Just prior to 9/11 the film Code Unknown: An Incomplete Tale of Different Journeys (2000) was released: a series of successive tableaux depicting the random and generally ‘aggressive’ encounters among strangers, neighbours, family members, lovers etc. displays a network of challenging interdependence amongst Parisians. The film was variously cri…[Read more]

Just prior to 9/11 the film Code Unknown: An Incomplete Tale of Different Journeys (2000) was released: a series of successive tableaux depicting the random and generally ‘aggressive’ encounters among strangers, neighbours, family members, lovers etc. displays a network of challenging interdependence amongst Parisians. The film was variously cri…[Read more]

A review of the exhibition catalogue for the show of the same name at the Solomon R. Guggenheim Museum, February-September 2017. This is a review for the Museum Bookstore. The url with images is here: http://www.guggenheimstore.org/books/visionaries-creating-a-modern-museum-exhbition-catalogue

The vernacular online videos produced by the Arab revolutions constitute an unprecedented (though not unproblematic) historical resource for understanding the subjective experience of the ordinary people who find themselves on the front line of revolutionary struggle. But they also effect a sea-change in the way in which we view and understand…[Read more]

A close reading of a video collaboration by two citizen journalists, one from Libya, the other from the US, as a form of audiovisual solidarity. This article draws in particular on concepts developed by Laura Marks and Hito Steyerl.

When Jackie Chan was introduced to Japanese audiences in the early 1980s, he was promoted as the answer to the void that popular martial arts star Bruce Lee had left upon his death in 1975. The mischievous ‘monkey’ to Lee’s more ferocious ‘dragon’, Chan’s films were aggressively marketed to an audience of male martial arts fans; yet this…[Read more]

Recent years have witnessed the growth of a body of literature concerned with what Sheldon Hsiao-peng Lu has termed “Chinese cinemas,”1 sparked by the increased international visibility of films from mainland China, Taiwan, and Hong Kong, and characterized by an emerging interest in the ways that such works negotiate both “the triumphantly…[Read more]

A Bakhtinian Analysis of Language and Multiculturalism in Iwai Shunyi’s Swallowtail Butterfly

Scholarship on representations of East Asian women has honed on the ubiquity of a ‘geisha’ stereotype in Asian-themed Hollywood films: women who willingly acquiesce to the prerogatives of Western men and, in so doing, symbolically affirm the subordination of East Asian political autonomy to a paternalistic United States. Within this context, the…[Read more]

This paper examines two documentary essays focusing on landmark architecture in the transnational Øresund region comprising Copenhagen and Malmö. I argue that the motif of construction and deconstruction is congruous to our understanding of the ways identities are negotiated vis-à-vis spatial experience. In the lms, the multiple trajectories of…[Read more]

This thesis uses ethology as a framework to examine Franz Marc’s paintings of animals. To perceive animals ethologically means acknowledging that animals feel, think, experience, and imagine the world. Ethology has come to include interpretive pursuits as well as traditional field studies, and as I show, Marc’s practice encompassed both asp…[Read more]

Essay on the typography, especially the typefaces, of the first German prints of Aesop’s Fables.

Bibliographical information for a seminar on the German literature of the magical arts.

Bachelor of Arts Thesis on the first printed German cookbook.

Poster presentation.

Presentation on the manuscript with most extensive German introduction to magical arts: Dresden, Landesbibliothek, M 206 (Mscr.Dresd.M.206).

Conference paper on lockable bookbindings.

Description of Hamburg, Staats- und Universitätsbibliothek, Cod. germ. 1. This Codex is a composite manuscript in German language (Swabian). The fist codicological unit was written around 1463 and contains especially mediacal texts. The second codicological unit is dated to 1454 an contains ‘Die sieben weisen Meister’.

Overview article on history and logistics of the Westerbork transit camp, making extensive use of the original Westerbork records in the NIOD. The paper also specifies the connection between the Jewish Council in Amsterdam and Westerbork, as well as the set-up of transports and the system of “Sperren”. The article includes a complete and revised…[Read more]

This is (to my knowledge) the first piece of scholarship to systematically analyze victim masculinity in the Holocaust.
Survivor testimonies paint a picture of Terezín as a society dominated by an elite strata of dynamic young men, respected by almost everyone in the ghetto. This is a surprise, since the cultures from which all deported Jews…[Read more]