Analyzing trans narratives about the early moderns through the lenses of affective labor and social reparation, this chapter reclaims as trans the Shakespeare films that have been misinterpreted as homosexual. In doing so, this chapter builds a longer, more intersectional history of gendered embodiment. Reparative trans performances—works in w…[Read more]

Henrietta Liston, wife of a British ambassador to the Ottoman Empire in the early nineteenth century, recorded her travels in a private journal, now held in the National Library of Scotland. Together with academics from Bilkent University in Ankara, the Library is currently working to publish the journal for the first time. Dora Petherbridge,…[Read more]

As neural language models begin to change aspects of everyday life, they understandably attract criticism. This position paper was commissioned for a roundtable at Princeton University, dedicated to one of the most influential critiques: “On the Dangers of Stochastic Parrots: Can Language Models Be Too Big?” by Emily M. Bender, Timnit Gebru,…[Read more]

English Abstract: In the context of the Spanish reform of the university degree system begun in 2005 under the PSOE Ministry of Education, this paper denounces the manipulation of representative mechanisms on the part of the CCU (Council of University Coordination), impeding a consultation with the Universities by way of transforming the Rectors…[Read more]

A comment on the division of work in the Third Cycle of higher education in the Spanish university. The Catedrático gets all the PhD candidates who are able to really write a dissertation on their own, that´s why they “work” more and their job is easier. (Paper written 2011)

My notes (taken c. 1990) on Geoffrey Leech’s ‘Principles of Pragmatics’ (London: Longman, 1983). Pagination on the left; my parenthetical comments in italics.

The third volume of the DH Benelux Journal. This volume includes six full-length, peer-reviewed articles that are based on accepted contributions to the 2020 virtual DH Benelux conference. Contents: 1. Editor’s Preface (Wout Dillen, Marijn Koolen, Marieke van Erp); 2. Introduction: Digital Humanities Online (Antske Fokkens, Christian Gosvig…[Read more]

Pietro Bembo (1470-1547) wrote and published in an era in which a highly developed erotic code was adopted by dozens and dozens of writers in Italy, and presumably understood by tens of thousands of readers in Europe. A most helpful text for decoding the erotic lexicon was written by Jean Toscan: Le carnaval du langage: le lexique érotique des…[Read more]

Pietro Bembo (1470-1547) wrote and published in an era in which a highly developed erotic code was adopted by dozens and dozens of writers in Italy, and presumably understood by tens of thousands of readers in Europe. A most helpful text for decoding the erotic lexicon was written by Jean Toscan: Le carnaval du langage: le lexique érotique des…[Read more]

In 1525, Pietro Bembo in his Prose della volgar lingua published a condemnation of Dante’s Comedy that has often passed for linguistic and cultural criticism, yet might be better understood as satire.

In 1525, Pietro Bembo in his Prose della volgar lingua published a condemnation of Dante’s Comedy that has often passed for linguistic and cultural criticism, yet might be better understood as satire.

This article examines the unpublished memoirs of Sevim Sertel O’Brien, a journalist and daughter of prominent journalists and intellectuals Sabiha and Zekeriya Sertel. The memoirs, written in English and told as bedtime stories to O’Brien’s Turkish-American children in the 1950s and 1960s, provide a unique lens on the early history of the Turkish…[Read more]

This article examines the unpublished memoirs of Sevim Sertel O’Brien, a journalist and daughter of prominent journalists and intellectuals Sabiha and Zekeriya Sertel. The memoirs, written in English and told as bedtime stories to O’Brien’s Turkish-American children in the 1950s and 1960s, provide a unique lens on the early history of the Turkish…[Read more]

With the introduction of the horse-drawn tramway in 1871, the citizens of Istanbul were forced to reckon with a new type of public space—the crowded confines of the tramcar. This article focuses on the removal of a curtain that separated men and women on public transit in 1923, analyzing the discourses that shaped the decision and the way in w…[Read more]

With the introduction of the horse-drawn tramway in 1871, the citizens of Istanbul were forced to reckon with a new type of public space—the crowded confines of the tramcar. This article focuses on the removal of a curtain that separated men and women on public transit in 1923, analyzing the discourses that shaped the decision and the way in w…[Read more]

Reflections on artist Trevor Paglen’s (ab)use of the JAFFE dataset

https://www.euronewsproject.org/2021/04/28/irish-beef/

The Irish were making trouble again, or so it seemed. The year was 1666, and relations between the Irish and the English, only recently becalmed following the close of the tumultuous Cromwellian period, were being roiled by a new crisis, this one having to do with large landowners and…[Read more]