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Ian Willis deposited Camden, a Macarthur family venture in the group
Settler Colonialism on Humanities Commons 3 years agoThe establishment of Camden in 1840 was a private venture of James and William Macarthur, sons of colonial patriarch John Macarthur, at the Nepean River crossing on the northern edge of the family’s pastoral property of Camden Park. The town’s site was enclosed on three sides by a sweeping bend in the Nepean River and has regularly flooded the…[Read more]
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Ian Willis deposited The memory of the Cowpastures in monuments and memorials in the group
Settler Colonialism on Humanities Commons 3 years, 1 month agoThe Cowpastures was a vague area south of the Nepean River floodplain on the southern edge of Sydney’s Cumberland Plain. The Dharawal Indigenous people who managed the area were sidelined in 1796 by Europeans when Governor Hunter named the ‘Cow Pasture Plains’ in his sketch map. He had visited the area the previous year to witness the escaped…[Read more]
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Oksana Nesterenko started the topic CFP Special Session on Decolonizing New Music in the Post-Soviet space in the discussion
Postcolonial Studies on Humanities Commons 3 years, 1 month agoUntil recently, studies about Russian composers have dominated music scholarship on the countries of the former Soviet Union. Postcolonial theory can provide a useful framework to expanding research on music repertoire from the former Soviet Republics. The SMT Global Interculturalism and Musical Peripheries Interest Group is planning to propose a…[Read more]
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Ian Willis deposited The Cowpastures Region 1795-1840 in the group
Settler Colonialism on Humanities Commons 3 years, 3 months agoThe Cowpastures emerged as a regional concept in the late 18th century, starting with the story of the cattle of the First Fleet that escaped their captivity at the Sydney settlement. The region was a culturally constructed landscape that ebbed and flowed with European activity. It grew around the government reserve established by Governors…[Read more]
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Ian Willis deposited The memory of the Cowpastures in monuments, memorials and murals in the group
Settler Colonialism on Humanities Commons 3 years, 3 months agoThis presentation was an overview of an ongoing project on how material culture across the Macarthur region of NSW is a store of collective memories of early colonial New South Wales and the Cowpastures region from 1795 to 1840. There are monuments, memorials, murals, and other items of material culture that prompt collective memories and tell…[Read more]
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Ian Willis deposited ‘Just like England’, a colonial settler landscape in the group
Settler Colonialism on Humanities Commons 3 years, 3 months agoEarly European settlers were the key actors in a place-making exercise that constructed an English-style landscape aesthetic on the colonial stage in the Cowpastures district of New South Wales. The aesthetic became part of the settler colonial project and the settlers’ aim of taking possession of territory involved the construction of a c…[Read more]
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Swati Arora deposited Fugitive aesthetics: performing refusal in four acts in the group
Postcolonial Studies on Humanities Commons 3 years, 4 months agoThis chapter discusses the aesthetic of refusal as it is articulated in contemporary performances in India and South Africa while debates around the #MeToo movement continue to agitate and exhaust womxn around the globe. In the aftermath of the Indian Supreme Court acquitting the Chief Justice of India of all sexual harassment charges in May 2019,…[Read more]
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Muhammad Naeem deposited Sorat-e Hal and Willful Modernism in the group
Settler Colonialism on Humanities Commons 3 years, 8 months agoUrdu literature saw a “Reform boom” in the second half of nineteenth century. Most of the literati were engaged in understanding, and presenting their views on, the rapidly changing world around them. This article analyses a text produced in 1893 by Shad Azeemabadi, enhancing the need for reform in the Zenana. By underscoring the relationship of…[Read more]
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Muhammad Naeem deposited Ayyama: Emancipation and Narrative in the group
Settler Colonialism on Humanities Commons 3 years, 8 months agoNazir Ahmad, often considered to be the first Urdu novelist, used narratives for understanding the quickly changing world around him, and in his work, shaped expanding possibilities and new roles for Muslim ashrāf women. Although he is usually thought of as a cleric who had a traditional approach towards society and new forms of knowledge, in…[Read more]
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Muhammad Naeem deposited Culture, Colonialsim and Curriculum: Normalization in Majalis un-Nisa in the group
Settler Colonialism on Humanities Commons 3 years, 8 months agoThis article explores the normalization of Ashraf Culture and Colonizers in Majalis un-Nisa. It is argued that the colonial authorities tried at their capacity to keep themselves at length from the colonized physically and disseminated the discourse of colonial difference to present themselves as role models symbolically. While preparing the…[Read more]
