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Rita Faleiro deposited Os Miserere no fundo musical da Sé de Évora – questões estruturais iniciais in the group
Historical Soundscape Studies on Humanities Commons 7 years, 2 months agoNo fundo musical do Arquivo da Sé de Évora, podemos encontrar cerca de vinte Miserere compostos entre a segunda metade do século XVIII e o início do século XIX.
Um dos aspectos que se torna fundamental no momento de se estudar um determinado género musical, ou rubrica musical, prende-se com a estrutura utilizada. No caso do salmo Miserere (um d…[Read more] -
Sophie A. Lewis deposited A comradely politics of gestational work: Militant particularism, sympoetic scholarship and the limits of generosity in the group
Critical Disability Studies on Humanities Commons 7 years, 2 months agoIn response to the four commentaries on ‘Cyborg uterine geography’, in which I argued normatively for reorganizing gestation on the basis of comradeliness, I grapple with three overlapping conceptual areas highlighted: the ethical and political affordances of the term ‘generosity’ in relation to care and pregnancy; the methodological questio…[Read more]
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Aimi Hamraie deposited Crip Technoscience in the group
Critical Disability Studies on Humanities Commons 7 years, 3 months agoCrip technoscience
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Aimi Hamraie deposited Enlivened City: Inclusive Design, Biopolitics, and the Philosophy of Liveability in the group
Critical Disability Studies on Humanities Commons 7 years, 3 months agoShortly after the United States announced its withdrawal from the Paris climate accords, mayors of global cities committed to addressing climate change via urban-scale projects aimed at promoting liveable, sustainable, and healthy communities. While such projects are taken for granted as serving the common good, this paper addresses the…[Read more]
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Aimi Hamraie deposited Mapping Access: Digital Humanities, Disability Justice, and Sociospatial Practice in the group
Critical Disability Studies on Humanities Commons 7 years, 3 months agoNew digital projects use geographic information systems (GIS) and crowdsourcing applications to gather data about the accessibility of public spaces for disabled people. While these projects offer useful tools, their approach to technology and disability is often depoliticized. Compliance-based maps take disability for granted as medical…[Read more]
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Joao Silva deposited Porosity and Modernity: Lisbon’s Auditory Landscape from 1864 to 1908 in the group
Music and Sound on Humanities Commons 7 years, 5 months agoThe intense changes that transformed Lisbon’s urban fabric between 1864 and 1908 were a key agent in reshaping the political economy of sound in the city.1 During the second half of the nineteenth century, Lisbon was getting to grips with modernity in a period when not only was the term ‘modern’ starting to be seen in a positive light, but moder…[Read more]
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Joao Silva deposited Porosity and Modernity: Lisbon’s Auditory Landscape from 1864 to 1908 in the group
Historical Soundscape Studies on Humanities Commons 7 years, 5 months agoThe intense changes that transformed Lisbon’s urban fabric between 1864 and 1908 were a key agent in reshaping the political economy of sound in the city.1 During the second half of the nineteenth century, Lisbon was getting to grips with modernity in a period when not only was the term ‘modern’ starting to be seen in a positive light, but moder…[Read more]
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Kathleen DeLaurenti replied to the topic Help with assignment design in the discussion
Music on Humanities Commons 7 years, 5 months agoMore about ideas for alternate ways to represent works still in copyright in a meaningful way.
Unfortunately, my co teacher just got a great job at another university, so it’s on hold. But I’m still interested in thinking through the assignment and potentially working on it in taken with courses at other institutions.
Thanks!
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Matthew Vest replied to the topic Help with assignment design in the discussion
Music on Humanities Commons 7 years, 5 months agoThis is a wonderful project! Please keep us updated as it progresses.
I’m not sure I get the question. Is it about copyright or about format? Or both?
