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Rich Willis deposited Shakespeare in “As You Like It” made “more agreeable” preserves Marlowe’s denouement in Hero and Leander” in the group
LLC Shakespeare on MLA Commons 4 years, 7 months agoShakespeare’s As You Like It breathed abroad preserves Marlowe’s denouement in his tragedy of Leander from a Ganymede turned.
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Ann E Mullaney deposited MERLINI COCAI POETAE MANTUANI LIBER MACARONICES LIBRI XVII NON ANTE IMPRESSI. (Seventeen Macaronic Books by Merlin Cocaio, Mantuan Poet, not previously published.) in the group
Digital Humanists on Humanities Commons 4 years, 8 months agoThe first edition of the Macaronic works of Teofilo Folengo (called Paganini/ P after the publisher) is a beautiful work printed in graceful Italic font, 27 lines per page, with explanatory and humorous glosses in the margins.
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Ann E Mullaney deposited Teofilo Folengo 1517 Aquario Lodola Original and English in the group
Digital Humanists on Humanities Commons 4 years, 8 months agoIn 1517 Teofilo Folengo published an epic poem under the name Merlin. Another Folengo pseudonym (or heteronym) wrote a wildly creative account of the dicovery of this text and praise for the author.
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Jyotirmaya Patnaik deposited Teacher as a Hero in Tragedy: An Analysis of Newspaper Coverage of the Parkland School Shooting and the Sewol Ferry Disaster in the group
Digital Humanists on Humanities Commons 4 years, 8 months agoUnfortunately, tragedies occur all around the world every day. It is perceived by many as particularly devastating when children are the victims of the tragedy. When these events do occur, the media is likely to cover them in part due to the innocence and vulnerability of the victims. In reading media accounts of tragedies involving children, we…[Read more]
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Rich Willis deposited I suggest my emendation of Leander’s response to Hero’s in the group
LLC Shakespeare on MLA Commons 4 years, 8 months agoTo suggest Shakespeare’s “As You Like It” breathed abroad includes two witnesses to Marlowe’s denouement something omitted when “Hero and Leander” is published in 1598 to “the gentle aire” of Walsingham’s “liking” and replaced in the subsequent publication of “Hero and Leander, An Amorous Poem” dedicated to Lady Audrey.
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Victor Nnadozie deposited Alternative pathways to universal basic education : through the lens of Almajiri nomadic schooling in northern Nigeria in the group
Digital Humanists on Humanities Commons 4 years, 8 months agoSedentary pathways to organise teaching and learning in fixed-abode classrooms remain a dominant formal schooling practice. This is in contrast to nomadic pathways, which see teachers and/or learners engaged in a form of mobility whilst teaching/learning outside permanent sedentary settings. In northern Nigeria, not all children participating in…[Read more]
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Paul Michael Kurtz deposited The Philological Apparatus: Science, Text, and Nation in the Nineteenth Century in the group
Digital Humanists on Humanities Commons 4 years, 8 months agoPhilology haunts the humanities, through both its defendants and its detractors. This article examines the construction of philology as the premier science of the long nineteenth century in Europe. It aims to bring the history of philology up to date by taking it seriously as a science and giving it the kind of treatment that has dominated the…[Read more]
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Pruritus Migrans deposited Lady Liberty! in the group
Digital Humanists on Humanities Commons 4 years, 8 months agoLady Liberty! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Todd Hanneken deposited Theological Questions in the group
Digital Humanists on Humanities Commons 4 years, 8 months agoTheological Questions is an Open Educational Resource (free textbook) that originates from St. Mary’s University in San Antonio. There it is used in the first of two required core theology courses. It is designed to give a broad historical overview of theological questions from the perspective of the Catholic tradition. It seeks to represent f…[Read more]
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Sharon O'Dair replied to the topic "Who Owns Shakespeare?" roundtable accepted for MLA 2022 in the discussion
LLC Shakespeare on MLA Commons 4 years, 8 months agoSujata, thank you for these crucial and forthright questions! Here are my answers or comments, since I know I won’t be at MLA. 🙂
