Arthur Smith
,@arthuresmith
14
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14
Followers
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Gregory F. Tague's profile was updated on Humanities Commons 8 years, 6 months ago
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Belinda Wheeler's profile was updated on Humanities Commons 8 years, 6 months ago
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Belinda Wheeler's profile was updated on Humanities Commons 8 years, 6 months ago
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Belinda Wheeler's profile was updated on MLA Commons 8 years, 6 months ago
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Alexa Alice Joubin's profile was updated on MLA Commons 8 years, 9 months ago
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Alexa Joubin deposited “Shakespeare on Film in Asia.” Chapter 12 of The Shakespearean World, ed. Jill L. Levenson and Robert Ormsby (London: Routledge, 2017), pp. 225-240 in the group
MS Screen Arts and Culture on MLA Commons 8 years, 10 months agoShakespearean tragedies and comedies have been adapted to the silver screen in India, Malaysia, Tibet, Hong Kong, Singapore, China, and Japan. How do Shakespeare and modern directors talk to each other across cultural and historical divides? Why are particular strategies used or themes emphasized? How are pre-linguistic structures of spectacle and…[Read more]
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Alexa Joubin deposited “Shakespeare on Film in Asia.” Chapter 12 of The Shakespearean World, ed. Jill L. Levenson and Robert Ormsby (London: Routledge, 2017), pp. 225-240 in the group
LLC Shakespeare on MLA Commons 8 years, 10 months agoShakespearean tragedies and comedies have been adapted to the silver screen in India, Malaysia, Tibet, Hong Kong, Singapore, China, and Japan. How do Shakespeare and modern directors talk to each other across cultural and historical divides? Why are particular strategies used or themes emphasized? How are pre-linguistic structures of spectacle and…[Read more]
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Alexa Joubin deposited “Shakespeare on Film in Asia.” Chapter 12 of The Shakespearean World, ed. Jill L. Levenson and Robert Ormsby (London: Routledge, 2017), pp. 225-240 in the group
GS Drama and Performance on MLA Commons 8 years, 10 months agoShakespearean tragedies and comedies have been adapted to the silver screen in India, Malaysia, Tibet, Hong Kong, Singapore, China, and Japan. How do Shakespeare and modern directors talk to each other across cultural and historical divides? Why are particular strategies used or themes emphasized? How are pre-linguistic structures of spectacle and…[Read more]
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Alexa Joubin deposited “Shakespeare on Film in Asia.” Chapter 12 of The Shakespearean World, ed. Jill L. Levenson and Robert Ormsby (London: Routledge, 2017), pp. 225-240 in the group
Global Shakespeares on MLA Commons 8 years, 10 months agoShakespearean tragedies and comedies have been adapted to the silver screen in India, Malaysia, Tibet, Hong Kong, Singapore, China, and Japan. How do Shakespeare and modern directors talk to each other across cultural and historical divides? Why are particular strategies used or themes emphasized? How are pre-linguistic structures of spectacle and…[Read more]
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Alexa Joubin deposited “Shakespeare on Film in Asia.” Chapter 12 of The Shakespearean World, ed. Jill L. Levenson and Robert Ormsby (London: Routledge, 2017), pp. 225-240 in the group
East Asian Languages and Literatures after 1900 on MLA Commons 8 years, 10 months agoShakespearean tragedies and comedies have been adapted to the silver screen in India, Malaysia, Tibet, Hong Kong, Singapore, China, and Japan. How do Shakespeare and modern directors talk to each other across cultural and historical divides? Why are particular strategies used or themes emphasized? How are pre-linguistic structures of spectacle and…[Read more]
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Alexa Joubin deposited “Shakespeare on Film in Asia.” Chapter 12 of The Shakespearean World, ed. Jill L. Levenson and Robert Ormsby (London: Routledge, 2017), pp. 225-240 on MLA Commons 8 years, 10 months ago
Shakespearean tragedies and comedies have been adapted to the silver screen in India, Malaysia, Tibet, Hong Kong, Singapore, China, and Japan. How do Shakespeare and modern directors talk to each other across cultural and historical divides? Why are particular strategies used or themes emphasized? How are pre-linguistic structures of spectacle and…[Read more]
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Alexa Alice Joubin's profile was updated on MLA Commons 8 years, 10 months ago
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Alexa Alice Joubin's profile was updated on MLA Commons 8 years, 10 months ago
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Alexa Alice Joubin's profile was updated on Humanities Commons 8 years, 11 months ago
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Alexa Huang deposited The Paradox of Female Agency: Ophelia and East Asian Sensibilities in the group
GS Drama and Performance on MLA Commons 8 years, 11 months agoThere are three main East Asian approaches to interpreting Ophelia. The first is informed by the fascination with and reaction against the Victorian pictorialization of Ophelia, especially John Everett Millais’s famous Ophelia (1851), that emphasized, as Kimberly Rhodes describes, her “pathos, innocence, and beauty rather than the unseemly det…[Read more]
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Alexa Huang deposited The Paradox of Female Agency: Ophelia and East Asian Sensibilities in the group
Global Shakespeares on MLA Commons 8 years, 11 months agoThere are three main East Asian approaches to interpreting Ophelia. The first is informed by the fascination with and reaction against the Victorian pictorialization of Ophelia, especially John Everett Millais’s famous Ophelia (1851), that emphasized, as Kimberly Rhodes describes, her “pathos, innocence, and beauty rather than the unseemly det…[Read more]
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Alexa Huang deposited The Paradox of Female Agency: Ophelia and East Asian Sensibilities in the group
East Asian Languages and Literatures after 1900 on MLA Commons 8 years, 11 months agoThere are three main East Asian approaches to interpreting Ophelia. The first is informed by the fascination with and reaction against the Victorian pictorialization of Ophelia, especially John Everett Millais’s famous Ophelia (1851), that emphasized, as Kimberly Rhodes describes, her “pathos, innocence, and beauty rather than the unseemly det…[Read more]
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Alexa Huang deposited The Paradox of Female Agency: Ophelia and East Asian Sensibilities on MLA Commons 8 years, 11 months ago
There are three main East Asian approaches to interpreting Ophelia. The first is informed by the fascination with and reaction against the Victorian pictorialization of Ophelia, especially John Everett Millais’s famous Ophelia (1851), that emphasized, as Kimberly Rhodes describes, her “pathos, innocence, and beauty rather than the unseemly det…[Read more]
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Kathleen Fitzpatrick's profile was updated on Humanities Commons 8 years, 11 months ago
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