy on Humanities Commons 8 years agoIntroduction to The Late Voice: Time, Age and Experience in Popular Music.
Popular music artists, as performers in the public eye, offer a privileged site for the witnessing and analysis of ageing and its mediation. The Late Voice undertakes such an analysis by considering issues of time, age, memory, innocence and experience in modern popular…[Read more]
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Richard Elliott deposited The Late Voice (Introduction) in the group
Music and Sound on Humanities Commons 8 years agoIntroduction to The Late Voice: Time, Age and Experience in Popular Music.
Popular music artists, as performers in the public eye, offer a privileged site for the witnessing and analysis of ageing and its mediation. The Late Voice undertakes such an analysis by considering issues of time, age, memory, innocence and experience in modern popular…[Read more]
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Richard Elliott deposited The Late Voice (Introduction) in the group
Cultural Studies on Humanities Commons 8 years agoIntroduction to The Late Voice: Time, Age and Experience in Popular Music.
Popular music artists, as performers in the public eye, offer a privileged site for the witnessing and analysis of ageing and its mediation. The Late Voice undertakes such an analysis by considering issues of time, age, memory, innocence and experience in modern popular…[Read more]
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Introduction to The Late Voice: Time, Age and Experience in Popular Music
Popular music artists, as performers in the public eye, offer a privileged site for the witnessing and analysis of ageing and its mediation. The Late Voice undertakes such an analysis by considering issues of time, age, memory, innocence and experience in modern popular…[Read more] -
Richard Elliott's profile was updated on Humanities Commons 8 years ago
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Richard Elliott deposited The Sound of Nonsense in the group
Sound Poetry on Humanities Commons 8 years ago‘Watch the sense and the sounds will take care of themselves’; so says the Duchess in Alice’s Adventures in Wonderland. But can we be so sure of this? The Duchess, like her creator Lewis Carroll, often seems to put more emphasis on the sound of words than their sense, a technique that can also be detected in other written texts and in works of so…[Read more]
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Richard Elliott deposited The Sound of Nonsense in the group
Music and Sound on Humanities Commons 8 years ago‘Watch the sense and the sounds will take care of themselves’; so says the Duchess in Alice’s Adventures in Wonderland. But can we be so sure of this? The Duchess, like her creator Lewis Carroll, often seems to put more emphasis on the sound of words than their sense, a technique that can also be detected in other written texts and in works of so…[Read more]
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Richard Elliott deposited The Sound of Nonsense in the group
Cultural Studies on Humanities Commons 8 years ago‘Watch the sense and the sounds will take care of themselves’; so says the Duchess in Alice’s Adventures in Wonderland. But can we be so sure of this? The Duchess, like her creator Lewis Carroll, often seems to put more emphasis on the sound of words than their sense, a technique that can also be detected in other written texts and in works of so…[Read more]
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Richard Elliott deposited nonsensemix in the group
Music and Sound on Humanities Commons 8 years agoAn audio taster of my book The Sound of Nonsense. The taster includes samples of recordings of the work of some of the novelists, poets, musicians and performers who are used as case studies in the book. The taster is designed to both provide an overview of the subject matter of the book and to model one of the types of sonic nonsense discussed in…[Read more]
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Erika Supria Honisch's profile was updated on Humanities Commons 8 years ago
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Erika Supria Honisch's profile was updated on Humanities Commons 8 years ago
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‘Watch the sense and the sounds will take care of themselves’; so says the Duchess in Alice’s Adventures in Wonderland. But can we be so sure of this? The Duchess, like her creator Lewis Carroll, often seems to put more emphasis on the sound of words than their sense, a technique that can also be detected in other written texts and in works of so…[Read more]
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