Re: “the Folio’s a metaphor for the larger issue — something that institutions used to value and consider integral to a liberal arts education is no longer seen as necessary.” Yes, and didn’t John Guillory make t…[Read more]
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Sujata Iyengar deposited Journal of a Plague Year: Six Voices from American Universities. Part I in the group
TC Digital Humanities on MLA Commons 4 years, 8 months agoThis is the UNEDITED PRE-PRINT of my section of the multi-authored article “Journal of a Plague Year: Six Voices from American Universities,” ed. Christa Jansohn, which appeared in _Archiv für das Studium der neueren Sprachen und Literaturen_. The other authors were Andrew James Hartley, Jean Howard, Christoph Irmscher, Anthony Lioi, and Lisa S.…[Read more]
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Sujata Iyengar deposited Journal of a Plague Year: Six Voices from American Universities. Part I in the group
LLC Shakespeare on MLA Commons 4 years, 8 months agoThis is the UNEDITED PRE-PRINT of my section of the multi-authored article “Journal of a Plague Year: Six Voices from American Universities,” ed. Christa Jansohn, which appeared in _Archiv für das Studium der neueren Sprachen und Literaturen_. The other authors were Andrew James Hartley, Jean Howard, Christoph Irmscher, Anthony Lioi, and Lisa S.…[Read more]
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Sujata Iyengar replied to the topic "Who Owns Shakespeare?" roundtable accepted for MLA 2022 in the discussion
LLC Shakespeare on MLA Commons 4 years, 8 months agoThe message DID come through here, Sharon, despite the “Gateway 504 Error” you emailed me about (I always get one of those when I try to upload anything or do anything on this site, but I think/hope “they” are working on it).
Speaking as myself here and not as Secretary —
I don’t know the details of the Mills College Folio…but the larger…[Read more]
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Sharon O'Dair replied to the topic "Who Owns Shakespeare?" roundtable accepted for MLA 2022 in the discussion
LLC Shakespeare on MLA Commons 4 years, 8 months agoI don’t know what it means, in general, for literary studies–or scholars–if Shakespeare can be “deprioritized,” sold at market by an institution of higher education. Which is to say that Mills College’s decision may not have wide applicability. As I am sure we all know, many– most?–women’s colleges became co-ed around 1970, as many elite…[Read more]
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Sujata Iyengar started the topic "Who Owns Shakespeare?" roundtable accepted for MLA 2022 in the discussion
LLC Shakespeare on MLA Commons 4 years, 8 months agoI encourage you all to share in this admittedly very annoying space (curse you, “Gateway 504 Error”!) any Shax-related MLA sessions for 2022 in which you’re involved. I’m starting us off — the roundtable I proposed for the LLC, “Who Owns Shakespeare?” has been accepted and I link below to the abstracts for the panelists’ “lightning presentations”…[Read more]
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Elton Barker deposited ON SPACE, PLACE, AND FORM IN HERODOTUS’ HISTORIES in the group
Digital Humanists on Humanities Commons 4 years, 8 months agoThis article reflects on how our own technological developments can help us see Herodotus’ archetype of historical inquiry in a new light. It explores various aspects of place in the Histories—as spaces that are lived, constructed, and relational—to show how and why the idea of place can be such a powerful means for linking information and under…[Read more]
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Ernesto Priego posted an update in the group
Digital Humanists on Humanities Commons 4 years, 8 months agoFrom Monday 24 May 2021, The Comics Grid: Journal of Comics Scholarship will only consider submissions in response to our ongoing calls for papers. Full info: https://www.comicsgrid.com/news/446/
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Hugh M. Richmond deposited Shakespeare’s Principal Collaborator — Himself? in the group
LLC Shakespeare on MLA Commons 4 years, 8 months agoThis essay challenges the current dismantling of Shakespeare’s oeuvre by the questioning of the texts and authorship of many of his plays, in order to undercut their scripts’ authority, thereby authorizing drastic reinterpretations by critics and directors. The essay in contrast seeks to extend the authorship and flexibility of Shakespeare’s authorship
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