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Kariann Goldschmitt deposited From Rio to São Paulo: Shifting Urban Landscapes and Global Strategies for Brazilian Music in the group
Music and Sound on Humanities Commons 7 years, 5 months agoRecently, international media outlets have celebrated São Paulo for its cosmopolitan musical output and its vibrant street art scenes. That discourse connected the city other generative periods in the histories of so-called “global cities,” such as New York of the 1970s. In those cities, the simultaneous developments of multiple creative scenes…[Read more]
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Jonathan Paul Mitchell deposited Disability and The Inhuman in the group
Critical Disability Studies on Humanities Commons 7 years, 5 months agoWhen presented with the term ‘inhuman’, I was drawn to consider how certain ways of being become associated with the inhuman, how this association is involved in the constitution of what is taken as properly human, and the deleterious effects for those who become associated with the inhuman. I’m going to address these topics in three stages. First…[Read more]
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Kathleen DeLaurenti started the topic Help with assignment design in the discussion
Music on Humanities Commons 7 years, 5 months agoHi all –
I’m co-teaching a music seminar/bibliography hybrid course this semester and I’m looking for some ideas about how to improve an assignment.
We want to work with the students to create a new anthology of composers underrepresented in the canon because of gender identity or sexual orientation. We’d like students to work on chapters…[Read more]
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Sophie A. Lewis deposited Enjoy It While It Lasts: From Sterility Apocalypses to Non-Nihilistic Non-Reproduction in the group
Critical Disability Studies on Humanities Commons 7 years, 7 months agoIn this essay, I discuss salient themes of The Child to Come: Life After the Human Catastrophe (University of Minnesota Press, 2016). I hold that The Child To Come’s main thrust is this: ‘The issue is not that there is no future but rather that there is no sure way of orienting toward that future, either to save it or to survive it’. The chall…[Read more]
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Tom Bickley deposited “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Chris Schiff’s Remarks in the group
Music and Sound on Humanities Commons 7 years, 7 months agoMany music librarians participate in professional and amateur music making. We face similar performance practice/interpretive issues as do our music library users. This panel discussion focuses on application of the ACRL Framework for Information Literacy to performance practice in experimental music. Four music librarians with significant…[Read more]
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Tom Bickley deposited “SQUIGGLY LINES:” INFORMATION LITERACY, MUSIC LIBRARIAN/PERFORMERS, AND PRACTICING WHAT WE PREACH: Slides in the group
Music and Sound on Humanities Commons 7 years, 7 months agoMany music librarians participate in professional and amateur music making. We face similar performance practice/interpretive issues as do our music library users. This panel discussion focuses on application of the ACRL Framework for Information Literacy to performance practice in experimental music. Four music librarians with significant…[Read more]
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Tom Bickley deposited “Squiggly lines:” information literacy, music librarian/performers, and practicing what we preach: Ann Rhodes’ Remarks in the group
Music and Sound on Humanities Commons 7 years, 7 months agoMany music librarians participate in professional and amateur music making. We face similar performance practice/interpretive issues as do our music library users. This panel discussion focuses on application of the ACRL Framework for Information Literacy to performance practice in experimental music. Four music librarians with significant…[Read more]
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Patrick Eisenlohr deposited Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World in the group
Music and Sound on Humanities Commons 7 years, 7 months agoSounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site…[Read more]
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Patrick Eisenlohr deposited Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World in the group
Historical Soundscape Studies on Humanities Commons 7 years, 7 months agoSounding Islam provides a provocative account of the sonic dimensions of religion, combining perspectives from the anthropology of media and sound studies, as well as drawing on neo-phenomenological approaches to atmospheres. Using long-term ethnographic research on devotional Islam in Mauritius, Patrick Eisenlohr explores how the voice, as a site…[Read more]
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Stephen Meyer started the topic Journal of Music History Pedagogy Issue 8.2 in the discussion
Music on Humanities Commons 7 years, 8 months agoWe have just published Issue 8.2 of the Journal of Music History Pedagogy, with articles by Kyle Fyr, Cristina Fava, Reba Wissner, Lei Ouyang Bryant, Nancy November, Andrew Granade, Katherine Leo, Laurie Semmes, Aaron Ziegel, Esther Morgan-Ellis, Laurie McManus, and Catherine Mayes. Here is the…[Read more]
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Russell Millard deposited Musical Structure, Narrative, and Gender in Ravel’s Daphnis et Chloé in the group
Music and Sound on Humanities Commons 7 years, 9 months agoThis thesis seeks to contribute towards the emerging discourse in Ravel studies concerning gender, as well as adding to the ongoing work in musical narratology, especially as regards ballet, to which very little narratological attention has been given. Employing a combination of narratological and Schenkerian analysis, this thesis argues that…[Read more]
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