This is the Vol – 2, SPECIAL ISSUE 3 : VOL – 1, FEBRUARY 2020.

The period following the end of Getúlio Vargas’s second government (1951-1954) saw a massive expansion of the media industries with popular music in particular becoming an important cultural touchstone. Some salient trends in the post-War period include the politicization of music and other media (radio, television, social media), the in…[Read more]

In 2016-2017, a 10-person team worked for 3 months with the goal of creating a multi-use, balanced corpus, similar to the Brown Corpus (BROWN Corpus search online). The speech section of the completed Nanhai Corpus—named for its sponsors, the Nanhai Nunnery of Taiwan—is a 289,497 word corpus of collected, transcribed, and word-split natural spe…[Read more]

A book project with the goal of documenting commercially produced recordings of Negro spirituals composed for solo concert vocalists. Portions of this information is currently available on the online site, The Spirituals Database (http://spirituals-database.com).

Over 5,600 entries cover more than a century of recordings on compact discs,…[Read more]

This co-authored piece introduces our co-edited volume ‘Dreams of Germany’. It explores how, where and by whom notions of ‘musical Germanness’ have been constituted in the modern era, and to what effect. Picking up on ideas first explored systematically by Celia Applegate and Pamela Potter in their 2002 collection ‘Music and German National…[Read more]

Research into grammaticalization has an established genealogy, which records the birth of the term “grammaticalization” in more or less its present-day sense with Antoine Meillet (1866–1936), but recognizes an intellectual lineage extending back to at least the Enlightenment. Among the immediate predecessors of Meillet, Georg von der Gabel…[Read more]

As Anne Sauvagnargues suggests, in Gilles Deleuze thought “every[-thing] is defined as an assemblage of movements and affective vibrations.” Interestingly, Sauvagnargues’ proposition aligns neatly with Tim Ingold’s idea of correspondence, where things perdure, “carry on together, and answer to one another,” and where the additive ‘and…and.…[Read more]

Évora tem sido um importante centro de culto mariano desde a Idade Média, com a dedicação do altar-mor da Catedral a Nossa Senhora da Assunção como ponto central. Foi também um importante centro musical e a antífona Recordare, Virgo Mater é uma das obras musicais associada à festa mariana conhecida como o Milagre da Cera. Um dos mestres de capela…[Read more]

This is a summary of 12 contributions made by me for the blog “The Genealogical World of Phylogenetic Networks” in 2018. The contributions are shared in form of a PDF document with a table of contents that allows for a quick search of the contributions and offers also the direct links to the blog.

A celebração de novenas, assim como de septenários e trezenas, constitui uma importante manifestação de devoção popular desde o século XVIII até à atualidade, funcionando de forma parela à liturgia regular. O repertório musical escrito para estas ocasiões percorria praticamente todas as camadas da sociedade, com graus de complexidade diferente, c…[Read more]

The author is examining the interplay between voice and sculpture, within the field of sound art. The term ‘sculpture’ has been appropriated by many artists to define their work with the voice. Exploring the sculpted voice, three main categories are here identified: the plastic dimension of voice as a sculptable material, the sculptural…[Read more]

Of the various hermeneutic approaches to the study of music developed in the last half century or so, narratological analysis has gone further than many in navigating a path that draws on both cultural and structural contexts. This overview of the development of narrative theory in music charts the course of three “waves” of narratological eng…[Read more]

Availability of vocal music scores compilations containing art songs by African American composers. Supplemental content accompanying the book, So You Want to Sing Spirituals.

Catalogue of the Exhibition held in Pisa in October 2015.

This brief blog post discusses qualitative methods for identifying horizontal processes in the evolution of sign language handshapes in manual alphabets using phylogenetic network methods.

ABSTRACT
What is musical time? Where is it manifested? How does it show up in our experience, and how do we capture it in our analyses? “Enacting Musical Time” offers several answers to these questions by considering musical time as the form of the listener’s interaction with music. Building on evidence from music theory, phenomenology, c…[Read more]

The fact that “all languages evolve, as long as they exist” (Schleicher 1863: 18f) has been long known to linguists and does not surprise us anymore. The reasons why all language change constantly, however, is still not fully understood. What we know, however, is that language usage must be at the core of language evolution. It is the dynamics amo…[Read more]

Skepticism regarding the tree model has a long tradition in historical linguistics. Although scholars have emphasized that the tree model and its long-standing counterpart, the wave theory, are not necessarily incompatible, the opinion that family trees are unrealistic and should be completely abandoned in the field of historical linguistics has…[Read more]