Liceu Passos Manuel LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q10317952). 29 May 2022. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively with…[Read more]

Atrium Saldanha LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q757743). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively with…[Read more]

Av. Duque d’Avila 28-30 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98462938). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain…[Read more]

Av. Duque d’Avila 26 LISBOA PORTUGAL Photographed by Ph.G. de MENDONCA (Wikidata Q98462943). 6 September 2020. This photograph was created by Philippe Gil de Mendonça to document the architecture of Portugal at the request of wikipedia.org and commons.wikimedia.org. The copyright and usage rights of the original (16MP) picture remain exclusively…[Read more]

In this paper, I interview Dr Helen Wickstead, director of Recycle Archaeology about the reuse of usually discarded archaeological materials as an alternative to disposal. I explain through recent pilot projects partnered with Recycle Archaeology, how archaeological materials can be used by students, researchers, artists and the public to create…[Read more]

The concept of objects and artefacts as documents has been explored by a variety of academics including Briet, Buckland, Latham and Lund from a broad conceptual perspective, with work undertaken by others considering how different object and artefact types can be considered documents. This project explores the existing literature relating to…[Read more]

pop ART is not dead ! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

We are all Mahsa! * Artwork by PRURITUS MIGRANS * CC: BY-NC-ND

WE ARE ALL MAHSA AMINI! * Artwork by PRURITUS MIGRANS * CC: BY-NC-ND

Publication cultures in academia are as diverse as their underlying research cultures. In today’s often normative discourse on Open Access, there is a danger that this diversity will be neglected or even lost in the medium term in favor of techno-solutionist implementations. In the following, I will therefore take a closer look at the approach of…[Read more]

Publication cultures in academia are as diverse as their underlying research cultures. In today’s often normative discourse on Open Access, there is a danger that this diversity will be neglected or even lost in the medium term in favor of techno-solutionist implementations. In the following, I will therefore take a closer look at the approach of…[Read more]

Publication cultures in academia are as diverse as their underlying research cultures. In today’s often normative discourse on Open Access, there is a danger that this diversity will be neglected or even lost in the medium term in favor of techno-solutionist implementations. In the following, I will therefore take a closer look at the approach of…[Read more]

London Bridge is down * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

This monograph does not represent the 1979 Revolution as a rapture in Persian poetry, rather it sees the continuity; Shams demonstrates that Islamic Republican poetry was in fact in the making decades before the Revolution. In its study of war poetry, this monograph remains focused on official poets alone. For an understanding of other (official)…[Read more]

Catalogo realizzato in occasione della serie di mostre dedicate, tra il 2021 e il 2022, dalla Fondazione Cassa di Risparmio di Jesi, dal Museo d’Arte Moderna e della Mail Art di Montecarotto (AN) e dal Museo Nori De’ Nobili di Trecastelli (AN), all’opera di Magdalo Mussio. Il testo prende in esame, in particolare, l’opera grafico-pittorica, oltre…[Read more]

Testo della mostra personale (a più voci), dell’artista Giovanni Gaggia, tenutasi a partire dal 27 dicembre 2020 presso il Museo Statale Tattile Omero di Ancona in cui è stato osteso uno splendido arazzo poi chiuso in tubo di metallo. La mostra e la conseguente performance hanno dato vita ad un archivio permanente ed in continua evoluzione che r…[Read more]

The drama of the Niger Delta region has enjoyed robust scholarship. This essay interrogates J. P. Clark-Bekederemo’s drama against the cultural milieu of the region and tries to investigate the connections between the rich folklore of the area and the wealth of poetry and imagery contained in his drama. The essay investigates the terrain,…[Read more]