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Hania Nashef deposited "Jordan Unrest: Did Royal Twittering Absorb Some of the Anger?" in the group
LLC Arabic on MLA Commons 9 years, 10 months agoShafiiq Rushaydaat Street, commonly known as University Street, in the northern Jordanian city of Irbid is recognized by the Guinness Book of Records as having the world’s largest number of Internet cafés in one square kilometer.
Because of the proliferation of computers and Internet service providers, Jordan by the 1990s was one of the le…[Read more] -
Hania Nashef deposited "Jordan Unrest: Did Royal Twittering Absorb Some of the Anger?" on MLA Commons 9 years, 10 months ago
Shafiiq Rushaydaat Street, commonly known as University Street, in the northern Jordanian city of Irbid is recognized by the Guinness Book of Records as having the world’s largest number of Internet cafés in one square kilometer.
Because of the proliferation of computers and Internet service providers, Jordan by the 1990s was one of the le…[Read more] -
Hania Nashef deposited “Not to Get Lost in the Loss”: Narrating the Story in Mourid Barghouti’s I Was Born There, I Was Born Here and in Deborah Rohan’s The Olive Grove – A Palestinian Story." in the group
TC Memory Studies on MLA Commons 9 years, 10 months agoIn his introduction to Mourid Barghouti novel, I saw Ramallah, Edward Said refers to the Palestinians as a displaced and a misplaced people. Regardless of the nationalities they carry or countries they live in, they carry with them the trauma of events that led to the loss of their homeland, and the grief of this loss and endless displacement.…[Read more]
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Hania Nashef deposited “Not to Get Lost in the Loss”: Narrating the Story in Mourid Barghouti’s I Was Born There, I Was Born Here and in Deborah Rohan’s The Olive Grove – A Palestinian Story." in the group
LLC Arabic on MLA Commons 9 years, 10 months agoIn his introduction to Mourid Barghouti novel, I saw Ramallah, Edward Said refers to the Palestinians as a displaced and a misplaced people. Regardless of the nationalities they carry or countries they live in, they carry with them the trauma of events that led to the loss of their homeland, and the grief of this loss and endless displacement.…[Read more]
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Hania Nashef deposited “Not to Get Lost in the Loss”: Narrating the Story in Mourid Barghouti’s I Was Born There, I Was Born Here and in Deborah Rohan’s The Olive Grove – A Palestinian Story." in the group
GS Prose Fiction on MLA Commons 9 years, 10 months agoIn his introduction to Mourid Barghouti novel, I saw Ramallah, Edward Said refers to the Palestinians as a displaced and a misplaced people. Regardless of the nationalities they carry or countries they live in, they carry with them the trauma of events that led to the loss of their homeland, and the grief of this loss and endless displacement.…[Read more]
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Hania Nashef deposited “Not to Get Lost in the Loss”: Narrating the Story in Mourid Barghouti’s I Was Born There, I Was Born Here and in Deborah Rohan’s The Olive Grove – A Palestinian Story." in the group
CLCS Global Arab and Arab American on MLA Commons 9 years, 10 months agoIn his introduction to Mourid Barghouti novel, I saw Ramallah, Edward Said refers to the Palestinians as a displaced and a misplaced people. Regardless of the nationalities they carry or countries they live in, they carry with them the trauma of events that led to the loss of their homeland, and the grief of this loss and endless displacement.…[Read more]
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Hania Nashef deposited “Not to Get Lost in the Loss”: Narrating the Story in Mourid Barghouti’s I Was Born There, I Was Born Here and in Deborah Rohan’s The Olive Grove – A Palestinian Story." in the group
CLCS 20th- and 21st-Century on MLA Commons 9 years, 10 months agoIn his introduction to Mourid Barghouti novel, I saw Ramallah, Edward Said refers to the Palestinians as a displaced and a misplaced people. Regardless of the nationalities they carry or countries they live in, they carry with them the trauma of events that led to the loss of their homeland, and the grief of this loss and endless displacement.…[Read more]
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Hania Nashef deposited “Not to Get Lost in the Loss”: Narrating the Story in Mourid Barghouti’s I Was Born There, I Was Born Here and in Deborah Rohan’s The Olive Grove – A Palestinian Story." on MLA Commons 9 years, 10 months ago
In his introduction to Mourid Barghouti novel, I saw Ramallah, Edward Said refers to the Palestinians as a displaced and a misplaced people. Regardless of the nationalities they carry or countries they live in, they carry with them the trauma of events that led to the loss of their homeland, and the grief of this loss and endless displacement.…[Read more]
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Hania Nashef deposited "Let the Demon in: Death and Guilt in The Master of Petersburg." in the group
TM Literary Criticism on MLA Commons 9 years, 10 months agoUnlike his earlier novels, J.M. Coetzee’s The Master of Petersburg, has not received the attention that it deserves from the critics. The novel, which is set in Russia not only draws on real aspects of Fyodor Dostoevsky’s life but also on certain events in the Russian author’s novels, specifically The Devils. Coetzee’s Dostoevsky is an aging a…[Read more]
