CALL FOR PAPERS

The Department of English, at the Faculty of Philology, University of Banja Luka (Bosnia and Herzegovina), in cooperation with the School of English and American Studies, University of Opole (Poland) and the College of Liberal Arts, University of Central Oklahoma (USA) are pleased to announce the third conference on English…[Read more]

‘The Selfish Giant’ by Oscar Wilde has a history rooted in Christianity. There are ample journals, books, and even some occasional movies that demonstrate Wilde’s work as a Christian allegory. In a Christian analysis, the giant is seen as either St. Christopher or an unknown man whereas the child who cries is the Christ child. A Christian readi…[Read more]

Within Gothic Literature the identity of the mother causes women to lose their own identity. For the mothers in Beloved, “Everything That Rises Must Converge”, and “Greenleaf” their identity of themselves is lost as they identity as being the mother of their children rather than their own individual person. Some gothic mothers are absent mothers…[Read more]

Sentimental fiction and domestic novels elevated the female voice, giving authority to the womanly experience as wives, mothers, and women. Novels such as Maria Susanna Cummins’s The Lamplighter and Sara Payson Willis’s Ruth Hall adopted the ideology of feminine behavior and womanliness while, implying tones of dissatisfaction with the role and…[Read more]

This chapter explores the strange intimacies of dis/avowal that obtain between Holocaust studies and postcolonial theory, with particular reference to writing by Aimé Césaire and Gayatri Chakravorty Spivak. For all that the Jewish body remains, by and large, unmourned in the canonical texts of postcolonial theory, the Holocaust has, I seek to a…[Read more]

In this short piece I look at media creations of the contemporary political landscape by way of popular history as accessed through films. I suggest that one of the ways figures like Donald Trump or Narendra Modi access a certain violent masculinity is through a shared understanding of this repertoire of images.

In his address at the Madrid Peace Conference, the Head of the Palestinian Delegation, Dr Haidar Abdul-Shafi challenged the persistent myth that has defined Palestinian existence for at least a century by saying: “For too long the Palestinian people have gone unheeded, silenced […] we have been victimized by the myth of ‘a land witho…[Read more]

This paper will be presented at the upcoming South Atlantic Modern Language Association (SAMLA) conference Nov.3-6 in Jacksonville, FL. The research is a part of my thesis project that will be completed in spring 2017.

This paper will be presented at the upcoming South Atlantic Modern Language Association (SAMLA) conference Nov.3-6 in Jacksonville, FL. The research is a part of my thesis project that will be completed in spring 2017.

Between 1694 and 1757, there were at least five adaptations of Behn’s “The History of the Nun; or The Fair Vow Breaker”. Modern critics have focused on Thomas Southerne’s play, “The Fatal Marriage: or, the Innocent Adultery” (1694), David Garrick’s 1757 revision of Southerne’s play into the tragedy, “Isabella: or, the Fatal Marriage,” and Jane…[Read more]

This study is premised upon my experience of translating _Ekattorer Chithi_ (Bengali title) or _Letters of 1971_ (English version of the title), an anthology of letters written by the freedom fighters of the Liberation War of Bangladesh in 1971, into English. Letters of 1971, a collection of letters, diverse as they are in meaning and…[Read more]

C. S. Lewis’s fourth Narnian chronicle is considered as detective fiction, illustrating principles for solving a murder mystery, especially alertness to the difference between appearance and reality. The human protagonists nearly fail through carelessness, overconfidence, and forgetfulness, combined with the deceit and magic of a shape-shifting v…[Read more]

This article reads Albert Renger-Patzsch’s photographic theory and practice in the context of Benjamin’s and Brecht’s dismissals of his work in order to recover the paradoxical interplay between documentation and perceptual training central to debates about photography as a specifically modern medium during the 1920s. I argue that, rather than…[Read more]

In THE MERRY WIVES OF WINDSOR, a cozening knight and a jealous husband assume without question the availability of female bodies to adulterous liaisons, revealing their confidence in the cultural narrative of female inconstancy. Falstaff attempts to write a story in which he is the recipient of the wives’ sexual and economic favors. Ford, like T…[Read more]

This is a book about the power game currently being played out between two symbiotic cultural institutions: the university and the novel. As the number of hyper-knowledgeable literary fans grows, students and researchers in English departments waver between dismissing and harnessing voices outside the academy. Meanwhile, the role that the…[Read more]

n his address at the Madrid Peace Conference, the Head of the Palestinian Delegation, Dr Haidar Abdul-Shafi challenged the persistent myth that has defined Palestinian existence for at least a century by saying: “For too long the Palestinian people have gone unheeded, silenced […] we have been victimized by the myth of ‘a land without a peopl…[Read more]