Most previous writings on musical exoticism reflect the unspoken assumption that a work is perceived by the listener as exotic only if it incorporates distinctively foreign or otherwise highly unusual elements of musical style. This “Exotic Style Only” Paradigm often proves revelatory, especially for purely instrumental works. In operas and oth…[Read more]

Most previous writings on musical exoticism reflect the unspoken assumption that a work is perceived by the listener as exotic only if it incorporates distinctively foreign or otherwise highly unusual elements of musical style. This “Exotic Style Only” Paradigm often proves revelatory, especially for purely instrumental works. In operas and oth…[Read more]

My sonic work “City Noise” proposes both an artistic and a theoretical approach to the city-sound relationship. The default assumption about this relationship is that sounds reflect a one-to-one relationship between soundscape and landscape, both drawing upon and revealing the physical and social landscapes from which they originate. However, the…[Read more]

My sonic work “City Noise” proposes both an artistic and a theoretical approach to the city-sound relationship. The default assumption about this relationship is that sounds reflect a one-to-one relationship between soundscape and landscape, both drawing upon and revealing the physical and social landscapes from which they originate. However, the…[Read more]

Illustration as part of art works has often been considered a form of low art, but as it has progressively become more developed, it has established a decent place in the art community. Through this paper, the authors have tried to apply a primarily participatory research method, including participant observation, deep interview, and literature…[Read more]

Illustration as part of art works has often been considered a form of low art, but as it has progressively become more developed, it has established a decent place in the art community. Through this paper, the authors have tried to apply a primarily participatory research method, including participant observation, deep interview, and literature…[Read more]

An introduction to music appreciation and history that emphasizes the political, cultural, and social influences on music from antiquity to the 20th century. Contents include sacred and secular, vocal and instrumental, and folk and art music from across the Western world, including modern popular song. No previous musical experience necessary. All…[Read more]

In The Burns Antiphoner – From manuscript to interactive resource, Anna Kijas reports on a new project based around a 14th-century source, the Burns Antiphoner. In this project they focus on integrating and delivering images, metadata, and recorded audio and video to provide an in-depth look at the contents and experience of this particular s…[Read more]

In 1984 I published a chapter on the art song, simply entitled “Song,” in my first book, Music and Poetry: The Nineteenth Century and After (University of California Press). The chapter aimed to replace the traditional understanding of song as a harmonious fusion of words and music. The chapter has had a fortunate reception, but as time has run…[Read more]

A short article reflecting on the relationship of Schubert’s songs to the culture of modernity, with reference to the author’s 1985 article “The Schubert Lied.” Includes an account of the song “Wanderers Nachtled.”

As a feminist disability studies scholar working on issues of accessi – ble and inclusive design, my participation in the Critical Health, Age, and Disability Collective (CHAD) in summer 2014 was my first introduction to the field of age studies. I was surprised to find how little my training had taught me about how to think critically about age…[Read more]

In Disability Studies, Universal Design (UD) is a concept that is often borrowed from an architectural or design context to mean an ideology of inclusion and flexibility with a range of applications in education, technology, and other milieus. This paper returns to UD as a design phenomenon, considering knowledge production practices as conditions…[Read more]

Universal Design (UD) is a movement to produce built environments that are accessible to a broad range of human variation. Though UD is often taken for granted as synonymous with the best, most inclusive, forms of disability access, the values, methodologies, and epistemologies that underlie UD require closer scrutiny. This paper uses feminist and…[Read more]

On geopolitics, disability rhetoric, and the CRPD

In feminist technoscience studies (FTS), the term technoscience conveys that scientific knowledge and technological worlds are active constructions of entangled material, social, and historical agents. Feminist analyses of assisted reproduction, environmental harm, digital media, and cyborg bodies constitute some of the work of FTS, a close…[Read more]

Disability has become a hot topic for feminist philosophy in recent years. Special issues of Hypatia and Disability Studies Quarterly, multiple conference keynote addresses, and a growing cadre of scholars are exploring the intersections of feminist and critical disability thought. As a disabled feminist scholar, I perceive these trends as a…[Read more]

In this paper, I argue for historical epistemology as a methodology for critical disability studies (DS) by looking to Foucault’s archaeology of cure in History of Madness. While the moral, medical, and social models of disability frame disability history as a progressive movement and replacement of moral and medical authority with s…[Read more]

Although Universal Design gains popularity as a common sense strategy for crafting built environments for all users, accessibility for disabled people remains a marginal area of inquiry within design practice and theory. This article argues that the tension between accessibility and Universal Design stems from inadequate critical and historical…[Read more]