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Kathleen Fitzpatrick's profile was updated on MSU Commons 3 years, 3 months ago
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Inés Vañó García's profile was updated on MLA Commons 3 years, 4 months ago
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Inés Vañó García changed their profile picture on MLA Commons 3 years, 4 months ago
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Kathleen Fitzpatrick changed their profile picture on Humanities Commons 3 years, 4 months ago
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Kathleen Fitzpatrick's profile was updated on Humanities Commons 3 years, 4 months ago
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Alexa Alice Joubin deposited “Anti-Asian Racist Misogyny in Science Fiction Films.” The American Mosaic: The Asian American Experience (Bloomsbury ABC-CLIO, 2022). Digital Database in the group
MS Screen Arts and Culture on MLA Commons 3 years, 4 months agoThe depiction of women of East Asian descent in science fiction films reveals how racial hierarchies are mapped onto, and used as justification for, mistreatment of women—and misogynistic prejudices inform racism. Contributing to the patterns that dehumanize Asian women are multiple sci-fi films that feature cyborgs and androids in Asian female b…[Read more]
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Alexa Alice Joubin deposited “Anti-Asian Racist Misogyny in Science Fiction Films.” The American Mosaic: The Asian American Experience (Bloomsbury ABC-CLIO, 2022). Digital Database in the group
LLC Modern and Contemporary Chinese on MLA Commons 3 years, 4 months agoThe depiction of women of East Asian descent in science fiction films reveals how racial hierarchies are mapped onto, and used as justification for, mistreatment of women—and misogynistic prejudices inform racism. Contributing to the patterns that dehumanize Asian women are multiple sci-fi films that feature cyborgs and androids in Asian female b…[Read more]
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Alexa Alice Joubin deposited “Anti-Asian Racist Misogyny in Science Fiction Films.” The American Mosaic: The Asian American Experience (Bloomsbury ABC-CLIO, 2022). Digital Database in the group
LLC East Asian on MLA Commons 3 years, 4 months agoThe depiction of women of East Asian descent in science fiction films reveals how racial hierarchies are mapped onto, and used as justification for, mistreatment of women—and misogynistic prejudices inform racism. Contributing to the patterns that dehumanize Asian women are multiple sci-fi films that feature cyborgs and androids in Asian female b…[Read more]
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Alexa Alice Joubin deposited “Anti-Asian Racist Misogyny in Science Fiction Films.” The American Mosaic: The Asian American Experience (Bloomsbury ABC-CLIO, 2022). Digital Database in the group
GS Drama and Performance on MLA Commons 3 years, 4 months agoThe depiction of women of East Asian descent in science fiction films reveals how racial hierarchies are mapped onto, and used as justification for, mistreatment of women—and misogynistic prejudices inform racism. Contributing to the patterns that dehumanize Asian women are multiple sci-fi films that feature cyborgs and androids in Asian female b…[Read more]
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Alexa Alice Joubin deposited “Anti-Asian Racist Misogyny in Science Fiction Films.” The American Mosaic: The Asian American Experience (Bloomsbury ABC-CLIO, 2022). Digital Database on MLA Commons 3 years, 4 months ago
The depiction of women of East Asian descent in science fiction films reveals how racial hierarchies are mapped onto, and used as justification for, mistreatment of women—and misogynistic prejudices inform racism. Contributing to the patterns that dehumanize Asian women are multiple sci-fi films that feature cyborgs and androids in Asian female b…[Read more]
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Alexa Alice Joubin deposited “Interfacing Shakespeare Onscreen,” Routledge Handbook of Shakespeare and Interface (2023), ed. Clifford Werier and Paul Budra, pp. 332-344 in the group
The Renaissance Society of America on Humanities Commons 3 years, 4 months agoThe screen as an interface immerses audiences in an alternate universe. As a result, that interface seems transparent. Through analyses of performances that call attention to filmic genres, such as Edgar Wright’s parody film, Hot Fuzz (2007), and the Wooster Group’s multimedia production, Hamlet (2007), as well as (meta)theatrical operations on…[Read more]
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Alexa Alice Joubin deposited “Interfacing Shakespeare Onscreen,” Routledge Handbook of Shakespeare and Interface (2023), ed. Clifford Werier and Paul Budra, pp. 332-344 in the group
MS Screen Arts and Culture on MLA Commons 3 years, 4 months agoThe screen as an interface immerses audiences in an alternate universe. As a result, that interface seems transparent. Through analyses of performances that call attention to filmic genres, such as Edgar Wright’s parody film, Hot Fuzz (2007), and the Wooster Group’s multimedia production, Hamlet (2007), as well as (meta)theatrical operations on…[Read more]
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Alexa Alice Joubin deposited “Interfacing Shakespeare Onscreen,” Routledge Handbook of Shakespeare and Interface (2023), ed. Clifford Werier and Paul Budra, pp. 332-344 in the group
LLC Shakespeare on MLA Commons 3 years, 4 months agoThe screen as an interface immerses audiences in an alternate universe. As a result, that interface seems transparent. Through analyses of performances that call attention to filmic genres, such as Edgar Wright’s parody film, Hot Fuzz (2007), and the Wooster Group’s multimedia production, Hamlet (2007), as well as (meta)theatrical operations on…[Read more]
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Alexa Alice Joubin deposited “Interfacing Shakespeare Onscreen,” Routledge Handbook of Shakespeare and Interface (2023), ed. Clifford Werier and Paul Budra, pp. 332-344 in the group
GS Drama and Performance on MLA Commons 3 years, 4 months agoThe screen as an interface immerses audiences in an alternate universe. As a result, that interface seems transparent. Through analyses of performances that call attention to filmic genres, such as Edgar Wright’s parody film, Hot Fuzz (2007), and the Wooster Group’s multimedia production, Hamlet (2007), as well as (meta)theatrical operations on…[Read more]
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Alexa Alice Joubin deposited “Interfacing Shakespeare Onscreen,” Routledge Handbook of Shakespeare and Interface (2023), ed. Clifford Werier and Paul Budra, pp. 332-344 in the group
CLCS Renaissance and Early Modern on MLA Commons 3 years, 4 months agoThe screen as an interface immerses audiences in an alternate universe. As a result, that interface seems transparent. Through analyses of performances that call attention to filmic genres, such as Edgar Wright’s parody film, Hot Fuzz (2007), and the Wooster Group’s multimedia production, Hamlet (2007), as well as (meta)theatrical operations on…[Read more]
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Alexa Alice Joubin deposited “Interfacing Shakespeare Onscreen,” Routledge Handbook of Shakespeare and Interface (2023), ed. Clifford Werier and Paul Budra, pp. 332-344 on MLA Commons 3 years, 4 months ago
The screen as an interface immerses audiences in an alternate universe. As a result, that interface seems transparent. Through analyses of performances that call attention to filmic genres, such as Edgar Wright’s parody film, Hot Fuzz (2007), and the Wooster Group’s multimedia production, Hamlet (2007), as well as (meta)theatrical operations on…[Read more]
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Angela Gibson's profile was updated on MLA Commons 3 years, 4 months ago
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Kathleen Fitzpatrick's profile was updated on Humanities Commons 3 years, 4 months ago
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Stacey Lee Donohue's profile was updated on Humanities Commons 3 years, 5 months ago
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