Av. Duque d’Avila 26 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98462943). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively…[Read more]

The concept of objects and artefacts as documents has been explored by a variety of academics including Briet, Buckland, Latham and Lund from a broad conceptual perspective, with work undertaken by others considering how different object and artefact types can be considered documents. This project explores the existing literature relating to…[Read more]

Circular Quay was one of the first points of contact between First Nations people and Europeans, and to this day, it is one of the busiest localities on Sydney Harbour. The quay’s history is rich as it is still a busy transport hub, government administration area and commercial zone. In more recent decades, it’s expanded to include thriving…[Read more]

Taxes and dying. Two certainties in life, and that was certainly the case in colonial Sydney. For more than 150 years Customs House has provided the means of collecting taxes on the movement of goods

Journalist Jeff McGill recently wrote an opinion piece in the Campbel/town Macarthur Advertiser with the heading ‘Nothing “yucky” about fibro cottages’. He continued that ‘Macarthur’s first big housing development was Campbelltown’s St Elmo Estates of the 1950s, guided by Neil McLean, a much-loved developer’.1 The McLean St Elmo land releases were…[Read more]

“In Beautiful Terrible Ruins: Detroit and the Anxiety of Decline, Dora Apel goes on the offensive against the myriad myths and delusions peddled about the Motor City; not only that, she rebuffs the blame and shame that have traditionally been directed at the Detroit citizenry, and redirects our attention to the corporations and bureaucrats who…[Read more]

This chapter discusses the aesthetic of refusal as it is articulated in contemporary performances in India and South Africa while debates around the #MeToo movement continue to agitate and exhaust womxn around the globe. In the aftermath of the Indian Supreme Court acquitting the Chief Justice of India of all sexual harassment charges in May 2019,…[Read more]

This study focuses on the Philippine artist Ricarte Puruganan’s reckoning with the ideas of “country,” “God,” and “the sublime.” It does so through a hermeneutic reading of the artist’s works as a cultural text. In order to fill the gaps in the historiographic record and to enrich the material on the artist that was already available, the…[Read more]