Recent research demonstrates that maternal grief functions paradigmatically to epitomize despair and sorrow in the Hebrew Bible. These literary uses of maternal grief reinforce the stereotype of womanhood, defined by devotion to children and anguish at their loss. In 1–2 Kings, narratives about unnamed bereaved mothers are used politically to c…[Read more]

Aus historischer Sicht sind genauere Definitionen, Abgrenzungen und ethnische Zuweisungen der
Bevölkerung des Alpengebiets in vorrömischer Zeit ausgesprochen schwierig, umstritten und problematisch.
Die einschlägigen Diskussionen drehen sich meist um die Kategorien „Kelten“ oder „Räter“
3. Beide Zuordnungen sind jedoch seit der Antike unsc…[Read more]

Dieser Text soll auf drei Ebenen Fragen an die Quellen tragen. Erstens will ich versuchen, exemplarisch
Entwicklungslinien zwischen der antiken Provinzstruktur und dem bairischen Dukat
– einer militärisch-politischen Organisation nach spätantikem Muster – bis in karolingische Zeit
herauszuarbeiten. Zweitens soll die Frage gestellt werden, wie u…[Read more]

This chapter examines the ways in which the Linear B ‘extra’ signs – syllabograms which can in certain circumstances replace the ‘core’ signs of the Linear B syllabary – are often used as evidence for the process by which this writing system was created from its parent writing system, Linear A, and thus, by extension, for reconstructing aspects of…[Read more]

Overview of demons and monsters in Mesopotamia, highlighting works in the Yale Babylonian Collection.

Overview of demons and monsters in Mesopotamia, highlighting works in the Yale Babylonian Collection.

The iconography of the Horus cippus, an amulet popular in Egypt from the late Third Intermediate Period to Roman times (8th century BCE – 2nd century CE), is unexpectedly recapitulated in bronze “goddess plaques” of the 7-8th centuries CE made by Permian peoples – Finno-Ugric groups from the Ural region of northern Eurasia. The likely expla…[Read more]

The iconography of the Horus cippus, an amulet popular in Egypt from the late Third Intermediate Period to Roman times (8th century BCE – 2nd century CE), is unexpectedly recapitulated in bronze “goddess plaques” of the 7-8th centuries CE made by Permian peoples – Finno-Ugric groups from the Ural region of northern Eurasia. The likely expla…[Read more]

Transport stirrup jars – so-called because of the shape formed by their handles and false neck – are a common type of Mycenaean pottery: used to transport and store liquid commodities, usually assumed to be olive oil, they are found throughout the central and eastern Mediterranean. A small sub-group of these carry painted inscriptions in the Lin…[Read more]

Review of the most recent edition of Linear B inscriptions painted onto transport stirrup jars.

It is often claimed that the mortuary traditions that appeared in lowland Britain in the fifth century AD are an expression of new forms of ethnic identity, based on the putative memorialisation of a ‘Germanic’ heritage. This article considers the empirical basis for this assertion and evaluates it in the light of previously proposed ethnic con…[Read more]

This essay is an examination of Udjahorresnet’s Persian identity. Best known from the inscription on his naophorous statue now in the Vatican, Udjahorresnet was a high-ranking courtier in Egypt under the Saite pharaohs Amasis and Psamtik III, and subsequently under the Persian kings Cambyses and Darius. While his statue’s form, function and ins…[Read more]

This chapter explains the process by which the Linear B writing system was deciphered and shown to record a form of the Greek language, discussing the contributions of Emmett L Bennett, Alice E. Kober, Michael Ventris, and John Chadwick.

More than 60 years after Michael Ventris’ decipherment of Linear B, 14 of its syllabic signs remain ‘undeciphered’: despite many proposals to assign sound-values to these signs, none has yet been officially accepted. This paper is based on part of a study investigating new approaches to these undeciphered signs: as signs which cannot yet be read…[Read more]

This article re-examines the evidence for the value of the Linear B sign pu2, in particular its appearance in the term da-pu2-ri-to- ‘labyrinth’, and demonstrates that it stands specifically for the value /phu/ (contrary to the usual assumption that it represents both /phu/ and /bu/). It then discusses the further implications of this con…[Read more]

This is the accepted version of the paper; the published version is available at doi.org/10.1075/wll.00025.jud (or by contacting me). This paper investigates the issue of orthographic variation in the Linear B writing system in order to explore ways in which studying a writing system’s orthographic conventions may shed light on the history of i…[Read more]

The International Style is a theoretical model used to describe various objects from the Eastern Mediterranean Late Bronze Age that exhibit hybrid diagnostic features (iconography, media, form). Resulting in the inability for archaeologists over the past 150 years to identify cultural source. This paper is a reprint of the chapter on colour…[Read more]

The International Style is a theoretical model used to describe various objects from the Eastern Mediterranean Late Bronze Age that exhibit hybrid diagnostic features (iconography, media, form). Resulting in the inability for archaeologists over the past 150 years to identify cultural source. This paper is a reprint of the chapter on colour…[Read more]

PhD thesis, Freiburg im Breisgau 1999. On political institution in the Phoenician coastal cities

On Babylonia in the Seleucid Empire