Ashley A. Greathouse
,@ashleyagreathouse
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John Covach deposited “Twelve-Tone Theory,” in The Cambridge History of Western Music Theory, ed. Thomas Christensen, (Cambridge University Press, 2002), 603-627. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoThis chapter traces the development of the twelve-tone idea in twentieth-century music theory.
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John Covach deposited “Schoenberg’s (Analytical) Gaze: Musical Time, The Organic Ideal, and Analytical Perspectivism,” Theory and Practice 42 (2017): 141-59. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoThis article explores Schoenberg’s engagement with organicism, casting it as an aesthetic ideal.
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John Covach deposited “Josef Matthias Hauer,” in Music of the Twentieth Century Avant-Garde, ed. Larry Sitsky (Greenwood Publishing, 2003), 197-202. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoThis chapter provides a biographical sketch of Hauer’s life and music.
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John Covach deposited “The Americanization of Arnold Schoenberg? Theory, Analysis, and Reception,” Zeitschrift der Gesellschaft für Musiktheorie 15/2 (2018): 155-75. in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoThis article traces the reception of Schoenberg’s theoretical ideas in the English-language music theory community.