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Hania Nashef deposited "Let the Demon in: Death and Guilt in The Master of Petersburg." in the group
TC Psychology, Psychoanalysis, and Literature on MLA Commons 9 years, 10 months agoUnlike his earlier novels, J.M. Coetzee’s The Master of Petersburg, has not received the attention that it deserves from the critics. The novel, which is set in Russia not only draws on real aspects of Fyodor Dostoevsky’s life but also on certain events in the Russian author’s novels, specifically The Devils. Coetzee’s Dostoevsky is an aging a…[Read more]
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Hania Nashef deposited "Let the Demon in: Death and Guilt in The Master of Petersburg." in the group
LLC 20th- and 21st-Century English and Anglophone on MLA Commons 9 years, 10 months agoUnlike his earlier novels, J.M. Coetzee’s The Master of Petersburg, has not received the attention that it deserves from the critics. The novel, which is set in Russia not only draws on real aspects of Fyodor Dostoevsky’s life but also on certain events in the Russian author’s novels, specifically The Devils. Coetzee’s Dostoevsky is an aging a…[Read more]
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Hania Nashef deposited "Let the Demon in: Death and Guilt in The Master of Petersburg." in the group
GS Prose Fiction on MLA Commons 9 years, 10 months agoUnlike his earlier novels, J.M. Coetzee’s The Master of Petersburg, has not received the attention that it deserves from the critics. The novel, which is set in Russia not only draws on real aspects of Fyodor Dostoevsky’s life but also on certain events in the Russian author’s novels, specifically The Devils. Coetzee’s Dostoevsky is an aging a…[Read more]
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Hania Nashef deposited "Let the Demon in: Death and Guilt in The Master of Petersburg." in the group
CLCS 20th- and 21st-Century on MLA Commons 9 years, 10 months agoUnlike his earlier novels, J.M. Coetzee’s The Master of Petersburg, has not received the attention that it deserves from the critics. The novel, which is set in Russia not only draws on real aspects of Fyodor Dostoevsky’s life but also on certain events in the Russian author’s novels, specifically The Devils. Coetzee’s Dostoevsky is an aging a…[Read more]
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Hania Nashef deposited "Let the Demon in: Death and Guilt in The Master of Petersburg." on MLA Commons 9 years, 10 months ago
Unlike his earlier novels, J.M. Coetzee’s The Master of Petersburg, has not received the attention that it deserves from the critics. The novel, which is set in Russia not only draws on real aspects of Fyodor Dostoevsky’s life but also on certain events in the Russian author’s novels, specifically The Devils. Coetzee’s Dostoevsky is an aging a…[Read more]
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Hania Nashef deposited The abject/the terrorist/the reel Arab – a point of intersection in the group
TC Popular Culture on MLA Commons 9 years, 10 months agoMedia representations of Arabs and terrorists.
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Hania Nashef deposited The abject/the terrorist/the reel Arab – a point of intersection in the group
MS Visual Culture on MLA Commons 9 years, 10 months agoMedia representations of Arabs and terrorists.
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Hania Nashef deposited The abject/the terrorist/the reel Arab – a point of intersection on MLA Commons 9 years, 10 months ago
Media representations of Arabs and terrorists.
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Hania Nashef deposited The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect in the group
TC Postcolonial Studies on MLA Commons 9 years, 10 months agon her treatise on abjection, Julia Kristeva argues that the abject is located outside the self, remaining in a state of repulsion that threatens to destroy the self. Abject representations are prevalent in the way terrorists have been portrayed in the Western news media post-September 11, 2001. These images of abjection are problematic, as they…[Read more]
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Hania Nashef deposited The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect in the group
TC Popular Culture on MLA Commons 9 years, 10 months agon her treatise on abjection, Julia Kristeva argues that the abject is located outside the self, remaining in a state of repulsion that threatens to destroy the self. Abject representations are prevalent in the way terrorists have been portrayed in the Western news media post-September 11, 2001. These images of abjection are problematic, as they…[Read more]
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Hania Nashef deposited The blurring of boundaries: images of abjection as the terrorist and the reel Arab intersect in the group
MS Visual Culture on MLA Commons 9 years, 10 months agon her treatise on abjection, Julia Kristeva argues that the abject is located outside the self, remaining in a state of repulsion that threatens to destroy the self. Abject representations are prevalent in the way terrorists have been portrayed in the Western news media post-September 11, 2001. These images of abjection are problematic, as they…[Read more]
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