This essay is an overview of feminist art exhibition practices in New York City.

In a world dominated by pop culture, society and the media – how is identity defined? In collaboration with gallery nine5, Karen Gutfreund, Exhibition Director of the Women’s Caucus for Art, is pleased to announce an international exhibition of 25 works from 21 female artists juried by Anne Swartz and Maria Elena Buszek. Identity seeks to exp…[Read more]

An essay discussing the political aspects of digital art works by Emilia Forstreuter, Jennifer Hall, Claudia Hart, Yael Kanarek, Jeanette Louie, Ranu Mukherjee, Mary Bates Neuvauer, Marie Sivak, Camille Utterback, Adrianne Wortzel, and Janet Zweig.

This essay examines an installation of Grimanesa Amoros’s work for the exhibition “Momentum: Women/Art/Technology.”

This essay appeared in the exhibition catalogue “Nancy Cohen: Hackensack Dreaming,” which originated at New Jersey City University, curated by Midori Yoshimoto.

Essay on Cuban-American Ray Azcuy’s installation at the Miami International Airport, Miami, Florida, published in Pattern/Abstraction/Identity: Ray Azcuy, edited by Yolanda Sanchez (Miami: Mia galleries, Miami International Airport, December 2016), n.p.

This essay appeared in an illustrated catalogue accompanying “bewilder: New Work by Brece Honeycutt” which was on view at Norte Maar for Collaborative Projects in the Art, Brooklyn, New York from March 25 – April 23, 2017.

Artists Cheri Gaulke and Sue Maberry’s feminist activism learned
at the Woman’s Building, combined with their lesbianism, radi-calized them to create ongoing documentation of their family. This article examines how Gaulke has intertwined her domestic, private imagery and narrative with her artistic, public work in a way that reveals a useful mod…[Read more]

In February 2014, eighty participants gathered at Columbia College, in downtown Chicago, in the two days leading up to the annual College Art Association (CAA) conference. This gathering was the second THATCamp to take place in conjunction with CAA’s annual conference (the first occurred at CAA 2013 in New York City). THATCamp, which stands for…[Read more]

This review examines Anne Middleton Wagner’s
Three Artists (Three Women): Modernism and the Art of Hesse, Krasner, and O’Keeffe.

“This invited short piece was written in response to one of the two questions posed by the editors. I selected the following:
How do public traumas like 9/11, the wars in Iraq and Afghanistan, the rise in income inequality in the U.S., and the current recession affect, or frame, the production of your art works and art criticism? What is the role…[Read more]

This collaboratively written article explores the pedagogical role of MOOCs today through analysis of a MOOC on contemporary art and feminism, created by Katy Deepwell, editor of the international feminist art journal n.paradoxa. Parme Giuntini offers an updated overview of MOOCs and their increasing value as OERs for faculty and students.…[Read more]

This essay is a discussion of artist Sarah Maple.

This article is an overview of Joan Jonas’s exhibition “They Come to Us without a Word,” curated and organized by Paul Ha, director of the Massachusetts Institute of Technology (MIT) List Visual Arts Center, and Ute Meta Bauer, founding director of the NTU Centre for Contemporary Art Singapore, Nanyang Technological University, and previously an…[Read more]

This article considers several women artists who have used archives or archiving techniques to examine sexual identity or political content or personal and collective memories in their art. These artists include Elise Engler, Zoe Leonard, Renee Green, and Sharon Hayes.

Ph.D. dissertation abstract

This article examined the development of The Feminist Art Project from 2005 to 2007.

This article appeared in a special volume on “Feminist Forum.”

This article examines selected sculptures and drawings by American artist Nancy Grossman.

This article is a discussion of commodification of 9/11 and abstraction in memorializing it in New York City.