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Arthur Maisel deposited The Fourth of July by Charles Ives: Mixed Harmonic Criteria in a Twentieth-Century Classic-examples in the group
Music and Sound on Humanities Commons 8 years agoThese are examples to go with http://dx.doi.org/10.17613/M64Z69. The handwritten examples existed only in hardcopy, so rather than simply scanning them, I redid them. Aside from a couple of clearly marked changes, they are the same as the 1981 versions.
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Arthur Maisel deposited The Fourth of July by Charles Ives: Mixed Harmonic Criteria in a Twentieth-Century Classic in the group
Music and Sound on Humanities Commons 8 years agoThis is an updated version of the 1981 paper. The first part, published in Theory and Practice, is substantially unchanged save for some details of the analysis and several added comments. The second part, written over the past year, is an appendix that addresses the role of memory in Ives’s music. There is an additional analysis of his song “The…[Read more]
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Arthur Maisel deposited The Fourth of July by Charles Ives: Mixed Harmonic Criteria in a Twentieth-Century Classic-examples on Humanities Commons 8 years ago
The handwritten examples existed only in hardcopy, so rather than simply scanning them, I redid them. Aside from a couple of clearly marked changes, they are the same as the 1981 versions.
-
Arthur Maisel deposited The Fourth of July by Charles Ives: Mixed Harmonic Criteria in a Twentieth-Century Classic on Humanities Commons 8 years ago
This is an updated version of the 1981 paper. The first part, what was published in Theory and Practice, is substantially unchanged save for some details of the analysis and several added comments. The second part, written over the past year, is an appendix that addresses the role of memory in Ives’s music. There is an additional analysis of his…[Read more]