After illustrating the challenges and opportunities of different models of encoding sequentiality in genetic editions, this paper will demonstrate how the BDMP transcribes its genetic materials in view of visualizing their sequentiality in the edition’s ‘Synoptic Sentence View’ (see ‘Figure 1’). The paper will conclude by presenting an example o…[Read more]

This demo presentation will offer an interactive demonstration of the website ‘Lexicon of Scholarly Editing’ (www.uantwerpen.be/lexicon-scholarly-editing), a digital resource that collects definitions of important concepts in the field of Textual Criti- cism. Based on the WordPress infrastructure, the author built the Lexicon as part of his wor…[Read more]

This poster will offer an interactive demonstration of the second module of the Samuel Beckett Digital Manuscript Project (BDMP) – an international collaboration between the Centre for Manuscript Genetics at the University of Antwerp, the Beckett International Foundation at the University of Reading, and the Harry Ransom Humanities Research C…[Read more]

Within the field of genetic criticism, Raymonde Debray Genette coined the terms ‘en- dogenesis’ and ‘exogenesis’ to denote respectively the writing of drafts and the interaction with external source texts during the writing process. The proposed panel focuses on the ways in which exogenesis and its relationship with endogenesis can be given s…[Read more]

This demo presentation will offer an interactive demonstration of the website ‘Lexicon of Scholarly Editing’ (www.uantwerpen.be/lexicon-scholarly-editing), a digital resource that collects definitions of important concepts in the field of Textual Criti- cism. Based on the WordPress infrastructure, the author built the Lexicon as part of his wor…[Read more]

The Digital Scholarly Editions Initial Training Network (DiXiT) is a Marie Sk odowska-Curie EU-Funded 7th Framework Programme. During the grant period (2013- 2017), twelve Early Stage Research Fellows and five Experi- enced Research Fellows engage with questions and tensions surrounding the evolving theory and practices of digital scholarly…[Read more]

This poster will offer an interactive demonstration of the second module of the Samuel Beckett Digital Manuscript Project (BDMP) – an international collaboration between the Centre for Manuscript Genetics at the University of Antwerp, the Beckett International Foundation at the University of Reading, and the Harry Ransom Humanities Research C…[Read more]

After illustrating the challenges and opportunities of different models of encoding sequentiality in genetic editions, this paper will demonstrate how the BDMP transcribes its genetic materials in view of visualizing their sequentiality in the edition’s ‘Synoptic Sentence View’ (see ‘Figure 1’). The paper will conclude by presenting an example o…[Read more]

Within the field of genetic criticism, Raymonde Debray Genette coined the terms ‘en- dogenesis’ and ‘exogenesis’ to denote respectively the writing of drafts and the interaction with external source texts during the writing process. The proposed panel focuses on the ways in which exogenesis and its relationship with endogenesis can be given s…[Read more]

This demo presentation will offer an interactive demonstration of the website ‘Lexicon of Scholarly Editing’ (www.uantwerpen.be/lexicon-scholarly-editing), a digital resource that collects definitions of important concepts in the field of Textual Criti- cism. Based on the WordPress infrastructure, the author built the Lexicon as part of his wor…[Read more]

This poster will offer an interactive demonstration of the second module of the Samuel Beckett Digital Manuscript Project (BDMP) – an international collaboration between the Centre for Manuscript Genetics at the University of Antwerp, the Beckett International Foundation at the University of Reading, and the Harry Ransom Humanities Research C…[Read more]

This article proposes a method for marking up textual lacunae in TEI compliant XML.

When the English Molloy was published in 1955, jointly by Olympia (Paris) and Grove (New York), a long and difficult translation process had ended, on which Beckett worked both alone and together with Merlin and Patrick Bowles. This article is the first attempt to approach this somewhat neglected topic by way of manuscripts, notebooks, letters and…[Read more]

This article proposes a method for marking up textual lacunae in TEI compliant XML.

When the English Molloy was published in 1955, jointly by Olympia (Paris) and Grove (New York), a long and difficult translation process had ended, on which Beckett worked both alone and together with Merlin and Patrick Bowles. This article is the first attempt to approach this somewhat neglected topic by way of manuscripts, notebooks, letters and…[Read more]

This article proposes a method for marking up textual lacunae in TEI compliant XML.

When the English Molloy was published in 1955, jointly by Olympia (Paris) and Grove (New York), a long and difficult translation process had ended, on which Beckett worked both alone and together with Merlin and Patrick Bowles. This article is the first attempt to approach this somewhat neglected topic by way of manuscripts, notebooks, letters and…[Read more]

La fértil labor de difusión de la lírica cancioneril efectuada por la editorial Cancioneros Castellanas engalana su colección con un nuevo y fino trabajo publicado. En esta ocasión, se trata de una antología poética aurisecular, conocida desde antaño en la academia con el nombre de Cartapacio de Penagos. Sin embargo, los integrantes del prolífi…[Read more]

Gózense, otrosí, los otros perlados, duques, marqueses, condes, cavalleros y scuderos, y todos los otros fieles cristianos que en esta santa enpresa han aconpañado a sus altezas, y ayudado con personas, armas y hazienda, pues plugo a Dios de dar tan glorioso fin y tan deseado.

Este fragmento de texto de lo que se ha venido en llamar sermón de…[Read more]

Hugo Lundhaug and Lance Jenott offer a sustained argument for the monastic provenance of the Nag Hammadi Codices. They examine the arguments for and against a monastic Sitz im Leben and defend the view that the Codices were produced and read by Christian monks, most likely Pachomians, in the fourth- and fifth-century monasteries of Upper Egypt.…[Read more]