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Muhammad Naeem deposited Ibnul Waqt: The Construction of Cultural Identity in the group
Settler Colonialism on Humanities Commons 3 years, 8 months agoIdentity is the construction of the cultural process of a people, i.e. the social milieu in turn defines and shapes humans into the kinds of individuals they are. This shaping of identity is carried further and represented through the literature of a culture as well. It is the characters which come to stand for certain traits and the kinds of…[Read more]
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Muhammad Naeem deposited Social and Cultural Mobility in Umrao Jan Ada in the group
Settler Colonialism on Humanities Commons 3 years, 8 months agoTo determine the social status of a person, Sorokin coined the idea of social space. This theme is useful in analyzing the relative position of a person in her/his group and her/his horizontal or vertical movement within and to other groups. Novel is a symbolic space, which makes possible for writers to construct the relative social status of…[Read more]
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Christiane Wagner deposited Art Style, Art & Culture International Magazine, no. 9 in the group
Postcolonial Studies on Humanities Commons 3 years, 10 months agoThe focus of this issue is on environmental aesthetics, with the aim of exploring the various aspects of aesthetic appreciation. Environmental Aesthetics: Socio-Territorial Conflicts throughout Media is part of a session that I organized at the IV International ISA Forum, Porto Alegre, held on February 23–27, 2021, for the Research Committee on S…[Read more]
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Swati Arora deposited Walk in India and South Africa: notes towards a decolonial and transnational feminist politics in the group
Postcolonial Studies on Humanities Commons 3 years, 10 months agoThe essay discusses Maya Rao’s Walk and The Mothertongue Project’s Walk: South Africa to explore the languages of transnational and embodied feminist politics that these performances conjure. The two performances are instances of artistic responses to sexualized violence in India and South Africa as they engage with the politics of walking in the…[Read more]
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Swati Arora deposited Walking at Midnight: Women and Danger on Delhi’s Streets in the group
Postcolonial Studies on Humanities Commons 3 years, 10 months agoI discuss the walking practice of Delhi-based artist Mallika Taneja in the context of its engagement with, and intervention in, the contemporary conversations on sexualised violence, gender, space and mobility in India. Taneja’s work is part of a variety of feminist activism to take place in India since the horrific gang rape of Jyoti Singh in D…[Read more]
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Sonia D. Andras deposited Fashion, Dress, Costume: a Proposed Terminological Clarification in the Historical Research of Women’s Clothing (Preprint) in the group
Postcolonial Studies on Humanities Commons 3 years, 11 months agoThis paper delineates the conceptual variations between the notions ‘fashion’, ‘dress’ and ‘costume’ in English-language texts on women’s garment histories using relevant examples from interwar Romanian periodicals. The aim is to offer a more precise formulation, as these three terms have largely been used interchangeably. This paper is built on a…[Read more]
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Ostap Kushnir deposited Russia’s neo-imperial powerplay in Ukraine: The factors of identity and interests in the group
Settler Colonialism on Humanities Commons 3 years, 11 months agoRussian military aggression and diplomatic pressure against Ukraine stems from the neo-imperial thinking of Russian elites and ordinary citizens. This thinking requires reproduction of expansionist patterns that once led Russia to its “historical greatness”: construction of a territorially large state, rich in resources and demographically div…[Read more]
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Iskandar Zulkarnain deposited Locating Cultures in Video Games and Interactive Fiction in the group
Postcolonial Studies on Humanities Commons 4 years agoText of my keynote talk at Universitas Negeri Semarang (UNNES) about video game cultures, focusing on the global south.
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Marcelo R. S. Ribeiro deposited Cosmopoéticas da desobediência informe: leitura contra-colonial do regime da extração no catálogo Lumière in the group
Postcolonial Studies on Humanities Commons 4 years, 3 months agoConsiderando o catálogo Lumière como experiência inaugural do cinema mundial, este artigo propõe uma leitura anarquívica de algumas de suas imagens. Diferenciando a operação do cinematógrafo como dispositivo cosmotécnico de arquivamento do mundo e aparelho cosmopoético de invenção de mundos, exploro as formas de inscrição da diferença no…[Read more]
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Hania A.M. Nashef deposited “The right to narrate”: Gazans contest popular geopolitics with film in the group
Postcolonial Studies on Humanities Commons 4 years, 5 months agoSince the Intifada of 2000, living conditions in the Gaza Strip have progressively deteriorated, and when Hamas came to power in 2006–07, a complete blockade was enforced on the inhabitants by Egypt and Israel. In addition, five full-scale wars have been
waged on the Strip. Despite these conditions, Gazans remain resilient, as evidenced by s…[Read more] - Load More