Between 1908 and 1927, when sound film became standard, numerous American publications for both those involved in the film industry and the general public, such as Moving Picture World, Motion Picture News, and Exhibitors Herald, included regular columns by cinema conductors, composers, and arrangers like Samuel Berg, Ernst Luz, and Clarence Sinn…[Read more]

“Film Museum Practice and Film Historiography is a meticulously researched work and a welcome addition to the already growing body of work related to film archiving practices. Lameris’ book is not only about engaging with the history of the Nederlands Filmmuseum but also about situating this case study within the larger context of film history a…[Read more]

The silent film era, usually defined as 1895-1927, coincided with a revival of belief in spiritualism in America. Desperate to find meaning in the deaths of the Great War and the 1918 Spanish Flu epidemic, the bereaved sought contact with the dead and evidence of an afterlife. Given this fascination with spiritualism, it is not surprising that the…[Read more]

Outlines the restoration of the Russian film classic “Man with a Movie Camera” (USSR, 1929) by Dziga Vertov which was carried out by the EYE Filmmuseum in Amsterdam between 2008 and 2010. The restoration allows contemporary audiences the possibility to once again experience Vertov’s film as the filmmaker originally intended – or at least in a v…[Read more]

John Elderfield’s 1985 study of Kurt Schwitters more than once relates his work to the Picturesque tradition, likening him to those early Picturesque travellers who surveyed landscape through city eyes. Taking Elderfield’s idea as a starting -point, this essay contests the widely held claim that Kurt Schwitters’ Merz Barn was conceived as a…[Read more]

Mad Max: Fury Road has been critiqued for its feminist, masculine, biblical, and environmental themes, but these critiques fail to engage with the connection between humans, machines, and the Earth in Fury Road. Nuclear technology may have produced the apocalyptic wasteland in which the film is set, but machines and industrial technology remain…[Read more]

In the 2005 film Corpse Bride, director Tim Burton and composer Danny Elfman collaborate using both musical and visual signifiers to create two very different realms that the main characters must traverse: the land of the living, and the land of the dead. The characterizations of these places appear in the reverse of what a viewer might expect.…[Read more]

“Unter Männern” weaves together three threads of, first, historically relevant memory recited by its chosen protagonists; second, some personal history on the part of the primary filmmaker (i.e., director Ringo Rösener); and, third, between and among them, filmic artifacts or evidence of life in the GDR. This documentary presents the a…[Read more]

Marco Heiles, Scham und Obszönität in mittelalterlichen deutschen Handschriften. Probleme und Perspektiven, Berliner Mediävistisches Symposium, Institut für deutsche Literatur der Humboldt-Universität zu Berlin

Marco Heiles, The Medial Determination of German Edition Philology, in: Hannes Bajohr, Benjamin Dorvel, Vincent Hessling und Tabea Weitz (Hg.), The Future of Philology. Proceedings of the 11th Annual Columbia University German Graduate Student Conference, Newcastle upon Tyne 2014, S. 183-193.

Marco Heiles, Heinrich Kaufringer Bibliographie 1809–2017 (31.05.2018), in: Mittelalter. Interdisziplinäre Forschung und Rezeptionsgeschichte, https://mittelalter.hypotheses.org/9836.

Description of the German geomantic and astologic multiple text manuscript Oxford, Bodleian Library, MS Broxbourne 84.3 from 1469.

Marco Heiles, geomancia hais ich. Die geomantisch-astrologische Sammelhandschrift Oxford, Bodleian Library, MS Broxbourne 84.3, in: Mittelalter. Interdisziplinäre Forschung und Rezeptionsgeschichte 1 (2018),…[Read more]

Edition and commentary of an German chiromantic text from about 1464 in the manuscript Linz, Landesbibliothek, Hs. 139, fol. 1r-5r.

Marco Heiles, Eine bisher unbeachtete deutsche Chiromantie in der Landesbibliothek Linz, in: Zeitschrift für deutsches Altertum und deutsche Literatur 145 (2016), S. 70-81.

In the wake of Christopher Columbus’ first voyages of “discovery,” the New World rapidly became the setting for European exploration and subsequent colonization. The Spanish and Portuguese established early claim to New World territories, and they were soon joined by representatives of other nationalities eager for a share in the perceived riches…[Read more]

German abstract of:
Marco Heiles, Das Losbuch. Manuskriptologie einer Textsorte des 14. bis 16. Jahrhunderts, Köln/Weimar/Wien: Böhlau 2018, ISBN 978341251292.

This chapter introduces the volume on East German film. The chapter and the volume it introduces surveys a range of depictions of gender and sexuality in East German film and television, from stereotypical and ideologically compliant understandings of femininity and homosexuality to more ambivalent constructions of androgyny, gendered agency, and…[Read more]

Transcription of a tract on the plague from a German manuscript from ca 1463, Hamburg, Staats- und Universitätsbibliothek, Cod. germ. 1, fol. 51ra-rb.

This essay examines the circumstances of the production and appearance of East Germany’s first film about homosexuality (the short documentary “Die andere Liebe” or “The Other Love”), while considering the role it plays in our understanding of the development of German lesbian and gay history. More specifically, this essay provides a reading of…[Read more]

This essay examines the circumstances of the production and appearance of East Germany’s first film about homosexuality (the short documentary “Die andere Liebe” or “The Other Love”), while considering the role it plays in our understanding of the development of German lesbian and gay history. More specifically, this essay provides a reading of…[Read more]