About
My doctoral research focused on global modernism, narrative form, and feminist aesthetics. Drawing on postcolonial studies and twentieth century representations of conflict, I define a Baroque Modernism at work in experimental narratives during the interwar period in Anglophone Atlantic novels by women.
From this research emerged a focus on the construction and circulation of “white womanhood” as both a nationalist and transnational narrative trope in culture and popular rhetoric in the twentieth century. This has intersected with a new teaching and research interest: representations of crime in narrative forms, including fiction, nonfiction, and visual media, especially as these narratives reflect and shape our understandings of identity and cultural capital.
At Elmira College, I teach first-year writing and literature, with topics of my courses ranging from “Aliens Among Us?” to “Education, Metamorphosis and 20th Century British Women Writers.” I am also developing new courses for the new Media Studies, Communications, and Design major, including “Crime, Media, and Culture.”
I am particularly passionate about writing studies and composition pedagogy related to first-year writing curricula and the first-year college experience. Education
PhD, English, University of Massachusetts, Amherst
Dissertation: “Writing Against History: Feminist Baroque Narratives in Interwar Atlantic Modernism”
Dissertation Chair: Laura Doyle
MFA, Literary Translation, University of Arkansas
Thesis: “Selected Works of Patricia Suárez in English Translation”
Thesis Advisors: John DuVal (director), Miller Williams, Kay Pritchett
MA, English, University of Arkansas
Honors: Meritorious Pass, Comprehensive Oral Exam
Thesis: “Women and Art in George Eliot’s Verse”
Thesis Advisors: Brian Wilkie (director), Lyna Lee Montgomery, Debra Cohen
BA, English, Henderson State University
Minor: Spanish
Honors: Summa Cum Laude Publications
Peer Reviewed Essays
“Surplus Women and Trafficked Women: Tropes of White Womanhood (a.k.a Colonial-Patriarchal Paranoia) in Interwar Atlantic Modernism.” Accepted, Modernism/modernity Print Plus.
“‘So that was her little game! To show us up, as we are’: The Politics of Engagement in the Age of Social Media.” Solicited for the Collected Essays from the Proceedings of the 29th Annual International Conference on Social Justice. Forthcoming, 2020.
“Seeing History in the Baroque Ruins of Elizabeth Bowen’s The Last September: An Indictment of Cosmopolitan Modernism.” The Journal of Modern Literature. Forthcoming Fall, 2020.
“Minoritarian ‘Marvelous Real’: En-folding Revolution in Alejo Carpentier’s The Kingdom of this World.” The Journal of Postcolonial Writing
54.2 (2018): 254-267.